IMDb-BEWERTUNG
7,0/10
4683
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA trilogy of separate stories. In "Labyrinth labyrinthos", a girl and her cat enter a strange world. In "Running Man", a racer takes on the ultimate opponent. In "Construction Cancellation O... Alles lesenA trilogy of separate stories. In "Labyrinth labyrinthos", a girl and her cat enter a strange world. In "Running Man", a racer takes on the ultimate opponent. In "Construction Cancellation Order", a man must shut down worker robots.A trilogy of separate stories. In "Labyrinth labyrinthos", a girl and her cat enter a strange world. In "Running Man", a racer takes on the ultimate opponent. In "Construction Cancellation Order", a man must shut down worker robots.
Hideko Yoshida
- Shôjo Sachi (segment "Labyrinth*labyrinthos")
- (Synchronisation)
Masane Tsukayama
- Bob Stone (segment "Hashiru otoko")
- (Synchronisation)
Yû Mizushima
- Sugioka Tsutomu (segment "Kôji chûshi meirei")
- (Synchronisation)
Iemasa Kayumi
- Buchô (segment "Kôji chûshi meirei")
- (Synchronisation)
Jôji Yanami
- (segment "Kôji chûshi meirei")
- (Synchronisation)
Hiroshi Ôtake
- Robot 444 no 1-gô (segment "Kôji chûshi meirei")
- (Synchronisation)
Banjô Ginga
- Zach Hugh (segment "Hashiru otoko")
- (Synchronisation)
Yûsaku Yara
- (segment "Kôji chûshi meirei")
- (Synchronisation)
Kazumi Tanaka
- (segment "Kôji chûshi meirei")
- (Synchronisation)
Robert Axelrod
- Tsutomu Sugioka (segment "The Order to Stop Construction")
- (English version)
- (Synchronisation)
Cheryl Chase
- Sachi (segment "Labyrinth")
- (English version)
- (Synchronisation)
Barbara Goodson
- Mother (segment "Labyrinth")
- (English version)
- (Synchronisation)
Steve Kramer
- Chief Technician
- (English version)
- (Synchronisation)
- …
Michael McConnohie
- Reporter (segment "Running Man")
- (English version)
- (Synchronisation)
- …
Jeff Winkless
- Zach Hugh
- (English version)
- (Synchronisation)
- …
Tom Wyner
- Walla (segment "Running Man")
- (English version)
- (Synchronisation)
- …
Rafael Ferrer
- Reporter (segment "Running Man") (MTV Liquid Television version)
- (English version)
- (Synchronisation)
- (Nicht genannt)
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I was lucky enough to obtain this film off an online auctions. And this is my review the film displays three short stories all extremely trippy.
The first one involves a girl, a circus, a cat and a mirror and a parade of very odd animals. This one makes you feel like your on acid at one point.
The second on is called the running man about a psionic race car driver who pushes his limits. Very Cool.
The third one contains probaly the most talking out of all three. itis a grim sardonic comedy about a man who can't stop a robot crew from working. it has a very ironic ending.
The first one involves a girl, a circus, a cat and a mirror and a parade of very odd animals. This one makes you feel like your on acid at one point.
The second on is called the running man about a psionic race car driver who pushes his limits. Very Cool.
The third one contains probaly the most talking out of all three. itis a grim sardonic comedy about a man who can't stop a robot crew from working. it has a very ironic ending.
Before X, before Vampire Hunter D: Bloodlust, before Akira, there was Neo Tokyo, a fine blend of high-end animation and artistic expression, as well as experimentation. This is far from the typical "big eyes, small mouth" anime with big guns, big robots, and girls with big, um, "talents". In other words, this is not your younger siblings' anime.
The first selection, "Labyrinth" by Rin Taro, is a child's imagination run wild. If Cirque de Soleil was animated, it would be this. A little girl and her faithful cat cross over into a bizarre world via a mirror and are entertained by a mime-like clown, a traveling circus, and a surreal world of high walls and mindboggling imagery. Much like the imagination of a child, this is not a short to be analyzed, picked over, and dissected. "Labyrinth" is meant to be simply enjoyed. Other than the basic storyline, the short bounces around at a moment's notice from one scene to another and doesn't seem to fit together at all, but in the end it does. This piece is what I like to call "moving artwork". Several of the scenes could be plucked from the screen and hung on a wall.
