Best

Being a Man United fan probably makes me a bit biased on the subject of George Best.Hence the views expressed herein would not befit those going to watch a film to entertain them.

Although the movie's attempt has been made to please audiences with no taste for the game of football(soccer)it still has a fair amount of jargon on the game.I am afraid that someone in the States or any other country which football is not prominent or not as popular will never have heard of Manchester United least George Best.

In the film we are taken in a roller coaster ride with the life of the very famous Irish lad,Best.Since he arrived at Old Trafford to his last days in the club.At first the film gives you the impression it will show you what made him a legend in his field but slowly we are dragged into his persona and feel as drunk as he is.The overall view of the movie is actually making you sense what the man went through in a life of turmoil and confusion but soon has you displaced somewhere between limbo and Vodka.The acting is slow at times with John Lynch(George Best) as baffled as the part he is playing.Its only when we catch Ian Bannen(Sir Mat Busby)in a scene, that the plot all of a sudden comes alive with some rationality.The direction is erratic at times and we are moved from scene to scene at a hectic pace not really knowing what year all these events are unfolding.Its only those who know the history of the club that have an idea.But as expounded before, Mary McGuckian tries not to indulge the cinema goer with anything to do with the game,only to illustrate what made George Best tick inside.

All in all a poor attempt to portray a living legend without actually showing good coverage of the sport he excelled in.The glimpses we catch him playing,albeit well camouflaged with real shots of Best from afar and close shots of Lynch,are few to analogue his rise and fall.Its only when we see the real thing that we can understand what a genius Best was.

5/10 rating for Best. 10/10 for George Best

The main thing was thinking about when i watched this film was i can understand why George Best never turned up the premier because if he did he would have gone through some real emotions. This movie was about as negative as you can get about a person .It hardly focused on the truly genius things George Best could do but more on the things ruined his career and some would say his life. I would have like to have seen more of a positive aspect shown but i dont suppose thats what most people want to see , they want to see the headline grabbing incidents that George made , and still does. What i will say about the film is that it is acted superbly by all the cast especially the lead man and the football fotage is mixed well. Not a bad movie at all , but just a little too negative for mine ( and i suspect most peoples) liking. 6 out of 10

As a Manchester United FC fan, I eagerly awaited the release of this picture. What a disappointment! It focuses on George Best's addictions to gambling, womanising and alcohol with a lets-get-out-the-violins perspective. The errors in the plot were glaring, for example, John Lynch (Best) is not the petite build his character was. The only actor to come out with credit was Linus Roache as Denis Law. But the director's habit of missing out years between scenes left me confused as to where it was up to. I should have liked this movie (I was in the crowd at Old Trafford when they shot one of the scenes) but I didn't - I was glad when the credits rolled.

Dissapointing telling of Georges life. It is just montages of him being drunk interwoven with his skills on the footy field. No character is really explored, we see Bobby Charlton recounting the Munich disaster, but that is as far as any characterisation goes. Decent performances, especially Lynch as when he plays the older George Best. The film is not Man United, more like Luton Town Reserves. Shame because it could of been so much more.

There are two big problems with this 2000 film, as viewed in 2013. One is that the life story of George Best (1946 - 2005) is now complete and that the final years (liver disease, sobriety, transplant, relapse into alcohol, death and national outpouring of grief) must be covered in any Bestie biopic.

The other is the casting of John Lynch as Best. Although he is reasonable as the saddened boozed-up older Best at the start and end of the film, the same actor cannot be used as the teenage phenomenon who burst onto the scene in the early 1960s and created the blueprint for the 'pop star' footballer, using his charm and good looks to endorse products (yes he did advertise sausages), open shops and do modelling.

With those two points out of the way, and they are substantial, the rest of the film isn't too bad. I liked the contemporary music (Good Vibrations, Green Onions, In a Broken Dream) but Cockney Rebel was a strange choice for the Northern Irishman. Maybe a bit of Thin Lizzie's Whiskey in the Jar would have suited better for the end credits. The major achievements of his career (1966 v Benfica, 1968 European Cup) are highlighted, though there's no mention of the league title they won in 1967. The almost equally famous team-mates Bobby Charlton, Denis Law, Nobby Stiles, Paddy Crerand are there, even though Tony Dunne appears to have lost his first name. The important father figures of Matt Busby and real dad Dickie Best are there too.

Linus Roche is particularly good as the practical joking Denis Law though Jerome Flynn not as good as hypochondriac Bobby Charlton. Patsy Kensit is surprisingly wooden as, I assume, a random girlfriend. Stephen Fry is another National Treasure but that doesn't mean that he should be shoehorned into every British film, nor that a film is necessarily improved by his inclusion.

This film really lost its way about fifty minutes in. The pace really slowed and it became difficult to watch. Did we really need to see stupid drunken conversations with his mates? However, it was good to see him put six goals past Northampton after a six-week lay-off. That did really happen, though the primal scream that follows in the film did not.

Where was Angie Best in all this? The American years? The international matches? The attempted come-backs at Fulham, Bournemouth, Stockport and Hibs? And the conversation with the deceased Matt Busby - oh dear! Overall, there needs to be a decent movie about George but this isn't it.