IMDb-BEWERTUNG
7,2/10
1799
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAfter being wounded in a fight, Zatoichi is nursed to health by a young woman and her father. Now indebted to the family, he works to protect their ferry business from local thugs.After being wounded in a fight, Zatoichi is nursed to health by a young woman and her father. Now indebted to the family, he works to protect their ferry business from local thugs.After being wounded in a fight, Zatoichi is nursed to health by a young woman and her father. Now indebted to the family, he works to protect their ferry business from local thugs.
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Not one of the highlights of the series, Zatoichi's Flashing Sword simply doesn't display enough of Ichi's skills. There's very little action and what there is is brief. The story itself feels padded out, even at a brisk 82 minutes, and one gets the feeling Daiei was simply trying to turn out as many films as possible to capitalise on the character's popularity. It's not bad, merely disappointing.
True, Zatoichi movies follow the same general pattern from one film to the next, and they're uniformly watchable. With Zatôichi abare tako, however, the film-making is on a higher level, with a convincing balance of swordplay, drama, and genuinely amusing moments. Perhaps most satisfying of all, the plot has a few truly disconcerting twists - even from the very beginning, when Zatoichi is nearly killed.
Period details are rendered nicely, as with the primitive ferrying service, and let's not forget the sword tricks; at the very start, Zatoichi, troubled by a few flies and unable to sleep, dispatches the insects in two quick strokes. When we see the culminating "fireworks," it's perfectly integrated into the film.
This film shows enough film-making craft to put it near the top of the Zatoichi canon.
Period details are rendered nicely, as with the primitive ferrying service, and let's not forget the sword tricks; at the very start, Zatoichi, troubled by a few flies and unable to sleep, dispatches the insects in two quick strokes. When we see the culminating "fireworks," it's perfectly integrated into the film.
This film shows enough film-making craft to put it near the top of the Zatoichi canon.
The title of this one should be Zatoichi Kills a Bunch of Guys. There's little subtlety in this one. None of the things that made the series great are in this flick at all. If you've seen every other Ichi movie, then, perhaps you should see this one for closure, but, wait until you get to that bridge.
If you've seen one Zatoichi film, then this one will be nothing new. The thing is, that Shintarô Katsu does such a great job playing Zatoichi, that I don't care how similar these movies are. This movie is a little different in that the beginning of the movie has several light humorous moments, the fact that Zatoichi is shot seems to have no bearing. But like all the other films in the series, it gets serious. In case, pretty serious. Katsu can be lighthearted and charming but when he means business, I wouldn't want to mess with him. As for the battles not a whole lot until the end, but that one is a doozy. I tried counting how many people he kills; I lost count after 35. So, if you're a sucker for Zatoichi, then this one should be fun viewing.
As the other commenter's have said it is mostly more of the same. Also, I have to agree that the plot is a less involved than in other Zatoichis, although I don't think any of this films are very complex, so if you enjoyed the others you will probably enjoy this one. There were two things that stood out to differentiate this from earlier Zatoichis though. First, it had a few goofy/slap stick type moments, which I don't remember being very common in earlier ones. Second, when Zatoichi got angry he seemed evil and creepy. Usually he gives more of the impression that he is defending himself, but this time he was out for blood. Not the best but entertaining.
Wusstest du schon
- WissenswertesWhile Zatoichi is repeatedly referred to as a masseur in the English subtitles, the Japanese term Anma would be more correct. Anma was both the term used for the practice and the generally nomadic practitioner of Japanese massage. In fact, edicts were passed so that massage was solely a vocation for the blind, forbidden to be learned by any with sight.
- VerbindungenFeatured in Best in Action: 1964 (2020)
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- 1 Std. 22 Min.(82 min)
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- 2.35 : 1
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