Trotz minutiöser Vorbereitung und schärfster Sicherheitsvorkehrungen mündet die erste Mars-Mission in eine Katastrophe. Nun soll ein Rettungsteam nch möglichen Überlebenden und den genauen U... Alles lesenTrotz minutiöser Vorbereitung und schärfster Sicherheitsvorkehrungen mündet die erste Mars-Mission in eine Katastrophe. Nun soll ein Rettungsteam nch möglichen Überlebenden und den genauen Ursachen des Desasters suchen. Mit an Bord sind die NASA-Astronauten Woody Blake und Jim Mc... Alles lesenTrotz minutiöser Vorbereitung und schärfster Sicherheitsvorkehrungen mündet die erste Mars-Mission in eine Katastrophe. Nun soll ein Rettungsteam nch möglichen Überlebenden und den genauen Ursachen des Desasters suchen. Mit an Bord sind die NASA-Astronauten Woody Blake und Jim McConnell.
- Auszeichnungen
- 3 Nominierungen insgesamt
- Child at Party
- (as Jeff Ballard)
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Mission to Mars does not fit in this category. When I saw previews, the special effects looked great, but I could also tell that there was a plot to this movie. For once, I was right on the mark. Mission to Mars made you think about what was happening and what the consequences were going to be. The suspense takes a firm grip on one's eyelids and pulls them up to the ceiling.
What truly makes this movie stand above others of its ilk is the great acting of the characters. In sci-fi shoot 'em ups, the viewer develops a way of not caring for the characters, as they are uncreative and inflexible. Mission to Mars made me care about every single character; I was eagerly awaiting every twist and relished every event.
The climax (which I will not at all spoil) was hair raising and at the end extremely satisfying. Upon leaving the theater I quickly realised that I haven't seen a better movie all year.
I give every recommendation I know to go see this movie. And, by the way, look out for some foreshadowing. It's in there.
Brian De Palma's film is about how the first manned mission to Mars goes very wrong thanks to a catastrophic and somewhat mysterious event. A rescue team goes to Mars to see if anyone is alive and they discover something that may enchant them forever.
This film has a pretty good cast and it seems like they had a good time. I don't see much of Gary Sinise anymore, but he does a good job as Jim. Don Cheadle is awesome as always. I can't complain about Tim Robbins since he usually does a good job in anything. All in all, everyone has good chemistry here.
Overall, this is a decent, wonder-inspiring sci-fi film. It may not be perfect thanks to some corny dialogue and some times of slowness, but it's much better than what people give it credit for. It's also a film that gives a possible view on where we people from Earth came from. I can't believe people say Morricone's score is bad, but it's far from bad. It's a haunting, stylish score that will stick with you, just like the movie. I rate this film 8/10.
The story is engaging - the action sequences are realistic and entertaining - the special effects are excellent, with very realistic spaceship designs and photography. The main criticism I can level at the film is that is totally avoids some important scenes, such as the first landing on Mars, or the landing of Mars 2 crew. Also the initial scene is drawn out and there's far too much hugging going on !
This is an intelligent, but low-key film - it reminded me of some mid-fifties sci-fi, like the Thing. Perhaps audiences today are less sophisticated - having been brought up on a diet of poor action movies and even poorer Star Trek 'science fiction'. Mission to Mars has a more realistic basis, is less flashy - and I don't think there's even one explosion in the whole film.
If you enjoyed Contact or 2001 and want more of the same, then Mission to Mars is a definite must-watch. It's a shame that a quality film like this is getting panned so badly, as movie studios are more likely to avoid similar projects in the future. Would 2001 be made today ? I doubt it.
I'm a sci-fi fan, and a scientist, so I was initially intrigued by the notion of a big-name dramatic film-maker doing a sci fi epic, which appeared, at least initially, to be hardcore sci-fi. By hardcore sci-fi, I mean fiction based on scientific reality, not fantasy with a tiny bit of science thrown in for decoration. An example, also using Mars as a vehicle, is Ben Bova's novel "Mars" - which focuses on the very edge of plausibility, only occasionally overstepping the bounds of scientific possibility. Film has rarely achieved this - a few interesting exceptions are Alien (the original), Outland and Silent Running. Hardcore sci-fi, which, I argue, this film could and should have been, is careful about that boundary. And 3/4ths of the way through Mission to Mars, it's still a hardcore sci-fi flick. Then suddenly, it's something else. I will leave that something else for you to discover, and stay focused on what the director and screenwriter were trying to do here.
