Füge eine Handlung in deiner Sprache hinzuCameron Colley is a young scottish journalist, with an interest in exposing the wrongs committed by the rich and powerful. Life is comfortable enough but uneventful, until someone starts mur... Alles lesenCameron Colley is a young scottish journalist, with an interest in exposing the wrongs committed by the rich and powerful. Life is comfortable enough but uneventful, until someone starts murdering the people in his articles.Cameron Colley is a young scottish journalist, with an interest in exposing the wrongs committed by the rich and powerful. Life is comfortable enough but uneventful, until someone starts murdering the people in his articles.
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Vile, violent, but intelligent thriller about a writer for an expose newspaper shocked to discover that everybody he was going to ruin in the press is turning up dead and all the clues point to him as the killer.
The premise may not sound like much, but just give this film a chance and watch it. You'll be surprised. It goes in directions that you would never expect, yet they are all credible. It also doesn't go for the easy answers in trying to wrap up it's little mystery. As good as the whole film was I never expected them to create a good ending for it, but yet again the script surprised me there too. A very good film.
Rated R; Graphic Violence, Profanity, Drug Use, Adult Themes, Sexuality.
The premise may not sound like much, but just give this film a chance and watch it. You'll be surprised. It goes in directions that you would never expect, yet they are all credible. It also doesn't go for the easy answers in trying to wrap up it's little mystery. As good as the whole film was I never expected them to create a good ending for it, but yet again the script surprised me there too. A very good film.
Rated R; Graphic Violence, Profanity, Drug Use, Adult Themes, Sexuality.
In Japan, this film is given the title Psycho 2001. The cover of the DVD shows a writhing figure in a bloody bathtub, apparently boiling in a stew of guts and organs after ritual disembowelment.
No such scene exists in the film. This title and cover seem to be one more chapter in the harsh treatment this film has suffered at the hands of distributors.
And it is undeserved treatment. This is a classy thriller, Johnny Lee Millar giving his trademark performance in moral ambiguity as a clapped-out journalist looking to break a huge scoop on government conspiracy. As he digs deeper, he finds the story becoming less about the wicked ways of the world, and more about the murky secrets of his own past.
The Highland locations are well used in sweeping helicopter shots, the pacing swift as journo Cameron moves through a sea of bodies, a mysterious Deep Throat figure keeping him one step behind the bad guy(s). Brian Cox is as solid as ever, rehearsing his bad-ass law enforcer routine before Bourne. Millar stands up to a demanding role, especially in the final third when all his chickens come home to roost, and regret, anguish, atonement, cynicism and hope are all required to be shown.
Complicity appears to have been overlooked by most theatres, distributors, award-givers and reviewers. A shame really, much worse British films have travelled abroad in recent years. Complicity is fraught, character-driven, quirky, kinky and pays off at the end. Well worth checking out.
No such scene exists in the film. This title and cover seem to be one more chapter in the harsh treatment this film has suffered at the hands of distributors.
And it is undeserved treatment. This is a classy thriller, Johnny Lee Millar giving his trademark performance in moral ambiguity as a clapped-out journalist looking to break a huge scoop on government conspiracy. As he digs deeper, he finds the story becoming less about the wicked ways of the world, and more about the murky secrets of his own past.
The Highland locations are well used in sweeping helicopter shots, the pacing swift as journo Cameron moves through a sea of bodies, a mysterious Deep Throat figure keeping him one step behind the bad guy(s). Brian Cox is as solid as ever, rehearsing his bad-ass law enforcer routine before Bourne. Millar stands up to a demanding role, especially in the final third when all his chickens come home to roost, and regret, anguish, atonement, cynicism and hope are all required to be shown.
Complicity appears to have been overlooked by most theatres, distributors, award-givers and reviewers. A shame really, much worse British films have travelled abroad in recent years. Complicity is fraught, character-driven, quirky, kinky and pays off at the end. Well worth checking out.
"Complicity" is the second Iain Banks novel turned into a film, but while it is made for the big screen, it does not live up to the standards set by BBC's mini series "The Crow Road". While it is an entertaining and gripping thriller set in Edinburgh and the Highlands, it ultimately fails to convey the spirit of the book. The cast are good, though, and the story is excellent.
It looks like a TV film, and while it is not exactly a wasted opportunity to bring Iain Banks to the cinema, it is slightly disappointing, although still worth watching.
It looks like a TV film, and while it is not exactly a wasted opportunity to bring Iain Banks to the cinema, it is slightly disappointing, although still worth watching.
Brave yet flawed adaption of Iain Banks' dark novel. The characters appear flat as they wade through some bland dialogue. Jonny Lee Miller goes through the remarkable events as if he were buying socks. The shocks and surprises fail to shock or surprise. A more full on darker thrust would have prevented this from resembling a poor episode of Taggart. Well done for having a go and well done for keeping it in Scotland rather than moving it to another locale.
We were rather suspicious of this movie when we first sat down to watch it. My husband and I had both read the book and liked it very much, and since we hadn't heard of the adaptation before we suspected that it probably wouldn't be much good.
Boy, were we ever wrong.
The movie is slightly too gory at times for my personal taste, but then, so is the book. And it's hard not to be, in a story about the hunt for a mad but incredibly clever serial killer. The setting is just right, and the casting as well, and the story unfolds at a pace that just allows you to understand what's going on before the next twist to the plot.
Very highly recommended.
Boy, were we ever wrong.
The movie is slightly too gory at times for my personal taste, but then, so is the book. And it's hard not to be, in a story about the hunt for a mad but incredibly clever serial killer. The setting is just right, and the casting as well, and the story unfolds at a pace that just allows you to understand what's going on before the next twist to the plot.
Very highly recommended.
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- WissenswertesKeeley Hawes, who appeared fully nude in the film, described the sex scenes as "tough" but said she was immediately put at ease by Gavin Millar and she knew she could trust David Odd because she had worked with him before.
- SoundtracksBall
from film Plunkett & Macleane - Gegen Tod und Teufel (1999)
Written & Performed by Craig Armstrong
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Retribution
- Drehorte
- Inchgarvie, Fife, Schottland, Vereinigtes Königreich(Island scenes)
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- 1 Std. 39 Min.(99 min)
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