Bossa Nova

Warning: All cynics should avoid this movie like the plague!!! Full of contrivances and cliches, ridden with all the typical plot elements of any kind of ensemble romance piece, this film on the outset seems like nothing new. But there's just something about it I couldn't let go of-maybe it was the beautiful Rio de Janeiro backdrop that this film is set against. Maybe it's the opportunity to see Amy Irving once again in all her glory. I don't know which, but the lady should definitely be in more movies, especially in ones where her husband directs her and therefore gives her the best role and makes her the most sympathetic in the film. Irving stars as Mary Ann Simpson, an English teacher in Rio who teaches classes by night and private students by day. Across the hall from her classes is the shop of an elderly tailor, whose lawyer son Pedro Paulo (Antônio Fagundes) is helping his father get out of an alimony fix that involves a much younger wife. One night Pedro Paulo runs into our heroine on the elevator, and love at first sight is born. Right away he forgets about Tania, the ex-wife (Débora Bloch) he was having trouble letting go of, and goes after this mysterious new woman in his life. Along the sidelines there are plots that involve Irving's student Nadine (Drica Moraes) and her online romance with a SoHo artist `Gary', and another regarding the lawyer's intern Sharon (Giovana Antonelli) and her romance with both her boss' brother Roberto and the famous soccer player Acacio (Alexandre Borges), who also happens to be taking private English lessons from Mary Ann. All these lines cross and meet and even out in perfect form, and yet somehow at its most typical the film manages to be at its most enjoyable, possibly because Barreto has such a good time entertaining his audience that one can't help but dive right in. Worth a good look.

We watched this movie the other evening and found it to be a delight. Nothing deep, but a lot of fun. The music is good and one wants to dance. The scenery, beautiful and the actors most attractive. This affords one a pleasant evening.

Let's be honest. Bossa Nova is not a heavy weight film. Nor does it pretend to be. That's its core charm. A bit frothy, yes, but leaves a sweet aftertaste that happily lingers for days.

I hadn't seen Amy Irving (Mary Ann) in quite a while and was glad to see her in this film. Her timid interplay with Faguendes (Pedro Paul) was sweet and touching. I enjoyed watching their love story unfold. Faguendes is obviously a well-known, beloved actor in his home country. It's the first time I've seen his work and I can see why he's so popular.

But there's plenty more to take note of. Watching Faguendes' family ties nearly unravel is almost heartbreaking at times. To see three generations is almost unheard of in today's movies. I was pleased to see it.

The other subplots are equally fun. The soon-to-be exported Brazilian soccer player's quest to learn how to curse in English is hilarious. And watching the girl dream of her online "boyfriend" is something many of us can relate to. Not to mention the soulful longing of the young man (Pedro Paul's son)who wants her but isn't brave enough to state his case.

All this plays out against an almost idyllic backdrop of sand dunes, towering mountains, charming cafes and crashing surf. Sure, it may not be the entire face of Rio but would you want to see the sewers in New York City? I doubt it. I've never been to Rio but this movie had me dreamily considering it.

Jobim's music, by the way, is the perfect choice. Like sunlight on water...

OK, so the Rio de Janeiro "Bossa Nova" shows us is not the real Rio. So the movie has no poor, no hunger, no favelas, no political unrest. Is there a law written somewhere that says films have an obligation to show all of that? No. The people who made "Bossa Nova" very self-consciously steered away from the grit to concentrate on the romantic state of mind of the characters, surrounding them with gorgeous locales and a dazzling soundtrack filled with Brazilian classics, which is exactly right for the story. Amy Irving is absolutely enchanting as the protagonist, showing the kind of irresistible innocent charm she exercised in "Crossing Delancey" and "Yentl". Granted, the film gets a bit silly at times, but if you're willing to suspend your disbelief and go with the flow, buy the coincidences and accept the magic, the final result is a decidedly seductive romantic comedy, the kind they rarely make anymore. I'm a guy and I loved this movie, and I'll bet money there isn't a woman out there who won't like it at least as much as I did. Personally, I saw this on a studio-released tape before it opened in theaters and will pay to see it again on the big screen to take in the gorgeous widescreen cinematography and the fabulous music as they were meant to be experienced.

I've had this video in my armoire for many months and finally got around to watching it last night. What a complete delight it was! Quirky, interesting, sweet-natured. As a middle-aged single I particularly enjoyed the romantic plot strand involving two people of my vintage. Amy Irving is incandescent as always. This movie has a wonderfully European (okay, Brazilian) feel and sensibility. Not the usual canned Hollywood fare.