The second short was a favourite of MTV's "Liquid Television" in the early 90's. Yoshiaki Kawajiri's "The Running Man" tells the story of a driver who has been surviving death-defying form of racing for ten years. It's a brilliant accomplishment and unfortunately, one that's been wearing on him, since other drivers are dead in a year. A reporter begins covering the driver's unstoppable career and accidently discovers why this man always wins. Finally, the stress of tempting death night after night breaks him and in an instant, all hell breaks loose. The design of the characters is very realistic, atypical for early to mid-80's anime. The speed and look of the racing vehicles is fluid and the piece is never boring, even sticking around with you after the very end. Despite the morbid nature of this short, I honestly believe that "The Running Man" should be part of Speedvision's Lost Drive-In collection.
The finale could easily be subtitled "The Akira Experiment Project". Three years before he would reshape the world of anime forever, Katsuhiro Otomo wrote and directed "The Order To Stop Construction", the tale of a hapless Japanese executive sent to shut down an overblown project in a tropical rainforest powered by robots and void of humans. Unfortunately, what stands between him and his orders is a foreman robot on a strict work schedule that it is hellbent on keeping, so much that the last human sent to supervise the place has disappeared without a trace. Despite the fact that the worker robots and the machines they operate keep exploding day in and day out, the foreman is convinced that if the others work just a little bit harder, it can meet the ever important deadline and nothing is going to stop that, including the human sent out to do so. Every element of "Akira" can be seen here, from character and vehicle designs to pipe movements and mud bubbles. It's like watching a mini-version of "Akira" without any psychic goings-on. Also like "Akira", "The Order To Stop Construction" is also a bit of social satire, making fun of the important and somewhat overbearing work ethic of the Japanese. My only complaint is the dubbing. The original Japanese language with subtitles would have added a bit more to this instead of the weak English voice-acting. This short would have been a fun addition to the "Akira" special addition recently released, as well as an important one.
This fine, yet brief, collection of mid-80's animation from Japan is definitely worthy of DVD consideration and it's a shame that it hasn't received one as of yet.
The first selection, "Labyrinth" by Rin Taro, is a child's imagination run wild. If Cirque de Soleil was animated, it would be this. A little girl and her faithful cat cross over into a bizarre world via a mirror and are entertained by a mime-like clown, a traveling circus, and a surreal world of high walls and mindboggling imagery. Much like the imagination of a child, this is not a short to be analyzed, picked over, and dissected. "Labyrinth" is meant to be simply enjoyed. Other than the basic storyline, the short bounces around at a moment's notice from one scene to another and doesn't seem to fit together at all, but in the end it does. This piece is what I like to call "moving artwork". Several of the scenes could be plucked from the screen and hung on a wall.
The second short was a favourite of MTV's "Liquid Television" in the early 90's. Yoshiaki Kawajiri's "The Running Man" tells the story of a driver who has been surviving death-defying form of racing for ten years. It's a brilliant accomplishment and unfortunately, one that's been wearing on him, since other drivers are dead in a year. A reporter begins covering the driver's unstoppable career and accidently discovers why this man always wins. Finally, the stress of tempting death night after night breaks him and in an instant, all hell breaks loose. The design of the characters is very realistic, atypical for early to mid-80's anime. The speed and look of the racing vehicles is fluid and the piece is never boring, even sticking around with you after the very end. Despite the morbid nature of this short, I honestly believe that "The Running Man" should be part of Speedvision's Lost Drive-In collection.
The finale could easily be subtitled "The Akira Experiment Project". Three years before he would reshape the world of anime forever, Katsuhiro Otomo wrote and directed "The Order To Stop Construction", the tale of a hapless Japanese executive sent to shut down an overblown project in a tropical rainforest powered by robots and void of humans. Unfortunately, what stands between him and his orders is a foreman robot on a strict work schedule that it is hellbent on keeping, so much that the last human sent to supervise the place has disappeared without a trace. Despite the fact that the worker robots and the machines they operate keep exploding day in and day out, the foreman is convinced that if the others work just a little bit harder, it can meet the ever important deadline and nothing is going to stop that, including the human sent out to do so. Every element of "Akira" can be seen here, from character and vehicle designs to pipe movements and mud bubbles. It's like watching a mini-version of "Akira" without any psychic goings-on. Also like "Akira", "The Order To Stop Construction" is also a bit of social satire, making fun of the important and somewhat overbearing work ethic of the Japanese. My only complaint is the dubbing. The original Japanese language with subtitles would have added a bit more to this instead of the weak English voice-acting. This short would have been a fun addition to the "Akira" special addition recently released, as well as an important one.
