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Ritter aus Leidenschaft

Originaltitel: A Knight's Tale
  • 2001
  • 12
  • 2 Std. 12 Min.
IMDb-BEWERTUNG
7,0/10
213.101
IHRE BEWERTUNG
BELIEBTHEIT
1.049
12
Heath Ledger in Ritter aus Leidenschaft (2001)
Home Video Trailer from Columbia Pictures
trailer wiedergeben2:22
7 Videos
99+ Fotos
Feel-Good-RomanzeAbenteuerActionDramaRomanze

Nachdem sein Herr gestorben ist, schafft ein Bauernknappe, angeheizt von seinem Verlangen nach Nahrung und Ruhm, eine neue Identität für sich als Ritter.Nachdem sein Herr gestorben ist, schafft ein Bauernknappe, angeheizt von seinem Verlangen nach Nahrung und Ruhm, eine neue Identität für sich als Ritter.Nachdem sein Herr gestorben ist, schafft ein Bauernknappe, angeheizt von seinem Verlangen nach Nahrung und Ruhm, eine neue Identität für sich als Ritter.

  • Regie
    • Brian Helgeland
  • Drehbuch
    • Brian Helgeland
  • Hauptbesetzung
    • Heath Ledger
    • Mark Addy
    • Rufus Sewell
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    213.101
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.049
    12
    • Regie
      • Brian Helgeland
    • Drehbuch
      • Brian Helgeland
    • Hauptbesetzung
      • Heath Ledger
      • Mark Addy
      • Rufus Sewell
    • 756Benutzerrezensionen
    • 125Kritische Rezensionen
    • 56Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 13 Nominierungen insgesamt

    Videos7

    A Knight's Tale
    Trailer 2:22
    A Knight's Tale
    A Knight's Tale Additional Scene
    Clip 1:09
    A Knight's Tale Additional Scene
    A Knight's Tale Additional Scene
    Clip 1:09
    A Knight's Tale Additional Scene
    A Knight's Tale Scene: We Will Rock You
    Clip 0:58
    A Knight's Tale Scene: We Will Rock You
    A Knight's Tale Scene: Training
    Clip 0:58
    A Knight's Tale Scene: Training
    A Knight's Tale Scene: Concentrate
    Clip 0:55
    A Knight's Tale Scene: Concentrate
    A Knight's Tale: Epk
    Featurette 4:37
    A Knight's Tale: Epk

    Fotos165

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    Topbesetzung38

    Ändern
    Heath Ledger
    Heath Ledger
    • William Thatcher
    Mark Addy
    Mark Addy
    • Roland
    Rufus Sewell
    Rufus Sewell
    • Count Adhemar
    Shannyn Sossamon
    Shannyn Sossamon
    • Jocelyn
    Paul Bettany
    Paul Bettany
    • Geoffrey Chaucer
    Laura Fraser
    Laura Fraser
    • Kate
    Alan Tudyk
    Alan Tudyk
    • Wat
    Bérénice Bejo
    Bérénice Bejo
    • Christiana
    • (as Berenice Bejo)
    Scott Handy
    Scott Handy
    • Germaine
    James Purefoy
    James Purefoy
    • Colville
    Leagh Conwell
    Leagh Conwell
    • Young William Thatcher
    Christopher Cazenove
    Christopher Cazenove
    • John Thatcher
    Steven O'Donnell
    Steven O'Donnell
    • Simon the Summoner
    • (as Steve O'Donnell)
    Jonathan Slinger
    Jonathan Slinger
    • Peter the Pardoner
    Nick Brimble
    Nick Brimble
    • Sir Ector
    Karel Dobrý
    Karel Dobrý
    • Flanders King of Arms
    Philip Lenkowsky
    Philip Lenkowsky
    • Rouen King of Arms
    Roger Ashton-Griffiths
    Roger Ashton-Griffiths
    • Old Bishop
    • Regie
      • Brian Helgeland
    • Drehbuch
      • Brian Helgeland
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen756

    7,0213.1K
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    Empfohlene Bewertungen

    8HelenMary

    This film was weighed measured and not found wanting at all

    This film shows without any quibbling just how bright the star of Heath Ledger was. He is luminous in this; beautiful, funny, physical and engaging. He plays excellently against the stunning Shannyn Sossamon, who fits perfectly into the modern medieval setting of this film. Set in the C14th a man of poor birth but sharp intellect rises through the ranks of page-dom with the desire to become a nobleman for food, fame, glory and love.

