'Boom-Boom' Valdez

"Boom Boom Valdez," directed by the legendary Henri Pachard, is an erotic adventure packed with passionate performances and a unique blend of adult entertainment. With a focus on beautiful women and their sexual exploits, this film delivers on its promise of explicit content and leaves a lasting impression.

The film does an excellent job of showcasing the diverse and talented cast. Each actress brings something unique to the screen, and their performances are both sensual and captivating. From the leading ladies to the supporting players, "Boom Boom Valdez" ensures that everyone has their moment to shine - and shine they do!

One of the most memorable scenes in the film involves Fallon and actor Jon Martin. The scene begins with Fallon straddling Jon on a pool table, her body glistening with sweat as she rides him passionately. As their rhythm intensifies, Fallon's body quivers and she lets out a series of moans, building towards an explosive climax. Suddenly, a gush of liquid shoots out from between her legs, soaking the table and surprising Jon. Fallon continues to squirt, drenching them both as she rides out her orgasm, moaning loudly. The scene is an intense display of passion and sexuality, leaving little to the imagination.

Fallon, the film's leading lady, delivers a scorching performance as Gloria. Her scene with Jon Martin on the pool table is a standout moment, as her character's sexual prowess is on full display. As their passion builds, Fallon's body responds with an intense squirting orgasm, drenching the table and surprising her partner. It's a scene that will leave viewers breathless and wanting more.

The plot, though providing a framework for the sexual encounters, could have benefited from more depth and development. At times, the transitions between scenes felt abrupt, disrupting the flow of the narrative. Additionally, some viewers may find the focus on prostitution and the portrayal of women as sexual objects to be off-putting.

That being said, "Boom Boom Valdez" delivers on its promise of explicit adult entertainment. The sex scenes are well-choreographed and passionate, showcasing the talents of the performers involved. The film has a certain raw energy and an unapologetic approach to sexuality that will appeal to fans of the genre.

In conclusion, "Boom Boom Valdez" is a steamy and unapologetic journey into the world of high-class prostitution, driven by strong performances and explicit content. While the plot could have been stronger, the film excels in delivering passionate and diverse sexual encounters that will satisfy viewers seeking adult entertainment.

Keisha's bubbly personality and utter sexiness shine in Ron Sullivan/Henri Pachard's 'BOOM- BOOM' VALDEZ, a minor but satisfying porn video.

She and sister Alicia Monet have Ona Zee as mom, and latter is proud of Alicia for studying towards becoming a lawyer, while Keisha is the black sheep, a topless dancer at a local bar.

Story unfolds with more sentiment (and compassion) than is usual in porn, put over by a winning cast. Father figure is well-cast with a mature John Leslie, as Zee's boy friend, who services the obviously too young for the casting Z in a quality scene.

Local newspaper writer Joey Silvera, very sympathetic for a change, has written about Keisha and is promoting her, for which he is serviced in due course. Richard Pacheco, his hair grayed-up to make him look older, overacts with exaggerated Jewish accent as an old-timer who hangs around the bar with stories of the great strippers of old, right up through one of my favorites, Susie Nero. Also hanging out there is Robert Bullock with wife in tow, providing the video's highlight as they bring home Keisha for a very impressive threesome.

Not to be outdone, Peter North shows up one night and treats both sisters to a threesome, after which in a truly porn happy ending sister Alicia decides to give up her education in favor of joining sis Keisha as exotic dancer. No incest among sisters in the carefully choreographed troilism scene for which Alicia is rewarded with a typically fulsome North money shot.

There is an exuberant, always friendly and upbeat mood to this outing, replete with Keisha providing transitions roller skating around town (a gimmick Ray Dennis Steckler emphasized several years before in his loop carrier films, but much better executed here).

I had just watched a particularly poor and morbid early Sullivan soft-core film THE EROTIC CIRCUS and it was refreshing to see how life-affirming a porn video he was capable of with this largely forgotten entry.