This fine, yet brief, collection of mid-80's animation from Japan is definitely worthy of DVD consideration and it's a shame that it hasn't received one as of yet.
Animated Circus With Racing and Robots
Neo Tokyo Is what happens when your animate for the joy of animation, the story is an afterthought. It's all about the joy of animated fire.
They are 3 stories and they each has their own strength. The first one is cute and has very stylish designed And wonderful backgrounds and the main girl looks super cute with her daddy's pants on.
The second is psychic racing which looks phenomenal has very masculine designs and just wonderful explosion and animated fire.
The third one is the only one that tries to have a narrative and it does it well. A Japanese man that is sent out to close down a construction site run by robots.
Each story is wonderfully animated you can really feel that this was done in that Japanese bubble economy, because everything looks great.
And the third story is my favorite, just looking at these robots that is on the tip of destroying themselves and constantly moving and having Explosions it's so fun to look at.
But it's over quickly and there is no story to make it stay in your mind. You are there for the designs and animation, those are done well. So if you want candy for eyes, watch it.
Neo Tokyo Is what happens when your animate for the joy of animation, the story is an afterthought. It's all about the joy of animated fire.
They are 3 stories and they each has their own strength. The first one is cute and has very stylish designed And wonderful backgrounds and the main girl looks super cute with her daddy's pants on.
The second is psychic racing which looks phenomenal has very masculine designs and just wonderful explosion and animated fire.
The third one is the only one that tries to have a narrative and it does it well. A Japanese man that is sent out to close down a construction site run by robots.
Each story is wonderfully animated you can really feel that this was done in that Japanese bubble economy, because everything looks great.
And the third story is my favorite, just looking at these robots that is on the tip of destroying themselves and constantly moving and having Explosions it's so fun to look at.
But it's over quickly and there is no story to make it stay in your mind. You are there for the designs and animation, those are done well. So if you want candy for eyes, watch it.
I enjoyed these shorts, especially the Otomo one, but the first two were a little too strange for me. I give them extra points for being original and the animation in all three was stellar (I wish more TV anime was as impressive). It just didn't leave as much of an impression as Memories did. But if you're an anime or animation freak, it's worth checking out.
I can't say I always knew why was going on, but I had a good time watching Neo Tokyo.
The first of three short films inside this anthology had more of a fantastical spin than a sci-fi one, the second was a kind of grim and gritty sci-fi story that I think I connected with the least, and then the third and final part was like a blend of sci-fi and comedy. It looked at the madness of a world where robots enforce rules too strictly, having a bit of a Kafka feel, owing to the human protagonist at its centre who's slowly driven mad.
It's short and maybe not the kind of thing that'll stick with me, but I really liked two out of three shorts here, and didn't mind the other. Plus, the animation is surprisingly great throughout the entire thing.
The first of three short films inside this anthology had more of a fantastical spin than a sci-fi one, the second was a kind of grim and gritty sci-fi story that I think I connected with the least, and then the third and final part was like a blend of sci-fi and comedy. It looked at the madness of a world where robots enforce rules too strictly, having a bit of a Kafka feel, owing to the human protagonist at its centre who's slowly driven mad.
It's short and maybe not the kind of thing that'll stick with me, but I really liked two out of three shorts here, and didn't mind the other. Plus, the animation is surprisingly great throughout the entire thing.
Wusstest du schon
- WissenswertesAfter premiering in 1987 the film had its first wide release in its native Japan on video, on October 10 that year. It was only after the success of Akira (1988) that Tôhô gave it a general theatrical release, on April 15, 1989.
- Alternative VersionenThe "Running Man" segment had a different English dub, narrated by Rafael Ferrer instead of Michael McConnohie, when aired on MTV's Liquid Television (1991) program than the Streamline or ADV home video versions.
- VerbindungenEdited from Rabirinsu rabirintosu (1986)
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