The Smothers Brothers Show

I barely remember this show. I remember looking forward to it, because the brothers were good when they did their musical stand-up routines.

This show was OK, but did not make the best use of their talents. It was not particularly popular, and only lasted one season; it appears that the Smothers Brothers were among the folks happy to see it go. Their later variety show format suited them much better.

On the other hand, other than a single episode of Burke's Law, this is the first acting exposure for the brothers, so was probably instrumental in their careers.

The rest of the cast - was there really a 'rest of the cast'? Roland Winters was in less than a third of the episodes. No one else in the credits comes close to that.

Props for the opening cartoon sequence, no biggy, but cute.

Perhaps this has potential for replay on Nickelodeon, but sixties sitcoms seem dated on replay - the pacing is slower, the acting and conversation stilted, the laugh track forced. Never again mainstream.

Try it once, if you've got nothing better to do.

Perhaps ADULTS in this time era did not enjoy the show as much as KIDS did! It was a shame children in this period of time did not have as much impact as children do today. There was not any show then, or now that carried these aspects of "Life after Death" in the same way that this show portrayed it.

The show also carried a special and personal meaning to me. This was due to my brother had drowned in March 1961, (I was 6 years old, and my brother was 7 at this time) and the thought that he was an Angel and could see me, helped me cope with his death.

When The Smothers Brothers became a variety show years later, I was already in tune to their type of comedy.

For this reason, I would like to thank this show and it's cast members.

Tom Smothers is an incompetent apprentice angel,sent back to earth by angel supervisor "Ralph" to earn his spurs(er..wings?),by helping people,using "angel powers",usually roping his frequently exasperated living brother Dick into his adventures. This was the first of the Smothers brothers TV shows of their own,a half hour black and white sitcom,which lasted a year,the premise of which was hardly uniquely "whacky" in the era of "I dream of Jeannie","the Munsters" and the notorious "My mother the car".The brothers' status in the TV comedy pantheon is based on their later "satirical" variety-sketch show "The Smothers brothers comedy hour",and they seem embarrassed about,and dismissive of this predecessor.However,the show is a perfectly acceptable example of the "fantasy" sitcom,so popular at this time,and is by no means unworthy as a showcase for their talents.Each episode starts with a short stand up routine by way of an introduction to the story.Then Tom-reluctant Dick often in tow-launches into his latest "angel assignment"-to end a hillbilly feud,make sure an ex con doesn't return to crime,or whatever.Like its contemporaries,sometimes silliness threatens to overwhelm the whole thing,and Tom's comic persona can become irritating if allowed too much leeway.But the presence of fine supporting casts,especially co-star Roland Winters-as Dick's blustering boss at "Pandora publications"-and guests like Edward Andrews,Gerald Mohr and Percy Helton,good production from the reliable "4 Star" television company and interesting stories,all complement the likable brothers,helping to make a very watchable show.

This sitcom may well wear better today than the "Smothers brothers comedy hour",where the agitprop comedy is very much anchored in the political and societal concerns of the late 60s(nothing dates like satire!).Modern audiences who enjoy the escapist fantasy sitcoms of the 60s,and have exhausted the likes of "Bewitched",might enjoy discovering this "lost" show-rarely seen since its original transmission.A colorized version would do no harm to the "integrity" of the series,and enhance the slick "Madison Avenue 60s" clothes.

I was also in the fifth grade when this show was on CBS and watched it every Friday night. Then I probably liked the angel gimmick but in the 1980s, when Nick at Nite reran the show, I found that the only funny parts are when Tom and Dick go into their basic routine--bickering with one another--which I had forgotten occurred at least once a show. However, the show does not appear as dated as "The Smothers Brothers Comedy Hour," no doubt because the sitcom did not rely on political humor.

The way I remember the theme lyrics:

Tonight you'll meet two brothers who Just happen to be us. But Tom is slightly different, a problem we will now discuss. My brother Tom was lost at sea Without his water wings. And now he is an angel And he tries to do amazing things. That's right. Brother Dick, it's no trick if you see Lots of different faces that look a lot like me. An angel on a visit to his brother here below Can cause a lot of trouble. There's miracles to start but they always come apart On The Smothers Brothers Show. There's miracles to start but they always come apart On The Smothers Brothers Show.

PREOCUPATION with our life and the anticipation of the hereafter is what certainly separates Man from Animal. The knowledge that we are here on Planet Earth, but for a short visit, is the most powerful of motivators that we will encounter. This has always been, is now and always will be so; be one a Believer, Agnostic or even an Atheist.

