IMDb-BEWERTUNG
6,7/10
1210
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA Jewish girl in 19th-century London dreams of becoming a stage actress.A Jewish girl in 19th-century London dreams of becoming a stage actress.A Jewish girl in 19th-century London dreams of becoming a stage actress.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Empfohlene Bewertungen
A masterpiece.
Thus it is, possibly, not for everyone.
The camera work, acting, directing and everything else is unique, original, superb in every way - and very different from the trash we are sadly used to getting.
Summer Phoenix creates a deep, believable and intriguing Esther Kahn. As everything else in this film, her acting is unique - it is completely her own - neither "British" nor "American" nor anything else I have ever seen. There is something mesmerizing about it.
The lengthy, unbroken, natural shots are wonderful, reminding us that we have become too accustomed to a few restricted ways of shooting and editing.
Thus it is, possibly, not for everyone.
The camera work, acting, directing and everything else is unique, original, superb in every way - and very different from the trash we are sadly used to getting.
Summer Phoenix creates a deep, believable and intriguing Esther Kahn. As everything else in this film, her acting is unique - it is completely her own - neither "British" nor "American" nor anything else I have ever seen. There is something mesmerizing about it.
The lengthy, unbroken, natural shots are wonderful, reminding us that we have become too accustomed to a few restricted ways of shooting and editing.
Sleepwalking, dead, boring, an endurance test for the audience - all have been said before so why am I adding to the comments I agree with? There is this:
"...it isn't before a man treats her badly that she realizes on stage, that she has talent and that she connects with the audience and emerges as a stronger human being."
This must be the reviewer's imagination talking. One can tell that this is the point of the movie that its makers are trying to make but they failed. Utterly. The only reason I kept it going in the machine was to see if they could redeem themselves. But they did not. It's a very big disappointment. There is no connection with the audience - either in the theater's audience inside the story itself or the movie audience watching this.
Too many close-ups, just way too many. I'd call it possibly a workshop on close-ups - if you're in the business. Otherwise, why waste money on this? It's just pointless.
"the film never reveals more than it needs to."
Honestly, it reveals nothing.
And yes, why was so much money thrown at this movie? I seriously wonder if the backers needed to lose money for tax purposes.
"...it isn't before a man treats her badly that she realizes on stage, that she has talent and that she connects with the audience and emerges as a stronger human being."
This must be the reviewer's imagination talking. One can tell that this is the point of the movie that its makers are trying to make but they failed. Utterly. The only reason I kept it going in the machine was to see if they could redeem themselves. But they did not. It's a very big disappointment. There is no connection with the audience - either in the theater's audience inside the story itself or the movie audience watching this.
Too many close-ups, just way too many. I'd call it possibly a workshop on close-ups - if you're in the business. Otherwise, why waste money on this? It's just pointless.
"the film never reveals more than it needs to."
Honestly, it reveals nothing.
And yes, why was so much money thrown at this movie? I seriously wonder if the backers needed to lose money for tax purposes.
10agaluro
Summer Phoenix did a great performance where you really feel what she's not able to feel and you just cannot understand what she has on her mind. Besides, she portrays a jewish girl who behaves really confronting the status quo of that century.
Esther Kahn made me regret every second that I spent watching it and I wished I could have reversed my trip to the video store. I'm surprised I even made it through this seemingly bad trip to purgatory. How do films like this ever get the money to have one minute of it made? And how do actresses like Summer Phoenix get work?
The characters were so boring and lifeless that I'm surprised the director stayed awake making it. I never felt any empathy or compassion towards Esther in her so-called plight towards trying to become an accomplished actress. Maybe Summer Phoenix should re-think her choice of being an actress as she was horrible. Also, listening to her Oliver Twist meets valley girl English accent was a joke.
If this is what films are coming to, I'd rather spend my time doing laundry...at least it's more dynamic and exciting than Esther Kahn.
The characters were so boring and lifeless that I'm surprised the director stayed awake making it. I never felt any empathy or compassion towards Esther in her so-called plight towards trying to become an accomplished actress. Maybe Summer Phoenix should re-think her choice of being an actress as she was horrible. Also, listening to her Oliver Twist meets valley girl English accent was a joke.
If this is what films are coming to, I'd rather spend my time doing laundry...at least it's more dynamic and exciting than Esther Kahn.
Boring and appallingly acted(Summer Pheonix). She sounded more Asian than Jewish. Some of the scenes and costumes looked more mid 20th century than late 19th century. What on earth fine actors like Ian Holm & Anton Lesser were doing in this is beyond me.
Wusstest du schon
- WissenswertesChosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2000 (#01)
- Zitate
Nathan Quellen: Because what has to happen, is that every step you take has to be more unbelievable than the step before. E-Every step has to be - well it has to have an idea behind it, an idea t-that is so complex, it would take, 10 philosophers just to decipher it. Each step has to stretch like a rope - in the audiences mind. Until they can't bare it anymore and they wan to cry out, "Careful Esther you're going to break it".
- Alternative VersionenPremiered at the Cannes Film Festival with a Running Time of 157 minutes (2 hours 37 minutes), which was then cut down by 15 minutes, against director Arnaud Desplechin's wishes, for theatrical release in France and elsewhere. The cut version essentially removes three scenes: a dream sequence of Esther, and two scenes fleshing out the Philippe Haygard character. The full uncut version was released on DVD in France and has screened in a few places such as the Lincoln Center in New York in 2019.
- VerbindungenReferenced in I'm Still Here (2010)
- SoundtracksSuite algérienne
[by] Camille Saint-Saëns
Performed by Orchestre Philharmonique de Monte-Carlo (as The Monte Carlo Philharmonic Orchestra)
Conducted by David Robertson
courtesy of Naïve Auvidis
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 23.371 $
- Eröffnungswochenende in den USA und in Kanada
- 5.124 $
- 3. März 2002
- Weltweiter Bruttoertrag
- 23.371 $
- Laufzeit
- 2 Std. 37 Min.(157 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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