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This Is Not a Test

  • 1962
  • Not Rated
  • 1 Std. 13 Min.
IMDb-BEWERTUNG
5,3/10
955
IHRE BEWERTUNG
This Is Not a Test (1962)
DramaScience-Fiction

Füge eine Handlung in deiner Sprache hinzuA deputy sheriff stops motorists on a mountain road after police dispatch reports of a possible nuclear attack.A deputy sheriff stops motorists on a mountain road after police dispatch reports of a possible nuclear attack.A deputy sheriff stops motorists on a mountain road after police dispatch reports of a possible nuclear attack.

  • Regie
    • Fredric Gadette
  • Drehbuch
    • Peter Abenheim
    • Betty Lasky
    • Fredric Gadette
  • Hauptbesetzung
    • Seamon Glass
    • Thayer Roberts
    • Aubrey Martin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,3/10
    955
    IHRE BEWERTUNG
    • Regie
      • Fredric Gadette
    • Drehbuch
      • Peter Abenheim
      • Betty Lasky
      • Fredric Gadette
    • Hauptbesetzung
      • Seamon Glass
      • Thayer Roberts
      • Aubrey Martin
    • 58Benutzerrezensionen
    • 24Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung17

    Ändern
    Seamon Glass
    • Deputy Sheriff Dan Colter
    Thayer Roberts
    Thayer Roberts
    • Jacob Elliot Saunders
    Aubrey Martin
    • Juney
    Mary Morlas
    • Cheryl Hudson
    Michael Greene
    Michael Greene
    • Joe Baragi
    • (as Mike Green)
    Alan Austin
    • Al Weston
    Carole Kent
    • Karen Barnes
    • (as Carol Kent)
    Norman Winston
    • Sam Barnes
    Ron Starr
    • Clint Delany
    Don Spruance
    • Peter
    James George Jr.
    • Looter
    Norman Bishop
    • Looter
    • (as Norm Bishop)
    Ralph Manza
    Ralph Manza
    • Looter
    Jay Della
    • Looter
    William Flaherty
    • Looter
    Phil Donati
    • Looter
    Doyle Cooper
    • Looter
    • Regie
      • Fredric Gadette
    • Drehbuch
      • Peter Abenheim
      • Betty Lasky
      • Fredric Gadette
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen58

    5,3955
    1
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    Empfohlene Bewertungen

    6gkallen7

    Atomic-age film noir.

    People who are expecting a science-fiction plot will be much disappointed by this B&W suspense film, set entirely at a highway roadblock at night. The plot elements of a hard-boiled detective story (escaped murderer, faithless alcoholic wife trolling for danger) are fitted into the nuclear holocaust environment typical of the late 1950s and early 1960s America. The success of the Soviet Union's Sputnik in 1957 and the perceived threat of the Cuban Missile Crisis of October 1962 form the framework of a story of little people whose lives are overtaken by events they cannot control. "Thirteen Days" (2000) would be a suitable "A" film to this low-budget "B" film in order to supply the background of tension missing to the contemporary viewer who comes upon this film with no forewarning.
    ivan-22

    Best Atomic Age Drama

    Here is what I wrote in my 1983 diary:

    A very good low-budget movie about the nuclear holocaust. People are stranded in the desert awaiting impending doom. What I liked about it is that it takes no sides, and doesn't end conventionally. The critics didn't think much of it, but I find it more effective than "Dr. Strangelove" which takes war too lightly.

    Low budget suits this subject perfectly, because sparse and austere treatment is appropriate for such a momentous subject.

    It puzzles me that all three writers never worked before OR SINCE. What became of them?
    rufasff

    Great Apocalyptic Bargain Basement Noir

    It may have helped that I stumbled on this by complete accident, but

    this is the end of the world on a Coleman Fransis budget and it works

    fine.

    The story is taut and surprising; I liked the way the horrible

    authority figure can never quite be dismissed, he might just save all

    there lives. The ironies packed into its 72 minutes are all handled with

    a light touch.

