IMDb-BEWERTUNG
8,0/10
3643
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe Wizard's magic got out of control because it touched human feelings.The Wizard's magic got out of control because it touched human feelings.The Wizard's magic got out of control because it touched human feelings.
- Regie
- Drehbuch
- Hauptbesetzung
Tatyana Ignatova
- Servant
- (as T. Ignatova)
Empfohlene Bewertungen
10sim-13
A beautiful film with great actors. A magician turns a bear into a young man who must kiss a princess in order to turn back into a bear. Leonov is hilarious as the King.
This is one of the best masterpieces of world cinema, despite the extreme simplicity of both the plot and the simplicity of the effects inside the film. The plot takes place in just a few rooms and is essentially a theatrical production.
Little known outside the Russian cultural space, it is easy to watch with the current development of new digital means of automatic translation.
Although based on a trivial story, the development of the plot is captivating. Excellent multi-level humor, which can be understood better in adulthood - having watched it at 10, 25 and 40 years old, different levels of subtext are revealed and the film is understood in a new way.
Although not necessary, knowledge of the Russian language will help to understand the beauty of the play on words and musical compositions.
Little known outside the Russian cultural space, it is easy to watch with the current development of new digital means of automatic translation.
Although based on a trivial story, the development of the plot is captivating. Excellent multi-level humor, which can be understood better in adulthood - having watched it at 10, 25 and 40 years old, different levels of subtext are revealed and the film is understood in a new way.
Although not necessary, knowledge of the Russian language will help to understand the beauty of the play on words and musical compositions.
This movie has always been a romantic inspiration to me. I understand, that for Western movie fans it must look too simple in terms of effects (if any :), but Mark Zakharov is a theatric director, so it is actually a movie PLAY, having a touch of theater.
Øýü afraid that the half of the original flavor will be devoured by any however good translation - humor, romance, smallest shades of mood or feelings. But if you will get into the movie, if you will find the right tune for it - you will discover a lot of wonderful things about yourself, about feelings...
Øýü afraid that the half of the original flavor will be devoured by any however good translation - humor, romance, smallest shades of mood or feelings. But if you will get into the movie, if you will find the right tune for it - you will discover a lot of wonderful things about yourself, about feelings...
Mark Zakharov has done a number of interesting, allegoric films ('To Kill a Dragon', for one), often adapting plays of Yevgeni Shvarts. Yet 'An Oridnary Miracle' is much more than just one in a bunch.
What we have here is a tale coming to life, an allegory in its full sense. The plot is centered around the Wizard, played superbly by Oleg Yankovsky, and his wife (another fantastic performance by Irina Kupchenko). The Wizard utters words, and we see them come to life - literally. He is dictating every move of this story, setting the pace and force of action. Creating a solid world by imagination, a world that stumbles upon his tired wife and wouldn't leave until set right.
The center of this imaginary world is a love story, a fairy tale of a bear turned into a man who has to be kissed by a princess to return to his true form. Zakharov handles this in a beautiful way. The love story is very romantic, yet never too sweet, accompanied with superb supporting characters of the King (Yevgeni Leonov) and his Minister Administrator (Andrei Mironov), the very stars of the Soviet Russian cinema.
Everything is very theatrical in this movie. Anotther commenter here mentioned it's due to Zakharov's occupation as a theatre director. Yet it seems there's more to it, since other pictures of his hold less of this stage atmosphere. Having seen this movie numerous times, i like to think this 'theatricity' as, for one, an homage to Shvarts' plays, and also as yet another allegory of life and imagination, when everyone of us can be creators of many things. Creating our own life, which is nothing but an (un)ordinary miracle.
The whole movie, i think, comes to a simple truth, articulated in many masterpieces (it would fit to remember Tarkovsky here): it is difficult to be a creator. This gift comes with its own rules, sometimes far beyond control. Yet by allowing it to come, we can produce small, ordinary miracles. To quote the theme song of the movie, 'awkwardly, funnily, illogically, mindlessly - miraculously'.
What we have here is a tale coming to life, an allegory in its full sense. The plot is centered around the Wizard, played superbly by Oleg Yankovsky, and his wife (another fantastic performance by Irina Kupchenko). The Wizard utters words, and we see them come to life - literally. He is dictating every move of this story, setting the pace and force of action. Creating a solid world by imagination, a world that stumbles upon his tired wife and wouldn't leave until set right.
The center of this imaginary world is a love story, a fairy tale of a bear turned into a man who has to be kissed by a princess to return to his true form. Zakharov handles this in a beautiful way. The love story is very romantic, yet never too sweet, accompanied with superb supporting characters of the King (Yevgeni Leonov) and his Minister Administrator (Andrei Mironov), the very stars of the Soviet Russian cinema.
Everything is very theatrical in this movie. Anotther commenter here mentioned it's due to Zakharov's occupation as a theatre director. Yet it seems there's more to it, since other pictures of his hold less of this stage atmosphere. Having seen this movie numerous times, i like to think this 'theatricity' as, for one, an homage to Shvarts' plays, and also as yet another allegory of life and imagination, when everyone of us can be creators of many things. Creating our own life, which is nothing but an (un)ordinary miracle.
The whole movie, i think, comes to a simple truth, articulated in many masterpieces (it would fit to remember Tarkovsky here): it is difficult to be a creator. This gift comes with its own rules, sometimes far beyond control. Yet by allowing it to come, we can produce small, ordinary miracles. To quote the theme song of the movie, 'awkwardly, funnily, illogically, mindlessly - miraculously'.
An Ordinary Miracle has really stood out among the run of Russian films I've seen, which was at a very high standard. And I mean this in a very good way. An Ordinary Miracle is a beautiful-looking film, the fantasy settings are wondrous and the scenery like some of the other best of Russian films makes me wish I could go to Russia. The photography is of the kind that is simple but also very elegant. The music is orchestrated sensitively and to the extent that you wish you can buy it on CD alone, the songs also stick in your head for days and are just lovely. There is some satire in the dialogue and it's very sharp and hilarious, and there's a lot of thoughtful and touching moments too. The story made me laugh with the satire, cry or feel very touched with the three romances(very romantic and charming) and in awe with the fantasy elements. It is also swiftly told, I was impressed at how much there was, it's a quite long film but never tiresome. The characters are quirky engage hugely, all of them serving a point. The acting is theatrical but still very good, Oleg Yankovsky and Irina Kupchenko are excellent. Overall, beautiful film and a miracle really. 10/10 Bethany Cox
Wusstest du schon
- Zitate
Minister Administrator: You are attractive. I am devilishly attractive. Why should we waste our time?
- VerbindungenFeatured in Namedni 1961-2003: Nasha Era: Namedni 1979 (1997)
- SoundtracksPesnya Volshebnika
aka "Nelepo, smeshno, bezrassudno, bezumno, volshebno..."
Music by Gennadiy Gladkov
Lyrics by Yuliy Kim
Performed by Leonid Serebrennikov
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By what name was Ein gewöhnliches Wunder (1979) officially released in Canada in English?
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