WRITERS of all fields and persuasions have found this to be an ever popular subject and, in addition to countless intellectual dissertations, thesis, term papers and position papers (for the Politicos), the field proved also to be fine fodder for both the serious playwright as well as the comedic and farcical scribes.

AND it would seem that the less serious side has many more entries into the area than do the serious authors. For every work such as Thornton Wilder's OUR TOWN, we have a multitude of comically slanted stories and situations. From HERE COMES MR. JORDAN ( Columbia, 1941) to Henry Travers as Clarence, Angel Second Class in Frank Capra's IT'S A WONDERFUL LIFE (Liberty Pictures/RKO Radio Pictures, 1946) and even up to Paramount Pictures' Famous Studios Character of CASPER THE FRIENDLY GHOST, humor has been used as a sweetener to get the bitter notions of Death get down into our psyches in a more palatable manner.

ODDLY enough, this might seem to be an unlikely vehicle for The Smothers Brothers to use as an entrance to weekly television; for the Brothers Smothers, Tom & Dick were first and foremost musicians & folk singers. Their careers took a bit of a turn when they discovered that the largely improvised banter that they did between songs in their Stage Act was rapidly becoming the high point of their show. Instead of being wise-cracking Folk Singers, they were transformed into a singing Comedy Team. Tom Smothers tagline of "Mom always liked you best"* was soon a national pheom.

AS for the sitcom, it had a simple enough, albeit highly fantastical. It seems that little Dickie Smothers is rapidly becoming a bad boy here on Earth; both in business and when it comes to the Ladies. Enter his brother, Tommy, with a mission to reform and save his younger brother from his own sinful ways. (They don't actually say "sinful", but you know what we mean.)* THE only trouble is that Tom had drowned in a boating accident two years prior. It seems that he had now returned to Earth; but as an Angel, a sort of Guardian Angel to Dick.

GAGS ran the whole gamut from subtle and surprising down to the obvious and expected. Generally speaking, they were funny, well received and appropriate to the premise and parameters of the series. Although it never gained a long run nor became remembered with "Classic" Status, we enjoyed it in our house.

ANOTHER striking similarity to another field that we believe exists is that to the Comics Magazines published with Super Heroes and their first cousins, the Costumed Crime Fighter. It was during this period that serious interest was surfacing about the history of the likes of Superman, Batman, Captain Marvel, the Human Torch, Sub-Mariner, etc., etc., etc., ad en infinium.

IT was around this era that perhaps the first book was published as both a History and a serious examination of the Comic Book as a separate medium from its cousin, the Newspaper Comic Strip. It was Jules Pfeiffer's THE GREAT COMIC BOOK HEROES and we well remember that when it hit the booksellers' shops it caused quite a stir. In Kroch's & Brentano's on Wabash Avenue in Chicago's Loop, they did not know where to put their copies; as there was no such subject nor classification up to that time. They eventually settled for 'Humor', until the field became a tad more filled-out.

NEXT up, the ABC TV Network and 20th Century-Fox Television brought us the William Dozier Greenway Production of the BATMAN TV Series (1966-68), which forever changed our perceptions of the Comic Book Hero, "Camp" Humor and the Filmed Adaptations of the Super Hero Genre in general.

TO our way of thinking, a lot of the situations, gags and defined supernatural powers of the Tommy/Angel character were just redoing what many a "Joke Book" writer and illustrator had done so many times before. And there were many a Comic Hero, then and now, whose origin and preternatural abilities were due to the fact that the character had died and returned as an Earth Bound spirit. We had The Spectre, Kid Eternity, Sergeant Spook, Ghost Rider and a number of others who fit the bill.

IN a typical situation, there would be a situation wherein brother Dick would need the Police and the camera's eye would take us to the inside of a Prowl Car, where we would see the 2 Cops heading to Dick's aid; suddenly we would realize the mustachioed Policeman was Tommy, who was barking out the orders.

ANOTHER running gag involved Tom's on going reference to his Boss, "Ralph." In an airplane, for example, Tommy Angel shouts and points, "Ralph likes to sleep behind that Cloud!" This "Ralph" business went on for some time before we stopped and thought about it. Ralph is often short for Raphael. Isn't there a more famous Angel named Raphael written about in the Bible.

DO you suppose this was an attempt at being a little "serious", or imparting a "message"? At any rate, an awful lot of folks don't seem to have any recollection of this Smothers Sitcom; with THE SMOTHERS BROTHERS COMEDY HOUR of a couple of years later overshadowing it nearly completely.

WELL, we liked it and wish it were available on video for the home market, both yours and mine, Schultz.

POODLE SCHNITZ!!