Pluto Nash - Im Kampf gegen die Mondmafia
Originaltitel: The Adventures of Pluto Nash
IMDb-BEWERTUNG
3,9/10
27.809
IHRE BEWERTUNG
In der Zukunft kämpft ein Mann darum, seinen lunaren Nachtclub aus den Händen der Mafia herauszuhalten.In der Zukunft kämpft ein Mann darum, seinen lunaren Nachtclub aus den Händen der Mafia herauszuhalten.In der Zukunft kämpft ein Mann darum, seinen lunaren Nachtclub aus den Händen der Mafia herauszuhalten.
- Auszeichnungen
- 1 Gewinn & 12 Nominierungen insgesamt
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There's maybe one laugh (if you're lucky) in this universally-panned disaster, but that doesn't mean THE ADVENTURES OF PLUTO NASH is a complete loss. Eddie Murphy is the title character, a reformed felon operating the most successful club in the "Little America" part of the Moon. But after he turns down an offer to sell to a shyster for $10 million, the laser bullets begin flying in his direction. Now he and gal pal Rosario Dawson, along with robot bodyguard Randy Quaid, are on the run.
Murphy is generally appealing, but his comic touch just doesn't jive with the sci-fi environment. The plot is at times incoherent and suffers from trying to roll comedy, action and excitement all into one. It's kind of amazing this clunker ever made it beyond the idea phase, particularly with talents such as Murphy and director Ron Underwood (CITY SLICKERS) involved.
What does PLUTO NASH have going for it? Though it's supposed to be a comedy, it actually works to some degree as a sci-fi adventure. The massive $100 million budget and futuristic setting make for some interesting visuals. And the picture moves along at a fair pace, with a tidy running time of 95 minutes.
For all its flaws, I would not use the term "boring" to describe PLUTO NASH. Hollywood has done much better, but it's also done far worse.
Murphy is generally appealing, but his comic touch just doesn't jive with the sci-fi environment. The plot is at times incoherent and suffers from trying to roll comedy, action and excitement all into one. It's kind of amazing this clunker ever made it beyond the idea phase, particularly with talents such as Murphy and director Ron Underwood (CITY SLICKERS) involved.
What does PLUTO NASH have going for it? Though it's supposed to be a comedy, it actually works to some degree as a sci-fi adventure. The massive $100 million budget and futuristic setting make for some interesting visuals. And the picture moves along at a fair pace, with a tidy running time of 95 minutes.
For all its flaws, I would not use the term "boring" to describe PLUTO NASH. Hollywood has done much better, but it's also done far worse.
I go to the movies to be entertained and this one certainly did that for me. The biggest source of fun was seeing the juxtaposition of old movie cliches - gangsters, seedy nightclubs, and hot wired cars - placed in the futuristic setting of a campy lunar colony. I laughed from start to finish and enjoyed the surprise ending. I found "Pluto Nash" to be a very entertaining diversion.
Kids( 11, 9, 7 ) and I enjoyed this this afternoon and must agree with others that tghe critics have this all wrong. The special effects are top class and the CGI workers deserve kudos. Sure the plot was holywood boiler plate but it really surpassed Total Recall and Mr. Murphy was still able to project his exceptional talent and gift for dramatic comedy. Why didn't Warner Bros. plug this better? Why the release delay? Obviously putting it on DVD/VHS there was somebody with brains, sense, and guts to know it had quality. Bad rap and poor business judgement are it's only shortcomings. (7/10)
3.7. A 3.7 out of 10. As I sit here, writing this review, this film has a user-average rating of 3.7 out of 10. I'm going out on a limb here, and assume that there are many people who blindly voted low scores to bring down the rating, based solely on the negative publicity. Because, I honestly can't believe that they all witnessed the same film I did. (Not to mention, mass negative voting from people who haven't seen the film is a problem here for movies with hype or notoriety.)
I knew the story, I heard about it all. The film was shelved for two years, didn't get much publicity, and was released August of 2002. Releasing a major comedy with a huge budget 2 years after completion, with little publicity on almost the exact date of the 1-year anniversary of one of the biggest tragedies to ever hit the US... Seriously, did the studio even think when they tried to push this film out? I can only assume not. Critics crucified it. Audiences ignored it. It was a flop.
