Est-Ouest - Eine Liebe in Rußland

Shot in dark tones of the Soviet popular colors, this movie will transport you right into the heart of the Communist system during the 1950's Stalin period. Within half an hour you'll be sorry that you came, because the director will make you fear for the unlikely heroes. You'll be holding to your chair and crave for the safety of your favorite TV soap.

To call it a political thriller is not doing justice to the emotional overtone of the story of Marie and her husband Alexey. Director's rendition of the Marie's courage hidden in the simplest acts is quite dazzling. That, and good acting is the major "special effect" of this film, theme of which cannot be dismissed as a history to be forgotten. A system similar to the Soviet communism may sprout in any country, and the fate of the condemned people may depend on the valour of both insiders and the citizen of the free world.

Don't worry, the movie is not moralizing. Do yourself a favor, go to see it - if the political system of your country permits you to do so (if it does not, smuggle it in and invite all your friends).

For a guy who was a French communist until the age of 35, it was a hard movie to take, but it is a superb film, well acted and very realistic. My father was a french communist (the heart on the left and the wallet on the right) and he actually contempleted emigrating to the motherland of socialism when I was a kid, thank God, his wallet was heavier than his heart... Go to your video store and rent it, you won't regret it !

I went to this film without realizing that it told a story which had parallels in the history of my own Russian-emigrant family. My grandmother's brother repatriated under Stalin, had his goods and land confiscated, died in Siberia, and lost his two young sons to the Soviet Army.

The film is absorbing and disturbing. The most shooting is done at eye level. There is a true sense of witness for the viewer in a very elemental, unavoidable way. Strangely, I think this improved the experience of the predictable horrors of life in Stalin's USSR. It made the experience seem, for me, much more present and less sentimental.

The performances were very good. Ms. Bonnaire was totally believable and very likeable, despite the naivete and hysteria of her character. Mr. Menshikov played Alexei with great complexity and nuance, which allowed me to be less judgmental and to see his irrational need to belong among his own people as a very natural inclination. Mr. Bodrov, a Russian Brad-Pitt-alike, was very magnetic in his role as Sacha.

I simply love to see Ms. Deneuve in any role, but her playing a mature French actress with admirable values was very moving for me. She carries her own maturity so regally. She was perfect for this role.

I think this film is a wonderful model of cross-cultural cinema. I would like to see more films of this type in the US.

This movie hit pretty close to home. I am a first generation American. Everyone else in my family left the USSR(Ukraine) in the 1970's.

One of the many reasons they left is because of the daily life problems that this movie depicts. People were afraid to say anything, or express their thoughts even remotely on how they felt about life in thing wrong with it. If they did so they would be either murdered thrown in jail or taken away never to be heard from again. East West is a well made and easy to understand film that can be enjoyed by a lot of mainstream audiences.

Alexei, the young doctor who decides to go back to the Soviet Union after a generous invitation of Josef Satlin, should have had his head examined! After all, as a professional he seemed to have been doing well in France. With all the best intentions, he takes his wife and young son to the old country only to find himself trapped in a totalitarian system that made him and the family virtual prisoners.

"Est Ouest", directed by Regis Wargnier, shows in vivid detail what Alexei and Marie, his wife, have to endure when they are taken to Kiev, where he is assigned. Little did Alexei and Marie knew about the dismal housing problems of those years when the family is given a large room in an apartment that is being shared by five families!

The film concentrates in the eventual break down of the marriage caused by the environment. Alexei ends up having an affair with Olga, another flat mate, and Marie falls in love for the poor Sacha, a young man who is left alone in the world when his grandmother dies. Marie blames Alexei for all the misery they have to endure; she is regarded as a foreigner, but she can't even go back to her native France.

The film has an ironic end when Marie, helped by Gabrielle, a French actress, who is sympathetic to her fellow countryman. Marie realizes at the end of Alexei's tremendous sacrifice and ultimate punishment when she and her son are able to escape the communist hell that has imprisoned them.

Great acting in general by Sandrine Bonnaire, who as Marie, is totally credible. Oleg Menshikov, makes the best of Alexei, at times appearing uncaring and selfish, but who deeply cared for his wife. Sergei Bodrov Jr. is also excellent as Sacha, the young boy in love with Marie.

The film was shot in drab color, perhaps to emphasize the hard times during the Stalin regime. One gets only glimpses of some of the splendid, and opulent interiors, whenever the action takes place in one of those buildings or theaters. Unfortunately, the principals of this story never really had a chance to enjoy anything because the nightmare that became their lives under that totalitarian regime.