Urbania

If you're tired of gay-themed movies about groups of catty, superficial gays backstabbing each other over guys and then offering platitudes of eternal friendship, or treacly movies about English schoolboys in love set against the gritty urban backdrop of their working-class neighborhood, or movies about a fabulous woman's best friend who is clean-cut, bitchy, and dresses to the height of fashion but is in no way a gay stereotype AT ALL, then Urbania is for you. It stands apart from every gay-themed movie I've seen in that it's unsentimental, free of the feel-good sentiment almost every other gay movie is terrified to be without, and is a challenging piece of writing and film. It's the first gay movie I've seen that doesn't bend over backwards to excuse the fact that it's gay.

This is a movie that is impossible to synopsize without giving away its biggest plot point, but suffice to say it's refreshing to see a movie that takes the depth and intellect of its gay characters for granted, and also assumes a decent level of intelligence of its audience. The movie contains complex characterizations and a challenging structure, exploring the dark side of human nature, especially the nature of those who have dealt with a number of additional issues revolving around being gay. This film begins a mile and a half past the starting point of other gay movies, who still seem stuck desperately trying to peddle a "Gay is Okay" agenda. The acting in this movie is also good, especially the main character, and the editing and cinematography keep the viewing experience tense and exciting.

I did not enjoy watching this movie, the way one enjoys, say, "Godzilla 2000." It's a harrowing and difficult film. But it's wonderful to see a movie like this coming out; one that is challenging and unsentimental, a real, thought-provoking work of film that happens to take gay men and their issues as its topic. It's a big step forward for gay film, and makes almost all other gay-themed films look as horribly amateurish, or just plain horrible, as they are.

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I can't say much more than has already been said about the film, but this is only one of two gay themed movies I've seen that is actually a movie. I say that meaning you could actually plug any straight or gay character into any role and the movie would still have an interesting story and time line reference. It was very well thought out and put together and in my opinion had every element of a good film which I can't say about any other gay themed movies. Some are good because of the story, and most are just plain bad (except for the costumes and sets - lol).

I don't think this is a film for everyone but I do think Gay film makers should take a look at this movie and understand that just a steady camera and an every day drama do not a great film make.

Finally! A gay-themed movie with some depth! It is REALLY refreshing to see a movie about gay men that goes beyond their sexual orientation. It seems that most gay-themed movies in recent years are just about teenagers coming out to their parents. Although some of these films have been good ("Edge of Seventeen" for example), it is very nice to see a movie where the main character's sexuality is not the focal point of the film. While homosexuality plays a substantial role in what "Urbania" is about, it is not the centerpiece of the story. This film actually has a hauntingly resonant story, well-written and memorable characters, a terrific ensemble cast, and brilliant direction by Jon Shear in a directorial debut.

I really loved how this film was directed in a non-linear fashion. You only gradually learn why the main character, Charlie, (Dan Futterman in a great performance) is so troubled. The climax of the film and the resolution are both heart-stopping and cathartic. And there are many great scenes that lead up to this finale that are alternately hilarious and emotionally moving.

One of the best of the year 2000. I think I will see it again.

A night in the life of obsessed Charlie (Dan Futterman) who, thanks to Daylight Savings Time, has one more hour of the night to fulfill his need – whatever it may be. Like a moth to a flame he is drawn to Dean (Samuel Ball) – but the question is: will the flame consume him?

The story is told in a disjointed series of flashbacks that means you must actually pay attention to the complex story.

This is one film where the term `cinematic style' cannot be under used. It is stylish, dark, atmospheric and intriguing from start to finish. It is also hilariously funny at times.

It was nominated for many awards and won most of them; including Best Actor for Dan Futterman at the Seattle International Film Festival. He is most well-known for his role in `Birdcage' as Calista Flockhart's boyfriend. He plays against type as the obsessed gay man determined to make this one night in his life count for something important.

Every urban legend ever repeated is exhumed; and as Charlie says near the end of the film `We would be the stuff of legend.'

Jordan Beswisck (Casting) and Director Jon Shear did an especially remarkable job with the supporting characters. They slink in and out of Charlie's night like the creatures of the dark they are. Particularly notable are Josh Hamilton as Matt the bartender, Lothaire Bluteau as the street person that has taken up residence on Charlie's door step, William Sage as Charlie's upstairs neighbor Chuck and his girl friend Clara brilliantly played by Barbara Sukowa. What an amazing, yet disjointed, ensemble!

The cinematography by Shane F. Kelly deserves special recognition: it is dark, fast, enigmatic and always brilliant.

The producers Stephanie Golden and J. Todd Harris also need to be acknowledged for their bravery and foresight in bringing such a difficult film to the screen. They have the ability to see beyond the obvious to the golden moment that IS this film.

This is not a film for everyone – but if you possess intelligence, wit and character it is a film you must see.

I just caught "Urbania" on IFC. What a terrific surprise! I had no idea this film even existed.

"Urbania" is one of those rare films that grabs you by the back of the neck and holds holds you hostage until the final credits. It's as if one were shadowing the lead character as he plays out the fate of a lonely and harrowing night, facing demons of circumstance as well as a few monsters he creates himself.

Watching this film, I felt as if I was being forced to examine some disturbing sides of life when all I wanted to do was turn my head and look another direction. Much like driving upon a tragic car accident, it's hard not to stare but, by the brute force of some macabre fascination that lives deep in the human psyche, one feels compelled to do just that.

While "Urbania" is a tragedy, the content is handled with a sense of grace and humility. During the final frames, one is left with a feeling of relief and healing, although tainted with the bitterness of loss.

The direction, screenplay and style of "Urbania" is superb. The acting is fantastic. This film is a must see!