What we have here is not really a single plot, but a pastiche of plots that have been strung together into one long, mysterious and grandiose story line. The film starts out with a couple of scenes which might have been lost in Appollo 13 - providing a little bit of character development and letting us know that we are about to witness the first manned space flight to Mars. That flight ends pretty quickly, as virtually everything goes wrong. And as a rescue mission begins, the question then becomes, why is everything going wrong? Up to the point where the rescue mission enters Martian orbit, this central question is sustained and developed skillfully, but then , in my opinion, things start to go wrong with the film itself.
There are major problems with what could have been the best aspects of this film. The spaceships are remarkably flimsy and poorly designed, but they look great! The safety protocols for the mission, about which we hear so much, are either not followed or incredibly naive. The heroes are not particularly clever about heroism, and seem to forget, at times, what the actual possibilities are for mobility in space (why not use the tether three times - twice out to Woody and once to get back after you run out of fuel, Terry?). The guy who authored the safety protocols does not appear particularly concerned with safety, or even protocols. The evolutionary biologist on the crew is amazingly poorly informed about the Paleozoic period of earth history and the evolution of species. I could go on.
The film is broadly derivative of 2001 A Space Oddyssey, The Abyss, Star Gate, Event Horizon, Fifth Element, Contact, and a few dozen other somewhat entertaining but not particularly believable space / sci-fi adventures, but while it resembles, and in fact pays homage to these films (especially 2001), it never entertains quite as well. Why? Because these films do not pretend to be based on scientific ideas, but rather, aesthetics and humanism. While most of these films invite interpretation, Mission to Mars simply repeats ideas from previous films and doesn't even bother to recast them into an interesting new light. Mission to Mars is something that has been done many times before, and in more interesting, entertaining, and thought-provoking ways.
Technical proficiency, which is something this film exudes, is no substitute for a compelling story and interesting individual characters. Unfortunately, even in terms of technique, the film has some flaws. Some will disagree, but I found the soundtrack irritating, and the pace of the film very uneven to say the least. And the characters lives are so intertwined in the few character development sequences that only Sinise, Robbins and Bennings' characters develop rudimentary individualities.
Despite his reputation, I can not hold Brian De Palma up to standards which are different than those of other film-makers, and I can not condone creating a special vocabulary or a sophisticated argument to permit interpretation of his films as part of some over-arching theme which only he and a few of his fans understand. There is a fine line between flattering imitation and shameless copying, so I'd rather not get into an extrapolated meta-film discussion of this film's relationship to 2001. I don't think this film is worthy of such a sophisticated analysis.
There are some truly great moments in Mission to Mars. This should not be too surprising with the wonderful cast, big budget, and talented production team. What did surprise me about this film was the 2001-like 180 degree turn it took off of the map of scientific possibility 3/4ths of the way through the film, and I can't say that turn and its outcome really impressed me.
If you're a sci-fi fan, or somebody with a very casual interest in science, you should probably see this. But if you haven't seen 2001 first, by all means, wait until you have. And don't take this one too seriously when you do get around to it. This has much more to do with fiction than science fiction.
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- WissenswertesThe filmmakers created the Martian landscape in a massive sandpit near Vancouver. It was one of the biggest sets ever constructed for a movie - around two million square feet.
- Patzer(at around 1h 18 mins) While looking at a DNA sequence Terri Fisher says that the last two chromosomes are missing. What is missing is actually the last two nucleotides of the sequence. DNA does not have chromosomes. Rather, chromosomes are comprised of DNA, and a single chromosome will contain many tens or hundreds of millions of nucleotides.
- Zitate
Terri Fisher: The genetic difference between men and apes is only three percent. But that three percent gave us Einstein, Mozart...
Phil Ohlmyer: ...Jack The Ripper.
- Crazy CreditsThe National Aeronautics and Space Administration's cooperation and assistance does not reflect an endorsement of the contents of the film or the treatment of the characters depicted therein.
- VerbindungenFeatured in Late Night with Conan O'Brien: Lisa Rinna (2000)
- SoundtracksMa 'Tit Fille
Written by Buckwheat Zydeco (as Stanley Dural, Jr.)
Performed by Buckwheat Zydeco
Courtesy of The Island Def Jam Music Group
By arrangement with Universal Music Special Markets
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Details
- Erscheinungsdatum
- Herkunftsländer
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- Auch bekannt als
- Misión a Marte
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Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 60.883.407 $
- Eröffnungswochenende in den USA und in Kanada
- 22.855.247 $
- 12. März 2000
- Weltweiter Bruttoertrag
- 110.983.407 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39:1
- 2.35 : 1