    The cast seems inexperienced but mostly do just fine. Mike Green

    would go on to play the boss in Albert Brook's great meltdown scene in

    "Lost In America." Few know about this film, see it if you can. It stands nicely

    along side "Miracle Mile." I wonder if history will ever make these

    movies obsolete?
    7Blamer

    Roadblock on the Highway to Hell

    A group of motorists traveling a remote mountain road are stopped at a roadblock by a no-nonsense highway patrolman, who is looking for an escaped felon. Suddenly, over the cop's radio comes the news that enemy ICBMs are on the way. Of course, society -- represented in microcosm by the small group -- freaks out, trying to come to grips with the fact that they are trapped between a rock and a hard place, with almost certain death only minutes away. This very low-budget Cold War flick is actually fairly effective and is played plausibly, with decent performances turned in by the virtually unknown cast. Tautly suspenseful, and well worth tracking down.
    7sol-kay

    Explosive 1962 sleeper, the year of the Cuban Missile Crisis, when this fictional film almost became a reality

    *****SPOILERS**** Futuristic-type movie made back in 1962 about an impending USSR nuclear missile attack on America and how it effected a number of motorists and a deputy sheriff stranded in the dark and cold California desert.

    We see the people start to panic as the hour minute and second of doom gets closer and closer and how all civility as well as the respect for law and order starts to fall apart. The movie for a while takes on an almost soap opera-like quality as some of the people there, Karen and Al, begin to have an affair at the expense of Karen's husband Sam which leads him to get very depressed and later to kill himself.

    There is also Clint who's an escaped psycho murder who hitched a ride with Al, on his tractor-trailer, who takes off when Sheriff Colter tries to talk to him. Clint ends up hiding in the desert brush popping up in the movie every now and them. Clint seems to be there for no other reason but to show the audience that he's still around when the world comes to an end.

    By far the most interesting person in the movie "This is not a test" was Sheriff Colter who we see changed from a cool and in charge type of guy to an paranoid lunatic. Sheriff gets every one into Al's tractor-trailer and stuffs the air vents with mud to keep the radioactive air out after the inevitable nuclear blast. Which was really dumb on his part since without air, radioactive or otherwise, you can't survive.

    Colter also goes nuts when he spotted Karen's little dog, for a moment Colter was looking at the poor mutt like he wanted to eat it, and crazily grabs and kills it by twisting it's head off why? According to Colter the dog was using up the air inside the truck. Colter becomes almost as dangerous as the coming nuclear blast is to the people who had the sad misfortune to be stuck with him as he loses his grip on things more the anyone, with the possible exception of Clint, else of the movie.

    Pretty effective for a low-budget movie with a cast of unknowns that doesn't cop-out in the end as you would have expected it too. It's good to see that it's available on DVD for people to view it and see just what kind of fear and terror of a nuclear war that was on the minds of so many Americans back then in 1962 the year that a real nuclear war almost broke out during the Cuban Missile Crisis.

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    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      At approximately the 14:00 mark, a character asks aloud if "CONELRAD knows what's going on," then several characters rush over to their cars to tune in their radios. Between 1951-63, CONELRAD (Control of Electromagnetic Radiation) was an emergency broadcast system set up to inform American citizens in the event of an enemy attack during the Cold War. In such an emergency, all US television and FM radio stations were required to stop broadcasting. Upon alert, most AM medium-wave stations would shut down; the stations that stayed on the air would transmit emergency information at either AM 640 or AM 1240--iin fact, most radios manufactured during this time even had special marks printed on their dials at the 640 and 1240 spots). In 1963, CONELRAD was replaced by EBS (Emergency Broadcast System), and in 1997, EBS was replaced by EAS (Emergency Alert System).
    • Patzer
      After a red alert is announced on the police radio both June and the deputy continue to refer to a yellow alert.
    • Zitate

      Cheryl Hudson: Wake up, Joe. I think our luck just ran out.

      Joe Baragi: I'm not sleepin', baby. I'm just too much of a coward to keep my eyes open when you're drivin'. Dig?

    • Crazy Credits
      Because the cast was largely unknown, the opening credits list only the director and crew. No actor names appear.
    • Verbindungen
      Edited into Pale Moonlight Theater: This Is Not a Test (2017)

    Top-Auswahl

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    FAQ15

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    Details

    Ändern
    • Erscheinungsdatum
      • 1962 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Esto no es un simulacro
    • Drehorte
      • Los Angeles County, Kalifornien, USA(roadblock)
    • Produktionsfirma
      • GPA Productions
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    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 13 Min.(73 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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