Laadla
- 1994
- 2 Std. 49 Min.
IMDb-BEWERTUNG
5,9/10
1542
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe headstrong owner of a factory, Sheetal, marries Raju, the union leader of the factory, to quell his spirit and teach him a lesson. In the process, she ends up learning a few lessons hers... Alles lesenThe headstrong owner of a factory, Sheetal, marries Raju, the union leader of the factory, to quell his spirit and teach him a lesson. In the process, she ends up learning a few lessons herself.The headstrong owner of a factory, Sheetal, marries Raju, the union leader of the factory, to quell his spirit and teach him a lesson. In the process, she ends up learning a few lessons herself.
- Auszeichnungen
- 2 Nominierungen insgesamt
Javed Khan Amrohi
- Employee
- (as Javed Khan)
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Laadla review :
After the colossal failure of his ambitious home production Roop Ki Rani Choron Ka Raja (1993), Anil Kapoor got the much needed hit in form of Laadla. However, the film belonged to Sridevi who walked away with all the accolades for her grey shaded character. Her punchline "You understand. You better understand!!" is still memorable.
Originally planned with Divya Bharti, Laadla was reshot with Sridevi after Divya's untimely death in 1993. Raveena Tandon played second fiddle to Sridevi while Anupam Kher was the comic pappa. Shakti Kapoor had his own catchphrase "Tuna Tuna" even as Prem Chopra- Paresh Rawal - Mohnish Bahl formed the villainous trio.
Anil Kapoor played the dashing mazdoor who ends up marrying his ziddi employer Sridevi and then the drama unfolds..
Anand Milind's compositions - particularly 'Ladki hai kya re baba' and the seductive number 'Dhik Tana na' in which a ravishing Sridevi seduces Anil Kapoor - gained popularity.
Quite massy in approach, Laadla struck the right chord with the audience and emerged a box office hit. In one scene, we see Anil Kapoor and his colleague Ravi Baswani going to watch Khalnayak (1993) at Mumbai's Metro theatre but unable to get in due to massive crowds. Wishful thinking! Unfortunately, Laadla couldnt achieve that kind of success..
Regards, Sumeet Nadkarni
After the colossal failure of his ambitious home production Roop Ki Rani Choron Ka Raja (1993), Anil Kapoor got the much needed hit in form of Laadla. However, the film belonged to Sridevi who walked away with all the accolades for her grey shaded character. Her punchline "You understand. You better understand!!" is still memorable.
Originally planned with Divya Bharti, Laadla was reshot with Sridevi after Divya's untimely death in 1993. Raveena Tandon played second fiddle to Sridevi while Anupam Kher was the comic pappa. Shakti Kapoor had his own catchphrase "Tuna Tuna" even as Prem Chopra- Paresh Rawal - Mohnish Bahl formed the villainous trio.
Anil Kapoor played the dashing mazdoor who ends up marrying his ziddi employer Sridevi and then the drama unfolds..
Anand Milind's compositions - particularly 'Ladki hai kya re baba' and the seductive number 'Dhik Tana na' in which a ravishing Sridevi seduces Anil Kapoor - gained popularity.
Quite massy in approach, Laadla struck the right chord with the audience and emerged a box office hit. In one scene, we see Anil Kapoor and his colleague Ravi Baswani going to watch Khalnayak (1993) at Mumbai's Metro theatre but unable to get in due to massive crowds. Wishful thinking! Unfortunately, Laadla couldnt achieve that kind of success..
Regards, Sumeet Nadkarni
It is common knowledge that Divya Bharti had canned several scenes (almost 80% of the film) for the film Laadla, which was originally scheduled to release in 1993 but had to be re-shot and ultimately released in 1994, due to the 19 year old actress's untimely death. Sridevi replaced Divya Bharti and the end result was an award worthy and truly memorable performance. There are scenes on youtube, that compare the scenes originally shot with Divya Bharti with the finally released scenes featuring Sridevi. Divya bharti was good. But Sridevi was a class apart. In fact, the Telugu version of the film, starring Naghma did not fare too well at the box office. When asked why, the lead actor Chiranjeevi candidly replied: "Because the Telugu version did not feature Sridevi!" Such was the impact of her near flawless performance.
Laadla is the story of a lower middle class man, Raju (Anil Kapoor) whose day comprises of looking after his handicapped mother and working in a factory run by the power and money obsessed, able businesswoman, Sheetal Jaitely (Sridevi). From the word go, the two can't see each other in the eye. What follows is some comedy, drama, action, song and dance, some more action and all's well that ends well. Laadla is a remake of a successful south film and director Raj Kanwar has done well. Laadla had all the elements of an entertainer ensuring that producer Nitin Manmohan reaped the benefits, despite the film going over-budget(due to the re-shooting).
Performance wise Sridevi is absolutely brilliant. She proved with this film that no one can write her off, given the right script. Laadla was almost tailor made for her. I remember the whistles resounding in the cinema hall as she confronted Anil Kapoor. Anil Kapoor's earnest performance was overshadowed by Sridevi's controlled and believable depiction of the she-devil. Having said that, Anil Kapoor delivered well as Raju. Raveena Tandon did not get much scope, expect showing her thunder thighs in the song, Meri Dhadkan Suno. Paresh Rawal, Prem Chopra, Shakti Kapoor and Monish Behl are the usual villains. Farida Jalal was alright as well. Anupam Kher provided some good laughs. The dialogs by Anees Baazmee deserve a special mention. The dialogs were smart and fun-filled, especially the line "You understand? You better understand!", which went on to become extremely popular. In fact, when one mentions this film, this particular dialog always comes to mind. Raj Kanwar's execution of a few scenes like the one when Sridevi burns her car or when Sridevi slits her wrist is truly praiseworthy.
