Füge eine Handlung in deiner Sprache hinzuThree sisters and their ex-con brother return home to nurse their mother, who is dying of cancer.Three sisters and their ex-con brother return home to nurse their mother, who is dying of cancer.Three sisters and their ex-con brother return home to nurse their mother, who is dying of cancer.
- Auszeichnungen
- 6 Gewinne & 13 Nominierungen insgesamt
Empfohlene Bewertungen
The performances are fabulous, but what really makes this movie special is the care which has been taken to build a symphony of metaphor in the relationships in this family. Clearly done from a woman's point of view (the men can't cope, and all that's needed is for the father to reunite with the son), this piece still goes beyond the usual chick-flick tear-jerker to keep you involved with fascinating metaphors and unlikely characters which nonetheless tell the truth. I am appalled that it has yet to receive distribution.
I saw this movie in Turin Film-festival last November, and I hope it's coming soon on "regular" screens. I was emotionally moved because story and cast remembered me the true story of a friend of mine, whose mom died a few times ago. The plot escape from gender clichés and the characters are round and well performed. Andreef shows her skillness in directing, learned collaborating with Jane Campion for several times. But she also shows how far their views can be distant, moreover if you compare this movie to Campion's last one.
There is a moment in the film between Russell Dykstras character and the father, Russell Dykstra strips naked, and then his father does the same to get him in the car, and they kind of stare at each other for about 3 seconds, and for that moment in the film, something magical happens, but it was a real connected moment between them and I think it made the film what it is. Just that moment.
There is a moment in the film between Russell Dykstras character and the father, Russell Dykstra strips naked, and then his father does the same to get him in the car, and they kind of stare at each other for about 3 seconds, and for that moment in the film, something magical happens, but it was a real connected moment between them and I think it made the film what it is. Just that moment.
There is a moment in the film between Russell Dykstras character and the father, Russell Dykstra strips naked, and then his father does the same to get him in the car, and they kind of stare at each other for about 3 seconds, and for that moment in the film, something magical happens, but it was a real connected moment between them and I think it made the film what it is. Just that moment.
An exceedingly human film of humor, love and life. I saw it for the first time today and want to see it again right now. I usually like Australian film, when it's not melodramatic, and this film is admirable that it doesn't sink to the horrible depths other films might - given the subject matter - to grab you with it's realism. Another user commented that it was good to see the women in this film that weren't wafer thin, and I would have to agree wholeheartedly! It's a refreshing departure, given the typical Hollywood fare. As is this film, I would recommend it without hesitation!
This movie was very moving and one of those movies that makes you think about life and the choices that you make. In my opinion Soft Fruit did not get as much attention as it deserved and was over looked. Jeanie Drynan is a great actress and has starred in such movies as Muriel's wedding. In Muriel's wedding Jeanie's character was such a sad character to follow but you could truly feel her pain and struggles. The line up in Soft Fruit is fantastic and the acting is also believable and enjoyable. I still can't find a copy of Soft Fruit and have not seen it since the year it was released. It speaks volumes when you see a movie and still think about it 12 years later. I can't even find it on Netflix but, if you are fortunate to run across this movie you should watch it.
Wusstest du schon
- PatzerQuote from the father, "I should shoot him, and throw away the key" makes no sense.
- VerbindungenFeatured in Soft Fruit: 'Spoof' Making Of (1999)
- SoundtracksGlad I'm Not a Kennedy
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Pehmeä hedelmä
- Drehorte
- Strathfield, New South Wales, Australien(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 13.654 $
- Eröffnungswochenende in den USA und in Kanada
- 6.051 $
- 19. März 2000
- Weltweiter Bruttoertrag
- 13.654 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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