I went along, blindly following the notion that because it flopped, it sucked. (Although, I have found out that many great films flopped, among them "It's a Wonderful Life.") Finally a few months ago, a friend of mine said: "Hey Adam, let's watch 'Pluto Nash'! It's on NetFlix!" I scoffed, but after he persisted, I agreed.
I'm glad I did.
"Pluto Nash" was refreshingly entertaining, and in no way was it the abysmal slight against cinema I had been told it was.
The film centers on Pluto Nash (Eddie Murphy in a fun performance), his sidekick robot Bruno (Randy Quaid in perhaps my favorite performance in the film) and Dina Lake (the astonishingly beautiful Rosario Dawson), with numerous other actors in supporting roles. Nash is the owner the nightclub "Club Nash", on the moon, some time in the future. He bought the club to save the life of a friend (Jay Mohr), who has since become a famous "singer" in a snazzy upscale part of the moon, leaving Nash behind. Dina arrives, hoping to work for Nash in order to earn money to buy her way back to Earth.
Soon, henchmen sent by the mysterious Rex Crater arrive, interested in buying Nash's club. When Nash turns them down, they destroy the place. Nash, Dina and Bruno vow to discover who this Rex Carter is, and stop him.
And so begins this fun action/comedy/sci-fi feature. In all honesty, the story is cliché, but it actually works quite well. This isn't supposed to be a revolutionary masterpiece, it's meant to be a fun good-guys-VS-bad-guys-buddy-movie type film, only set on the moon in the future. The characters are quite endearing and likable as well. They feel like people you'd want to hang out with.
The special effects (which were unfairly criticized at the time) are surprisingly good, considering they were from 2000 (remember, the film was finished but shelved for two years), and the direction of Ron Underwood is quite nice. Visually, the film is a treat.
The cast works. Murphy, Dawson and Quaid are all great in their roles, and supporting characters are played very well by some big names, such as Peter Boyle, Pam Greir, Burt Young and even a cameo by Alec Baldwin.
The music is fun, the editing is great, the set design is exquisite, the acting is generally very good, the direction is fantastic, the story is decent enough. I really can't say much. The craftsmanship is very competent. It's not a bad film by any stretch of the imagination from any conceivable way you look at it. Is it a particularly strong film? No. But is it a halfway decent film with some laughs and some heart? Yes, it is most definitely. I also admire the fact that this film isn't ashamed of being light-hearted and positive. A lot of films (especially these days) try to be dark and gritty. It's nice to see just a positive, fun film.
I honestly can't understand how this was so hated by critics upon release, and so ignored by the general public. It's a very fun movie, and I had a blast watching it. I will gladly be buying this flick sometime soon, and sharing it with others, so they can finally see this treat they missed out on.
I give "The Adventures of Pluto Nash" a good 7 out of 10. It's lighthearted fun.
I knew the story, I heard about it all. The film was shelved for two years, didn't get much publicity, and was released August of 2002. Releasing a major comedy with a huge budget 2 years after completion, with little publicity on almost the exact date of the 1-year anniversary of one of the biggest tragedies to ever hit the US... Seriously, did the studio even think when they tried to push this film out? I can only assume not. Critics crucified it. Audiences ignored it. It was a flop.
I went along, blindly following the notion that because it flopped, it sucked. (Although, I have found out that many great films flopped, among them "It's a Wonderful Life.") Finally a few months ago, a friend of mine said: "Hey Adam, let's watch 'Pluto Nash'! It's on NetFlix!" I scoffed, but after he persisted, I agreed.
I'm glad I did.
"Pluto Nash" was refreshingly entertaining, and in no way was it the abysmal slight against cinema I had been told it was.
The film centers on Pluto Nash (Eddie Murphy in a fun performance), his sidekick robot Bruno (Randy Quaid in perhaps my favorite performance in the film) and Dina Lake (the astonishingly beautiful Rosario Dawson), with numerous other actors in supporting roles. Nash is the owner the nightclub "Club Nash", on the moon, some time in the future. He bought the club to save the life of a friend (Jay Mohr), who has since become a famous "singer" in a snazzy upscale part of the moon, leaving Nash behind. Dina arrives, hoping to work for Nash in order to earn money to buy her way back to Earth.
