IMDb-BEWERTUNG
7,0/10
4668
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA trilogy of separate stories. In "Labyrinth labyrinthos", a girl and her cat enter a strange world. In "Running Man", a racer takes on the ultimate opponent. In "Construction Cancellation O... Alles lesenA trilogy of separate stories. In "Labyrinth labyrinthos", a girl and her cat enter a strange world. In "Running Man", a racer takes on the ultimate opponent. In "Construction Cancellation Order", a man must shut down worker robots.A trilogy of separate stories. In "Labyrinth labyrinthos", a girl and her cat enter a strange world. In "Running Man", a racer takes on the ultimate opponent. In "Construction Cancellation Order", a man must shut down worker robots.
Hideko Yoshida
- Shôjo Sachi (segment "Labyrinth*labyrinthos")
- (Synchronisation)
Masane Tsukayama
- Bob Stone (segment "Hashiru otoko")
- (Synchronisation)
Yû Mizushima
- Sugioka Tsutomu (segment "Kôji chûshi meirei")
- (Synchronisation)
Iemasa Kayumi
- Buchô (segment "Kôji chûshi meirei")
- (Synchronisation)
Jôji Yanami
- (segment "Kôji chûshi meirei")
- (Synchronisation)
Hiroshi Ôtake
- Robot 444 no 1-gô (segment "Kôji chûshi meirei")
- (Synchronisation)
Banjô Ginga
- Zach Hugh (segment "Hashiru otoko")
- (Synchronisation)
Yûsaku Yara
- (segment "Kôji chûshi meirei")
- (Synchronisation)
Kazumi Tanaka
- (segment "Kôji chûshi meirei")
- (Synchronisation)
Robert Axelrod
- Tsutomu Sugioka (segment "The Order to Stop Construction")
- (English version)
- (Synchronisation)
Cheryl Chase
- Sachi (segment "Labyrinth")
- (English version)
- (Synchronisation)
Barbara Goodson
- Mother (segment "Labyrinth")
- (English version)
- (Synchronisation)
Steve Kramer
- Chief Technician
- (English version)
- (Synchronisation)
- …
Michael McConnohie
- Reporter (segment "Running Man")
- (English version)
- (Synchronisation)
- …
Jeff Winkless
- Zach Hugh
- (English version)
- (Synchronisation)
- …
Tom Wyner
- Walla (segment "Running Man")
- (English version)
- (Synchronisation)
- …
Rafael Ferrer
- Reporter (segment "Running Man") (MTV Liquid Television version)
- (English version)
- (Synchronisation)
- (Nicht genannt)
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"Labyrinth Tales" is a very peculiar art-house "mini-collection" of three short stories, one of which, perhaps, has become a classic. I won't say that this is the most pleasant and fascinating spectacle, but definitely quite original, not constrained by the clichés of the anime industry. The plot opens with a story in the atmosphere of "Something wicked this way comes" by Ray Bradbury about a girl and her cat who do not listen her mother and fall into an ominous carnival through the mirror. There they are shown two more stories, the first of which, "The Running Man", has taken on a life of its own.
This story, at one time, was rated as the weakest, but it is still looks the most impressive. First of all, due to its naturalistic cruelty, combined with static and meditativeness. But I would note psychology. The story is sustained in a gloomy cyberpunk style. The unbeaten champion of racing, having lost his former grip, is no longer able to withstand competitors. He is exhausted by the constant tension of the competition. But ambitions doe not let him go - these are all that is left of him. Therefore, he decides to win the losing race at any cost - by simply blowing up the cars of rivals with telekinesis. However, even left alone on the track, he cannot escape from the slavery of his ambitions. He is locked in a labyrinth of his own passions. It begins to seem to him that he is still being overtaken - by the younger ghost of himself. Monitor shows that his heart has stopped and the driver of the car is dead, but the dead man is the first (and only) to cross the finish line, continuing the race with his own ghost to complete self-destruction. The dead racer is driven only by his ambitions, which first made him to "remove the obstacles" to the goal - to murder other pilots - and then murdered him too.