    An impressive ensemble cast including the superior Paul Bettany (Chaucer - you can see he had fun with this rather exposing (!) role), Rufus Sewell, Mark Addy, Christopher Cazenove, James Purefoy and Alan Tudyk provides a film that is nigh-on flawless for cinematography that is exciting and gripping, the screenplay - the script - is amazing, laugh out loud funny all the way through. It's one of those films which require certain intelligence to get all the asides and witticisms, or numerous viewings to pick up on all of them, otherwise its still a funny and enjoyable film. With something for everyone this film is a joy to watch again and again, it's also attractive visually - many points to the costumers who mixed historical fashion with a modern edgy almost punk twist. Ditto the soundtrack - mixing in modern music was a clever touch, similar to Romeo and Juliet (Baz Luhrmann), and also an interesting look at fame and the cult of celebrity.

    A great viewing experience which sometimes even brings a tear to my eye. If you don't enjoy this film, there's something wrong with you. Ignore the haters, it's not supposed to be historically accurate or high-brow! Sometimes a feel-good, comfortable, Disney-esque story arc is just what you want.
    lowercasegods

    The most heart and fun of 2001

    I'd read that Brian Helgeland had been soured by the movie industry due to his mistreatment on his film, "Payback." I use "his film" in the most liberal sense here, as star Mel Gibson wrestled control of the film from Helgeland and imposed his own view on the final editing process. With this situation in mind, I fully expected "A Knight's Tale" to be a creative response to that negative filmmaking experience, a fun and free film that thumbed its nose at tradition and set style and which allowed the director's true vision to shine through with no outside interference. And my friends, that's exactly what I got when I first sat down to watch in back in 2001. "A Knight's Tale" celebrates the classic and vastly misused/underused genre of medieval movies, while at the same time knocking the genre on its ear by instilling the film with modern themes, attitudes and a classic rock score. Sadly, it was these elements which repelled most viewers and led to "A Knight's Tale's" lackluster performance at the box office. Were these people just a little more open minded, they would have allowed themselves a wonderful movie-going experience that celebrates individuality, love, and above all else, friendship. Though the music is crucial to the uniqueness of this film (and a brilliant addition, I might add), it's the relationships amongst the characters that gives this film its heart. William and Jocelyn are the perfect couple: bickering, floundering, and absolutely in love with one another. Wat, Roland, Kate and Geoff, wonderful characters unwilling to be fopped off as simple comic reliefs, show genuine love and loyalty to William, and do as much to contribute and carry the story along as William and the other two leads accomplish. Count Adamar, the film's villain, is a wonderful foil for William. He is cunning and cruel, and even in his moments of defeat, a character to respect. In many cases, such a villain would be made to seem wimpy or, at his moment of defeat, clumsy. Not so here, as Adamar is, throughout the film, a force to be reckoned with. I suppose part of why I love "A Knight's Tale" is my ability to relate to it so personally. I've certainly had my share of challenges, and aspired to be more than what I currently was. And I've also known friendships so loyal and loving that fiction could never invent. Most significantly, I've lived the pursuit of true love and, like William, have obtained it with no small amount of satisfaction. Everyone to some degree or another has also had these experiences in their lives, and its these experiences that built the foundation of "A Knight's Tale," which is exactly what makes it such a wonderful film, more than worthy of a second chance by those who previously doubted it, and much more than worthy of a spot in any fan's movie collection.
    alancrennell

    If you want to watch a serious film, don't watch this!

    Totally unbelievable.

    Chronologically, historically and geographically incorrect.

    Full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! What more can I say?

    I tell you what I can say, I thoroughly enjoyed it!!! I laughed from beginning to end and was enraptured by the sense of friendship that these people displayed.

    I only wish we could all be like them!