Soon, henchmen sent by the mysterious Rex Crater arrive, interested in buying Nash's club. When Nash turns them down, they destroy the place. Nash, Dina and Bruno vow to discover who this Rex Carter is, and stop him.
And so begins this fun action/comedy/sci-fi feature. In all honesty, the story is cliché, but it actually works quite well. This isn't supposed to be a revolutionary masterpiece, it's meant to be a fun good-guys-VS-bad-guys-buddy-movie type film, only set on the moon in the future. The characters are quite endearing and likable as well. They feel like people you'd want to hang out with.
The special effects (which were unfairly criticized at the time) are surprisingly good, considering they were from 2000 (remember, the film was finished but shelved for two years), and the direction of Ron Underwood is quite nice. Visually, the film is a treat.
The cast works. Murphy, Dawson and Quaid are all great in their roles, and supporting characters are played very well by some big names, such as Peter Boyle, Pam Greir, Burt Young and even a cameo by Alec Baldwin.
The music is fun, the editing is great, the set design is exquisite, the acting is generally very good, the direction is fantastic, the story is decent enough. I really can't say much. The craftsmanship is very competent. It's not a bad film by any stretch of the imagination from any conceivable way you look at it. Is it a particularly strong film? No. But is it a halfway decent film with some laughs and some heart? Yes, it is most definitely. I also admire the fact that this film isn't ashamed of being light-hearted and positive. A lot of films (especially these days) try to be dark and gritty. It's nice to see just a positive, fun film.
I honestly can't understand how this was so hated by critics upon release, and so ignored by the general public. It's a very fun movie, and I had a blast watching it. I will gladly be buying this flick sometime soon, and sharing it with others, so they can finally see this treat they missed out on.
I give "The Adventures of Pluto Nash" a good 7 out of 10. It's lighthearted fun.
As everybody and their dog seemed to be absolutely certain that The Adventures of Pluto Nash is a steaming pile of excrement, I would have never come to watch it if the DVD hadn't been forgotten on my table by a visiting friend. The next day I had conveniently a couple of hours to kill at home, so I thought I might as well check whether Pluto Nash was just bad or a real turkey.
Much to my surprise I sat through the entire movie mildly entertained. Certainly anyone expecting a movie where Eddie Murphy makes faces, laughs like a horse and tells immature vulgar jokes is indeed in for a sore disappointment, as this film gracefully lacks all those clichés. In fact all kind of humour is scarce, jokes are few and far between and -- frankly -- vacuous at best. However, The Adventures of Pluto Nash is not half-bad as a sci-fi adventure. Effects are quite nice, and although the script does not blow one's mind with innovativeness, it keeps the story flowing fluently with no dead moments. 7/10.
Much to my surprise I sat through the entire movie mildly entertained. Certainly anyone expecting a movie where Eddie Murphy makes faces, laughs like a horse and tells immature vulgar jokes is indeed in for a sore disappointment, as this film gracefully lacks all those clichés. In fact all kind of humour is scarce, jokes are few and far between and -- frankly -- vacuous at best. However, The Adventures of Pluto Nash is not half-bad as a sci-fi adventure. Effects are quite nice, and although the script does not blow one's mind with innovativeness, it keeps the story flowing fluently with no dead moments. 7/10.
Wusstest du schon
- WissenswertesIn absolute terms, this movie made the largest financial loss of any movie to date, with a budget of $100 million and a total US gross of $4.41 million (loss of $95.59 million) and a lifetime worldwide gross of $7,103,973 for a total loss of $92,896,027
- PatzerWhen Pluto, Dina, and Bruno leave town in the stolen car, they pass under a road sign announcing the "Neil Armstrong Monument," but the photo on the sign is of Buzz Aldrin, that Armstrong took during the Apollo 11 mission.
- Zitate
Pluto Nash: You blew up my wood bar stools. You know how hard it is to get wood on the moon?
- VerbindungenFeatured in Siskel & Ebert & the Movies: The Worst Films of 2002 (2003)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Pluto Nash
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.420.080 $
- Eröffnungswochenende in den USA und in Kanada
- 2.182.900 $
- 18. Aug. 2002
- Weltweiter Bruttoertrag
- 7.103.973 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Pluto Nash - Im Kampf gegen die Mondmafia (2002) officially released in India in English?
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