The second story (Construction Cancellation Order) is more like an ironically absurd story by Robert Sheckley. A Japanese company employee arrives at a flood-damaged, jungle besieged automated construction site in a third world country to investigate what happened to the former site manager and decide to cancell construction or not. However, AI-controlled construction develops according to its own laws. It seems that the machines must withstand the chaos of the jungle advancing from all sides, but they only multiply the chaos themselves, going crazy in an attempt to realize a meaningless task. Ultimately, the new manager has to fight not so much with the life-affirming chaos of nature, but with the meaningless, self-destructive chaos of pseudo-intelligent machines, looking for the central computer in the labyrinth of mechanisms.
As for the girl and her cat, they themselves become part of the carnival chaos, seemingly never getting out of their labyrinth.
This story, at one time, was rated as the weakest, but it is still looks the most impressive. First of all, due to its naturalistic cruelty, combined with static and meditativeness. But I would note psychology. The story is sustained in a gloomy cyberpunk style. The unbeaten champion of racing, having lost his former grip, is no longer able to withstand competitors. He is exhausted by the constant tension of the competition. But ambitions doe not let him go - these are all that is left of him. Therefore, he decides to win the losing race at any cost - by simply blowing up the cars of rivals with telekinesis. However, even left alone on the track, he cannot escape from the slavery of his ambitions. He is locked in a labyrinth of his own passions. It begins to seem to him that he is still being overtaken - by the younger ghost of himself. Monitor shows that his heart has stopped and the driver of the car is dead, but the dead man is the first (and only) to cross the finish line, continuing the race with his own ghost to complete self-destruction. The dead racer is driven only by his ambitions, which first made him to "remove the obstacles" to the goal - to murder other pilots - and then murdered him too.
The second story (Construction Cancellation Order) is more like an ironically absurd story by Robert Sheckley. A Japanese company employee arrives at a flood-damaged, jungle besieged automated construction site in a third world country to investigate what happened to the former site manager and decide to cancell construction or not. However, AI-controlled construction develops according to its own laws. It seems that the machines must withstand the chaos of the jungle advancing from all sides, but they only multiply the chaos themselves, going crazy in an attempt to realize a meaningless task. Ultimately, the new manager has to fight not so much with the life-affirming chaos of nature, but with the meaningless, self-destructive chaos of pseudo-intelligent machines, looking for the central computer in the labyrinth of mechanisms.
As for the girl and her cat, they themselves become part of the carnival chaos, seemingly never getting out of their labyrinth.
I enjoyed these shorts, especially the Otomo one, but the first two were a little too strange for me. I give them extra points for being original and the animation in all three was stellar (I wish more TV anime was as impressive). It just didn't leave as much of an impression as Memories did. But if you're an anime or animation freak, it's worth checking out.
Neo Tokyo is an interesting, often surreal work of anime. It covers two rather dark science fiction pieces through the framework of a young girl's imaginings. Each piece was made by a different filmmaker, making for very different animation styles and narrative approaches.
The first piece "Labyrinth-Labyrinthos" is frankly surreal, and follows the daydreams of a young girl and her cat as they look into a mirror. The short is very imaginative, with borderline psychedelic imagery. Overall, it's a good piece, though the animation is at times headache inducing.
The second short, "The Running Man," has a much more obvious narrative structure, although very little dialogue. Following the story of a futuristic race car driver with some interesting abilities, it represents a 180 degree turn from Labyrinth. The animation is excellent, with very realistic and at times disturbing renderings of car accidents. However, the lack of dialogue in this short makes it somewhat difficult to follow, a matter compounded by the fact that parts of the film are dream sequences.
The third, and best, piece is "Order to Cancel Construction," which follows the attempt of an executive to shut down a robotic construction site. The robots, which have been programmed to follow a rigid schedule, defy the executive. What makes this piece good is the subtle irony that the executive ultimately becomes as single-minded in his task as the robots are in theirs.
Ultimately, this film is good, although not great, and worth a rent.
