Retro Puppet Master

I don't understand all these bad reviews. I believe this movie was one of the best in the Puppet Master series. Being made on a low budget, one can comprehend why the special effects and acting were not spectacular, but they were not completely horrible.

Greg Sestero brought a lot of charisma to the role of Andre Toulon. He has a lot of potential, and I hope to see more of him soon. And though the cinematography was not excellent, and there was minimal violence and gore, this film was a lot of fun. I am a big Puppet Master fan and have grown to expect blood and gore from the films of this series, but I can say that I was never bored through the entire course of watching Retro Puppet Master. So, if you ever get an opportunity to see this movie, don't automatically regard it as unworthy of your time. Give it a chance. You might like it.

Rather uneventful (in terms of puppet-action) 7th installment of the "Puppet Master" franchise. It lacks the stop-motion action of Dave Allen (involved with the previous movies). It was nice to see the older (retro-)versions of some of the famous puppets these films are known for and it was interesting to learn something about the origin of Andre Toulon's re-animating skills. Most acting felt a bit below par. Only Brigitta Dau was decent enough. As a 'neo' Full Moon movie, this one would pass the test. As a 'horror' movie in general, I'd have to flunk it. Hence my over-all rating. Being that it's part 7 in the "Puppet Master" series, I actually thought it would be worse. And given that it's directed by David DeCoteau, I expected it to even totally suck. You just never really know anything for sure, do you? Or maybe once in a while miracles do happen after all.

The film follows on Puppet Master 3, but is actually also intended as the first film in the franchise, as it takes us back to 1902 when Andre Toulon learnt the secret to bringing the puppets to life. The majority of the film is set in 1902.

Bad acting. Bad accents. Silly dialogue. Silly plot. Very poor effects - even for a B-movie, and the puppets are stocky and lifeless. This was annoyingly bad on every level. It is also a vessel for religious mockery. You won't miss anything by not watching this installment.

Incredibly cheep garbage made fun by the Rifftrax team. Without their commentary it would have been very tough to sit through this crap.

Greg Sestero from "The Room" has the lead, which must be the reason they picked this one, because most PM movies can be spoofed with ease. The fact that Sestero speaks with an idiotic French accent must have been an added bonus to choose this bad sequel as opposed to other bad sequels. This leads me to suspect that the reason he got this role is because he told the casting director that he is a fluent French speaker. (I read most of his autobiography i.e. The book about "The Room".)

The puppets look more horrible than ever, as opposed to horrifying, and the "Egyptian" bad guys are the least ominous supernatural demons in the history of cinema. Based just on this laughable trio I would slap this turkey with a G rating. 3 year-olds would laugh at this movie.

Retro puppet master This tale precedes the events of Puppet Master III, and explores the origins of the puppets themselves. Sadly, as grand a concept as this has- a story starting in Egypt in the late 1800's where the secrets of a God's power are stolen and then moving to a young Toulon running a puppet show in Paris in the early 1900s, the whole affair is a little too drawn out to fulfil it's potential.

It's a shame because director Decoteau has previously directed two of the stronger Puppet Master entries- part 3 (perhaps my favourite) and 6- a fun return to form after a couple of really bad sequels.

This is not to say it's a film without merit- any fan of the Puppet Master series will enjoy finding out about how it all began, the cronies of the god are fairly sinister in an Agent Smith/ Matrix kind of way, and there are a couple of new puppets to keep you entertained.

The film could be described as ambitious too, considering budgetary constraints. Creating a period piece obviously creates complications in filming, so this, as with Puppet Master III, is admirable- the simplest route was not selected.

On the downside, the puppets themselves move especially badly in this entry- it's a far cry from the beautiful stop-motion animation of earlier films- we really are talking about movement like a 4 year old's Barbie. Also considering these are meant to be early versions of the puppets we know and love, some of these wooden versions really miss the mark. Blade especially. When looking at the cover I actually assumed Dr Death's skeletal appearance was an early, and quite impressive, early version of Blade, when in fact he's this bizarre troll-faced puppet, with only the hair and costume in common. Quite sad really, as the puppets are after all the stars. And the male lead, Greg Sestero as a young Andre Toulon, is perhaps more wooden than the puppets.

Still, it's worth renting perhaps rather than buying, (I'm not sure how much replay value it has) for those who have to know how it all began. Just don't expect anything super special.