Der Diamanten-Cop

I know that many people may not like this movie, but I thought it was very good. The plot was very simple and unique, the characters performed well, and the movie itself was very entertaining. There were some funny and memorable parts, including the famous oodles of noodles scene. In my opinion the funniest character in Blue Streak was Sulley. All of his parts were funny, and I feel he expressed his part very well. I recommend that you see this movie before Blue Streak 2 comes out in 2002. Overall, 8 of 10.

Personally I enjoyed this. I often just want to sit down, relax, ad watch a film that I don't have to think about and will make me laugh. This fits the bill perfectly and I throughly enjoyed it.

A lot of people wold put down this film, mostly in my opinion to make themselves look sophisticated. I think if most people were honest they would say they had liked this film, at least to a certain extent.

Jewel thief Miles Logan and his gang are stealing a large diamond in LA. After the robbery Logan is double crossed by another thief, Deacon, but gets away when the police arrive. He stashed the diamond but is sent to jail. When he is released he returns to where he hid the diamond to find it is a police station. He pretends to be a cop to get access but he is partnered with rookie Carlson and sent out to do jobs. However Deacon is also searching for the diamond and Logan must also take care of him as he tries to find the jewel and solve crimes.

I gotta admit that I hate Lawrence – his comedies are always sitcom level and he is like a sub-par Eddie Murphy. Sadly I still find his clowning funny! I can't explain it. Here the plot is no more than an excuse for many funny scenes with all the action brought together in a `dramatic' climax! However it is funny – even if it's very straightforward. I imagine that if you hat Lawrence then you'll hate this but if you're in the mood for a simple no-brain comedy then you can rely on Lawrence to deliver just that.

He actually quite good here – even if he's the same in every film he does the same shtick. It's also good to see Luke Wilson in it – even if he's got a role that is really beneath his talents, although Greene is good. Really it's Lawrence's show and he does well but if you hate him then you'll hate this no matter what.

Overall if you want a silly no-brain comedy then this is worth a shot, but if Lawrence annoys you then don't even bother.

BLUE STREAK (1999) ***

Starring: Martin Lawrence, Luke Wilson, Peter Greene, David Chappelle, Graham Beckel Director: Les Mayfield 93 minutes Rated PG-13 (for language and violence)

By Blake French:

Martin Lawrence was born to star in movies like "Blue Streak," a film with much energy and wit, both elements he has coming out of his ears. The film has no major flaw in it. There are no structural problems, dialogue issues, disruptive subplots, characterization uncertainty or tedious nuggets found in it. The filmmakers take advantage of Lawrence being in the movie, and have lots of fun with both him and the plot--things that make this comedy worthy of a minimal recommendation.

The film opens with four jewel thieves, Miles Logan, Deacon, Eddie, and Tulley, constructing a heist in the middle of a dark, cold night attempting to steal a large diamond worth millions. Miles and Eddie sneak in the building, that beholds the valuable rock, from the roof using a steady rope to lure them down through the elevator shaft to their destination: a security safe, located a few floors down. Deacon stays above assuring Eddie and Miles' safely, while Tulley stands watch below in the getaway car.

Then, something goes wrong. While the team of bandits do indeed succeed in breaking through the buildings security and swindle the diamond, when Miles and Eddie reach Deacon on the roof, however, he states that he is too greedy to spilt the value of the gem four ways, thus killing Eddie, and attempting to finish off Miles, who is holding on to the jewel, but before Deacon has the chance, the police arrive, and off goes Tulley in the getaway car, leaving Deacon and Miles no way to escape except to flee to a construction site nearby. There, Deacon manages to avoid being arrested by the cops, but never gets his hand on the gem. However, Miles keenly hides the jewel in the duct of this developing building, and makes note of where he hides it. As he arrested by the police, he vows to return for the secret treasure after his prison sentence is up--whenever that may be.

Two years pass. Miles is happy to once again be a free citizen. He returns to his girlfriend, who, after never visiting him once in the two years he spent in jail, dumps him without a second thought. Miles is not too depressed, however, for he still has seventeen million dollars waiting for his arrival at the old contraction site where he hid it. The problem: that exact constriction site is now finished. It is a brand spanking new police headquarters!

Miles tries desperately to enter the building, only to be rejected by security every time. That is, however, until one of his old buddies manufactures a false police identification for him, thus allowing him to break into the building, and search for his beauty. This is when he becomes involved with a crime bust that leads the police chief to believe that Miles is a professional, experienced cop, who is then partnered up with novice detective Carlson (Luke Wilson) to solve a criminal case. From here on out, the film runs from high energy and action packed excitement to clumsy and funny stunts of Logan trying to undercover the dream he once had located in what is now his office building.

Director Les Mayfield lets the film's writers have a lot of fun with the plot. The setup is at shaky and first a bit ridiculous, but then propels the entire story following it though the problems it faces; when the plot stumbles at times and forgets its purpose, the Logan character still has reason to continue on: the 17 million dollar jewel. The filmmakers do rely a bit much on that concept, but for the most part, the film stays clear from too many troubles.

Just a few days ago, I screened the horror thriller "Stigmata," and ended up not recommending it due to the fact that the film's scenes did not fit together to create a story possible to follow. While "Blue Streak" does fit together evenly and is distributive, if the truth be know, I would choose to see something with a little more depth, like "Stigmata," than something as shallow as "Blue Streak." But I feel that the majority of an audience goes to the movies for entertainment, not for some deep, disturbing message--if you're that kind of a moviegoer, then "Blue Streak" is for you.

Brought to you Columbia Pictures.

Blue Streak is exactly what you think it is. A fun, explosion filled action comedy from the 90s. It gives you exactly what it promises, no more no less. A solid, sit back and relax with your feet up movie.

I have a serious soft spot for films like this. They put you in a good mood, letting you forget your troubles for an hour and a half. Nothing game changing, but 100% as advertised. Really enjoyed this one.

Have a good one.