The first piece "Labyrinth-Labyrinthos" is frankly surreal, and follows the daydreams of a young girl and her cat as they look into a mirror. The short is very imaginative, with borderline psychedelic imagery. Overall, it's a good piece, though the animation is at times headache inducing.
The second short, "The Running Man," has a much more obvious narrative structure, although very little dialogue. Following the story of a futuristic race car driver with some interesting abilities, it represents a 180 degree turn from Labyrinth. The animation is excellent, with very realistic and at times disturbing renderings of car accidents. However, the lack of dialogue in this short makes it somewhat difficult to follow, a matter compounded by the fact that parts of the film are dream sequences.
The third, and best, piece is "Order to Cancel Construction," which follows the attempt of an executive to shut down a robotic construction site. The robots, which have been programmed to follow a rigid schedule, defy the executive. What makes this piece good is the subtle irony that the executive ultimately becomes as single-minded in his task as the robots are in theirs.
Ultimately, this film is good, although not great, and worth a rent.
Is there a connection between these shorts? Do they take place in the same universe? No. Do they share a theme? No. Are they all sci-fi? Well, two are, but the first one isn't. The first two take place at night, but the last mostly during the day. Nothing on the surface is shared, although they each have a similar style and sense of imagination.
There's not much to say about this short movie. The stories are quite simple, although one is silent and vague. They're just quick glimpses into other worlds. But I liked each one of them. They're interesting, mysterious, and well-animated. There are better anthology films, but this is perfectly fine for a watch. If it interests you, give it a shot. There aren't too many movies like it.
There's not much to say about this short movie. The stories are quite simple, although one is silent and vague. They're just quick glimpses into other worlds. But I liked each one of them. They're interesting, mysterious, and well-animated. There are better anthology films, but this is perfectly fine for a watch. If it interests you, give it a shot. There aren't too many movies like it.
Animated Circus With Racing and Robots
Neo Tokyo Is what happens when your animate for the joy of animation, the story is an afterthought. It's all about the joy of animated fire.
They are 3 stories and they each has their own strength. The first one is cute and has very stylish designed And wonderful backgrounds and the main girl looks super cute with her daddy's pants on.
The second is psychic racing which looks phenomenal has very masculine designs and just wonderful explosion and animated fire.
The third one is the only one that tries to have a narrative and it does it well. A Japanese man that is sent out to close down a construction site run by robots.
Each story is wonderfully animated you can really feel that this was done in that Japanese bubble economy, because everything looks great.
And the third story is my favorite, just looking at these robots that is on the tip of destroying themselves and constantly moving and having Explosions it's so fun to look at.
But it's over quickly and there is no story to make it stay in your mind. You are there for the designs and animation, those are done well. So if you want candy for eyes, watch it.
Neo Tokyo Is what happens when your animate for the joy of animation, the story is an afterthought. It's all about the joy of animated fire.
They are 3 stories and they each has their own strength. The first one is cute and has very stylish designed And wonderful backgrounds and the main girl looks super cute with her daddy's pants on.
The second is psychic racing which looks phenomenal has very masculine designs and just wonderful explosion and animated fire.
The third one is the only one that tries to have a narrative and it does it well. A Japanese man that is sent out to close down a construction site run by robots.
Each story is wonderfully animated you can really feel that this was done in that Japanese bubble economy, because everything looks great.
And the third story is my favorite, just looking at these robots that is on the tip of destroying themselves and constantly moving and having Explosions it's so fun to look at.
But it's over quickly and there is no story to make it stay in your mind. You are there for the designs and animation, those are done well. So if you want candy for eyes, watch it.
Wusstest du schon
- WissenswertesAfter premiering in 1987 the film had its first wide release in its native Japan on video, on October 10 that year. It was only after the success of Akira (1988) that Tôhô gave it a general theatrical release, on April 15, 1989.
- Alternative VersionenThe "Running Man" segment had a different English dub, narrated by Rafael Ferrer instead of Michael McConnohie, when aired on MTV's Liquid Television (1991) program than the Streamline or ADV home video versions.
- VerbindungenEdited from Rabirinsu rabirintosu (1986)
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