The music by Anand-Milind topped the charts in 1994. In their trademark style, Anand-Milind delivered hits in Ladki Hain Kya and Boi Boi. 1994 was a good year for the duo and Laadla made sure they maintained their popularity.
Despite its ridiculous climax, Laadla provides wholesome entertainment. The dialogs, the acting, the scenes and the music guarantee paisa vasool entertainment. Go for it!
Laadla is the story of a lower middle class man, Raju (Anil Kapoor) whose day comprises of looking after his handicapped mother and working in a factory run by the power and money obsessed, able businesswoman, Sheetal Jaitely (Sridevi). From the word go, the two can't see each other in the eye. What follows is some comedy, drama, action, song and dance, some more action and all's well that ends well. Laadla is a remake of a successful south film and director Raj Kanwar has done well. Laadla had all the elements of an entertainer ensuring that producer Nitin Manmohan reaped the benefits, despite the film going over-budget(due to the re-shooting).
Performance wise Sridevi is absolutely brilliant. She proved with this film that no one can write her off, given the right script. Laadla was almost tailor made for her. I remember the whistles resounding in the cinema hall as she confronted Anil Kapoor. Anil Kapoor's earnest performance was overshadowed by Sridevi's controlled and believable depiction of the she-devil. Having said that, Anil Kapoor delivered well as Raju. Raveena Tandon did not get much scope, expect showing her thunder thighs in the song, Meri Dhadkan Suno. Paresh Rawal, Prem Chopra, Shakti Kapoor and Monish Behl are the usual villains. Farida Jalal was alright as well. Anupam Kher provided some good laughs. The dialogs by Anees Baazmee deserve a special mention. The dialogs were smart and fun-filled, especially the line "You understand? You better understand!", which went on to become extremely popular. In fact, when one mentions this film, this particular dialog always comes to mind. Raj Kanwar's execution of a few scenes like the one when Sridevi burns her car or when Sridevi slits her wrist is truly praiseworthy.
The music by Anand-Milind topped the charts in 1994. In their trademark style, Anand-Milind delivered hits in Ladki Hain Kya and Boi Boi. 1994 was a good year for the duo and Laadla made sure they maintained their popularity.
Despite its ridiculous climax, Laadla provides wholesome entertainment. The dialogs, the acting, the scenes and the music guarantee paisa vasool entertainment. Go for it!
Don't really know how to explain or analyse the Sridevi factor. Sometimes I think she is intense and powerful, sometimes I think she overacts. Here I don't really know what to think or how to describe her. She was always angry, offensive, aggressive, and I still enjoyed her performance. It was a fresh change from what she was used to doing. No-one else existed in this film. The film itself is a cheap comic strip. It is terribly melodramatic, badly overdone, and is further worsened by laughably silly dialogues and poor production values (pretty much like every film of its sort at that time, particularly films made by directors like Raj Kanwar). But there is one good thing about it, and it is Sridevi as the vicious and damn beautiful career woman Sheetal Jetley. And I think that was quite the film's main purpose. Some people say Sridevi introduced the first anti-heroine in a leading role to Hindi cinema. Now that is complete nonsense as there were many other actresses who played negative leading roles before, and even if it was, it would not matter that much as this film is bad enough to be forgotten. It is one of many films filmmakers make for their favourite leading actress and only for her. In this case it's Sridevi. Many filmmakers who worship her made films for their ultimate goddess. This movie is one of them. It is a pathetic movie, but Sridevi makes it worth a watch.
To start with , this role does not belong to Sridevi , it was Divya Bharti's role all the way. This role should be performed by one who has haughty face( Naak pe gussa ho) and Divya Bharti has that looks . But than Sridevi does performed with panache , again! It was better that Madhuri's performance in Hum Aapke hai Kaun and Kajol's Yeh Dillagi.
I rated this an 8. The movie was too short. Sridevi is Sridevi - an enigma, a legend, I mean once you start watching her, you dont want to stop. She is a complete treat to the eyes - fun to watch; the ultimate entertainer. Raveena doesnt have much to do in this movie. As we all know, Divya Bharati was supposed to do Sridevi's role which is odd b/c Raveena and her would have been on par in term of popularity in those days, so it's unclear if Raveena's role was trimmed down to maximize Sridevi's or if her role was really meant to be this irrelevant. Anil is a good actor as always. There are some nice songs.
Wusstest du schon
- WissenswertesDivya Bharati had shot 80% of the film before her death, which had to be re shot with Sridevi.
- PatzerAnil Kapoor's hairstyles keep changing throughout as the film was re shot with Sridevi.
- Zitate
Sheetal Jethly: Understand? You better understand.
- VerbindungenFeatured in Magadheera (2009)
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Details
- Laufzeit
- 2 Std. 49 Min.(169 min)
- Farbe
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