Miss Julie

Nothing outside of Saffron Burrows and Peter Mullan exists while watching this film. I sadly missed it in the theatre, but rented it just recently. The intensity of the interplay between Julie & Jean, and the play of chemistry between Saffron & Peter, completely absorbs. No room, no telephone, no kitten getting into things, no knock on the door. A physical sex scene that feels like a mental rape. A servant Aristocrat and an Aristocratic servant: how far does a social role penetrate our being? The air of the film brims with violence, loathing, mutual envy and lust but...no gun, no breast. The emotional manipulations between the characters manipulate the viewer's emotions much more than any weapon or nudity could. The performance of Saffron Burrows is absolutely astounding. One moment you loathe Julie, the next you just want to comfort her. Peter Mullan works in perfect tune with Burrows and even when the characters onscreen are at odds, there is perfect harmony within the player's performances. Through the film you feel as though you can see through layers and layers of this character Julie and at the end are left numb, but awe-stuck. Thank You Mike Figgis, Saffron Burrows, Peter Mullan and Maria Doyle Kennedy! (now, to pick up kitten's fun. . . )

Mike Figgis' 'Miss Julie', an adaptation of a Strindberg play, tells the story of a relationship struggling in the face of class divisions, and protagonists torn between their obsessions and ambitions. Figgis gets intense performances out of his cast, the music (written by himself) is excellent and in spite of its origins on the stage, he avoids an overly static feel; and the language (rendered in English) seems fresh. But the characters themselves are a little too archetypal, their feelings theatrically contrived into dialogue; personally I couldn't care too much about their ultimate tragedy. An immaculately made film, but somehow less than the sum of its parts.

The word 'Strindberg' enticed me. How close this movie is to the play, I have no idea. But there are a few questions that marred the movie for me: Why would the stablemen take the word of a scullery maid over a footman in giving up the horses for his escape?, Why would the woman want to commit suicide? What drove her mad?

Having had a friend who did commit suicide, I know that in her last stages of depression she fell in love with an ex-con who delighted in telling us how he and his buddies killed another inmate at Kilby Prison with a broom handle. She was highly educated, artistic and giving.....we all should have seen the signs. So this woman's dalliance with an ambitious footman (who at first seems quite virtuous) is to be understood.

See the movie and tell us how close it is to Strindberg himself.

I have just seen miss Julie for the first time on BBC 2 here in the UK and thought Saffron Burrows performance was quite wonderful! She show such range of emotions along side Peter Mullan who played the role Jean opposite her who also outstanding.A few years ago i had the pleasure of meeting Saffron Burrows over a few occasions and found her quite delightful and a witty lady.I urge who have not seen Miss Julie to rent it out because Mr Mike Figgis has done great creative job bringing this play to the screen. I must see some other work Mrs Burrows has done and hope that some of it is of the same high class as this production showed!! I just wished the Hollywood studios could produce more high value productions as Mrs Juile instead of remaking original cult classics such as The Italian Job and my father's movie The Wicker Man remade by Mr Nicholas Cage! Oh well we can only hope for better things for the future.

MISS JULIE is interesting and Mike Figgis knows how to make the drama work within the intimate confines of a play. He's a master technician of escalating the tension, whether it be with classical music or an intense moment of digression with the lead. Unfortunately, I found the script to be rather dull. The daughter of the count talks about these dreams and laments on her situation. Peter Mullan sits there, sometimes with his arms crossed, other times kissing her feet or trying to seduce her. Either way, hardly the best delivery from Figgis. The original play just doesn't work on film, not matter how hard the filmmaker tries. Even if the forest, which clearly was a set made me want to shut the thing off. Still, Figgis is one of the most talented filmmakers working today.