    I loved it.
    7kergillian

    Could've been an absolute bomb, but somehow magically works perfectly!

    this film is ridiculously unbelievable, thin on plot, shamefully predictable, historically inaccurate in so many ways...yet it all works! The combination of modern music to medieval setting should be awful, but no, it works! The costumes are totally wrong for the period (on purpose I'd hazard to guess - at one point Angelina Jolie lookalike Shannyn Sossamon is wearing a hat & dress outfit that looks startlingly similar to a costume Julia Roberts wore in Pretty Woman...) but it works! Heath Ledger is an Aussie (what happened to the black hair he had in 10 Things I Hate About You! I didn't recognize him!) and Alan Tudyk is a Texan, so their accents should have tanked! But they didn't, just a few slippages a la Mel Gibson in Braveheart or Jonny Lee Miller in Hackers...

    This film is funny, fast-paced (certainly didn't *feel* over 2h...), well constructed, hilariously tongue-in-cheek (From the We Will Rock You opening scene to the Nike swooshes on the armor I couldn't stop laughing!) It certainly has its problems (including some *horribly* cheezy lines - most on purpose but that doesn't make them any less horrible! and an evil Hollywood ending - including a Bravheart-like scream of defiance in the final joust that made me cringe...) but those problems are overcome by sharp wit and consistent amusement. The actors were obviously enjoying themselves, and the action was beautifully blended in with the rest of the film. None of the jousting scenes were too long (like, say, the race in Phantom Menace...) and all were shot in such a way as to make them really exciting!

    And I have to laud Paul Bettany who was an incredible and incredibly amusing Geoffrey Chaucer...even though he looks eerily similar, IMO, to Thom Yorke...)

    Kudos to anyone who recognizes Laura Fraser (the blacksmith) from Man in the Iron Mask...

    Overall: A great watch. I went in expecting little and came out extremely satisfied. Not the best film of its kind, but a head above most. And the blending of contemporary style and music and characterization with the medieval story/setting is really well done. It really shouldn't but it does work! 7/10.
    9Sliperrymoves

    This film should not be any one's favourite film of ALL TIME...

    But it is mine.

    All HUGE heart, loyal friendship and REAL character WITH real characters. And a whole lot of fun and good laughs.

    Just, love it for what it is.

    Handlung

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    • Wissenswertes
      When Chaucer first introduces "Sir Ulrich" in his speech, the crowd doesn't react at first because the Czech extras didn't understand it. Mark Addy's loud prompt tipped them off to start cheering. The awkward moment was left in because it made the scene funnier.
    • Patzer
      This is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
    • Zitate

      Chaucer: You're good. You're very good. My lords, my ladies, and everybody else here not sitting on a cushion!

      [crowd roars]

      Chaucer: Today... today, you find yourselves equals.

      [crowd roars]

      Chaucer: For you are all equally blessed. For I have the pride, the privilege, nay, the pleasure of introducing to you to a knight, sired by knights. A knight who can trace his lineage back beyond Charlemagne. I first met him atop a mountain near Jerusalem, praying to God, asking his forgiveness for the Saracen blood spilt by his sword. Next, he amazed me still further in Italy when he saved a fatherless beauty from the would-be ravishing of her dreadful Turkish uncle.

      [crowd, boo]

      Chaucer: In Greece he spent a year in silence just to better understand the sound of a whisper. And so without further gilding the lily and with no more ado, I give to you, the seeker of serenity, the protector of Italian virginity, the enforcer of our Lord God, the one, the only, Sir Ulllrrrich von Lichtenstein!

      [crowd roars]

      Chaucer: Thank you, thank you, I'll be here all week.

    • Crazy Credits
      After the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
    • Alternative Versionen
      There is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
    • Verbindungen
      Featured in HBO First Look: The Making of 'A Knight's Tale' (2001)
    • Soundtracks
      We Will Rock You
      Written by Brian May

      Performed by Queen

      Courtesy of Hollywood Records and Courtesy of EMI Records UK Ltd.

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 6. September 2001 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
      • Latein
    • Auch bekannt als
      • Corazón de caballero
    • Drehorte
      • Barrandov Studios, Prag, Tschechische Republik(Studio)
    • Produktionsfirmen
      • Columbia Pictures
      • Escape Artists
      • Finestkind
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 65.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 56.569.702 $
    • Eröffnungswochenende in den USA und in Kanada
      • 16.511.391 $
      • 13. Mai 2001
    • Weltweiter Bruttoertrag
      • 117.487.657 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 12 Min.(132 min)
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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