Nachdem sein Herr gestorben ist, schafft ein Bauernknappe, angeheizt von seinem Verlangen nach Nahrung und Ruhm, eine neue Identität für sich als Ritter.Nachdem sein Herr gestorben ist, schafft ein Bauernknappe, angeheizt von seinem Verlangen nach Nahrung und Ruhm, eine neue Identität für sich als Ritter.Nachdem sein Herr gestorben ist, schafft ein Bauernknappe, angeheizt von seinem Verlangen nach Nahrung und Ruhm, eine neue Identität für sich als Ritter.
- Auszeichnungen
- 4 Gewinne & 13 Nominierungen insgesamt
- Christiana
- (as Berenice Bejo)
- Simon the Summoner
- (as Steve O'Donnell)
Empfohlene Bewertungen
An impressive ensemble cast including the superior Paul Bettany (Chaucer - you can see he had fun with this rather exposing (!) role), Rufus Sewell, Mark Addy, Christopher Cazenove, James Purefoy and Alan Tudyk provides a film that is nigh-on flawless for cinematography that is exciting and gripping, the screenplay - the script - is amazing, laugh out loud funny all the way through. It's one of those films which require certain intelligence to get all the asides and witticisms, or numerous viewings to pick up on all of them, otherwise its still a funny and enjoyable film. With something for everyone this film is a joy to watch again and again, it's also attractive visually - many points to the costumers who mixed historical fashion with a modern edgy almost punk twist. Ditto the soundtrack - mixing in modern music was a clever touch, similar to Romeo and Juliet (Baz Luhrmann), and also an interesting look at fame and the cult of celebrity.
A great viewing experience which sometimes even brings a tear to my eye. If you don't enjoy this film, there's something wrong with you. Ignore the haters, it's not supposed to be historically accurate or high-brow! Sometimes a feel-good, comfortable, Disney-esque story arc is just what you want.
But I stayed with it, and I'm glad I did. Once you get past the glaring anachronisms (put in the film on purpose, of course), you find the movie is actually quite true to its period.
The presence of Chaucer in the film, combined with some of its details, leads me to suspect that Brian Helgeland has read "Chaucer's Knight" by fellow filmmaker Terry Jones (of Monty Python fame). The book deconstructs the knight in Chaucer's "The Knight's Tale" in a totally unique way -- he is seen NOT as the flower of medieval chivalry (as most scholars have interpreted him), but as a mercenary out for nothing but money and blood. The character in the film Chaucer would have written about, then, is not Sir William Thatcher (Heath Ledger), but Count Adhemar of Anjou (Rufus Sewell).
The part of the film in which this connection "clicked" for me was the scene where Count Adhemar is called away to his command in a "Free Company" -- a particular stain on the reputation of knighthood which Jones talks extensively about in his book.
Jones' book made use of extensive research into medieval history, and Helgeland's film obviously does, too.
Chaucer was a master of satire in his day. Helgeland's use of modern conventions in a period film is a conceit of which - I believe - Chaucer would definitely have approved.
I gave "A Knight's Tale" 9 out of 10 - it's not perfect, but I like it so much, I try to watch it every time it comes on (it's been on HBO and Cinemax pretty regularly for the past several months). Check it out!
But as soon as I saw Mark Addy and Alan Tudyk I thought: wait a minute... this is going to be fun! And then the we will rock you scene came (which is a brilliant way to set the mood for a movie) and I was a fan.
I loved it and craved more and every second was worth watching. Queen, Bowie, Thin Lizzy, AC/DC... next to Heath, Mark, Paul and Alan they were the main characters of this movie.
I've now seen this film about six times, and though I can't say that I see something new in it every time (it's just not that complicated), I can say that I have enjoyed it each and every time. The characters, though relatively uncomplicated, are very lovable and the casting is quite excellent all around. Before Brokeback Mountain, William Thatcher was Heath Ledger's most memorable role. He's a poor boy from London's Cheapside who wants to change his stars and to become an honored knight. Travelling from tournament to tournament with his fellow indentured servants, his liege passes on, and William seizes the moment - taking his armor and his horse to become Sir Ulrich Von Liechtenstein of the Gelderland.
He is joined by the other now-free indentures, and eventually, by Chaucer and a female Farrier played by the wonderful Laura Fraser. Eventually, William falls in love with a princess and is challenged by a rival for her affections with a lot more experience, money and political clout. The love story, which could have easily become a distracting annoyance, in fact, comes to dominate and drive the story very nicely.
Special kudos to Ledger, Alan Tudyk, Rufus Sewell, Paul Bettany and James Purefoy for their awesome performances. And extra special kudos to Director Brian Helgeland for pulling off an impossible task - taking a fairy tale, making us want to believe it, and yet retaining some wonderful elements of silliness often missing in the fairy tale genre. This would make a wonderful romantic living-room double feature with The Princess Bride.
Recommendation: Definitely worth seeing.
Chronologically, historically and geographically incorrect.
Full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! What more can I say?
I tell you what I can say, I thoroughly enjoyed it!!! I laughed from beginning to end and was enraptured by the sense of friendship that these people displayed.
I only wish we could all be like them!
I loved it.
Wusstest du schon
- WissenswertesWhen Chaucer first introduces "Sir Ulrich" in his speech, the crowd doesn't react at first because the Czech extras didn't understand it. Mark Addy's loud prompt tipped them off to start cheering. The awkward moment was left in because it made the scene funnier.
- PatzerThis is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
- Zitate
Chaucer: You're good. You're very good. My lords, my ladies, and everybody else here not sitting on a cushion!
[crowd roars]
Chaucer: Today... today, you find yourselves equals.
[crowd roars]
Chaucer: For you are all equally blessed. For I have the pride, the privilege, nay, the pleasure of introducing to you to a knight, sired by knights. A knight who can trace his lineage back beyond Charlemagne. I first met him atop a mountain near Jerusalem, praying to God, asking his forgiveness for the Saracen blood spilt by his sword. Next, he amazed me still further in Italy when he saved a fatherless beauty from the would-be ravishing of her dreadful Turkish uncle.
[crowd, boo]
Chaucer: In Greece he spent a year in silence just to better understand the sound of a whisper. And so without further gilding the lily and with no more ado, I give to you, the seeker of serenity, the protector of Italian virginity, the enforcer of our Lord God, the one, the only, Sir Ulllrrrich von Lichtenstein!
[crowd roars]
Chaucer: Thank you, thank you, I'll be here all week.
- Crazy CreditsAfter the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
- Alternative VersionenThere is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
- VerbindungenFeatured in HBO First Look: The Making of 'A Knight's Tale' (2001)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
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- Drehorte
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Box Office
- Budget
- 65.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 56.569.702 $
- Eröffnungswochenende in den USA und in Kanada
- 16.511.391 $
- 13. Mai 2001
- Weltweiter Bruttoertrag
- 117.487.657 $
- Laufzeit2 Stunden 12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1