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8,4/10
2731
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe young Prince of planet Fleed flees his destroyed homeland aboard the UFO Robot Grendizer. On Earth, aided by a scientist and allies, he battles Vega's forces sent to capture Grendizer an... Alles lesenThe young Prince of planet Fleed flees his destroyed homeland aboard the UFO Robot Grendizer. On Earth, aided by a scientist and allies, he battles Vega's forces sent to capture Grendizer and conquer or destroy the universe.The young Prince of planet Fleed flees his destroyed homeland aboard the UFO Robot Grendizer. On Earth, aided by a scientist and allies, he battles Vega's forces sent to capture Grendizer and conquer or destroy the universe.
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OK, the animation may be stiff and the characters cardboard, but this show carries great memories for thousands of people around the world. Mildly successful in Japan, "Grendizer" aka "Goldorak" or "Goldrake" was one of the first Japanese cartoons to achieve such great success and retain a cult following for such a long time. Even today, the struggle of the hero Actarus (aka Duke Fleed) against the evil hordes of "Great Strateguerre" Vega give me shivers down my spine! BTW, among the corny aspects of the show, which add to its appeal : why the heck does Vega keep sending his giant robots ONE BY ONE (gettings their asses kicked by Grendizer episode after episode) instead of sending them all in one big assault? Beats me. Talk about a lousy galactic overlord! Seeing a Grendizer episode is like a fountain of youth to me ! I just can't get enough of its cheesy charm!
10ibbl
Grendizer appeared for the first time in Arab World at the 80's as a complete two-season Arabic dubbed show. It gained a huge popularity among the Arab children in the 80s, especially because dubbed cartoons are very rare at that time. Grendizer popularity in Arab World even very much exceeded Mazinger's; especially in Saudi Arabia where Mazinger has never been shown on TV.
The show is still being aired occasionally on both Space Toon and ART Teens (free-to-air Arabic satellite channels) which can be received in Middle East, parts of Africa, Europe, and Asia on the Egyptian TV satellite (Nile Sat). Also VHS tapes for the complete show (19 tapes)are being sold in Saudi Arabia.
Grendizer fans can obtain more information about the show on this website (http://www.grendizer.net).
The show is still being aired occasionally on both Space Toon and ART Teens (free-to-air Arabic satellite channels) which can be received in Middle East, parts of Africa, Europe, and Asia on the Egyptian TV satellite (Nile Sat). Also VHS tapes for the complete show (19 tapes)are being sold in Saudi Arabia.
Grendizer fans can obtain more information about the show on this website (http://www.grendizer.net).
This bland robot show (which aired as 'Goldorak' as I remember it) lacked the amorality, female nudity and blood splattering violence of 'Albator, le corsair de l'espace'(another children's cartoon on French tv in Canada at the time) -- thus it was less interesting to young boys in my grade.
Interestingly, the Quebec courts passed a law in 1999 forbidding parents from naming their child 'Goldorak.' I'm not making this up.
Interestingly, the Quebec courts passed a law in 1999 forbidding parents from naming their child 'Goldorak.' I'm not making this up.
The 3rd of Go Nagai's mecha, Grendizer carries over much of what made Mazinger Z and Great Mazinger successful, but manages to freshen things up. Even though Kabuto Koji is present, it feels a lot more like a standalone series.
The art and the animation are much cleaner than the previous entries in the catalog, often closer to the more polished OVAs. The sound design is also vastly superior.
The silly and often annoying comic relief element is not as omnipresent as it was in Great Mazinger, where Boss is often the focus of attention for much of the episode. In fact, thankfully enough, Boss is only featured in a handful of episodes. Grendizer's own cast of silly characters such as Danbei and Banta is somewhat easier to ignore for the most part. And thankfully, there are no such absurdities as taking crows either.
Even if it's made for kids, the tone is more serious, with romantic and even tragic elements, and the characters have a lot more depth.
And this is reinforced by the extraordinary music of Shunsuke Kikuchi, one of the great Japanese composers of the late 20th century. The score is full of pathos and remarkably dynamic, often reminiscent of Ennio Morricone. The music alone gives much more depth to the series than what you find in Mazinger Z and Great Mazinger.
Of course, the series has its share of fillers but overall it is very enjoyable.
I would recommend watching it in Japanese if you do have that option, as the progression of the series makes more sense. The translated versions can sometimes feel as though they were done in batches of a few episodes, without any real notion of the overarching plot. That being said, I grew up watching it in French, and I can attest that they did a fantastic job with that version, despite some issues. I assume that the same goes for the Arabic and Italian versions, seeing how beloved this series remains in France, Quebec, Italy and some Arab countries almost 50 years later.
The art and the animation are much cleaner than the previous entries in the catalog, often closer to the more polished OVAs. The sound design is also vastly superior.
The silly and often annoying comic relief element is not as omnipresent as it was in Great Mazinger, where Boss is often the focus of attention for much of the episode. In fact, thankfully enough, Boss is only featured in a handful of episodes. Grendizer's own cast of silly characters such as Danbei and Banta is somewhat easier to ignore for the most part. And thankfully, there are no such absurdities as taking crows either.
Even if it's made for kids, the tone is more serious, with romantic and even tragic elements, and the characters have a lot more depth.
And this is reinforced by the extraordinary music of Shunsuke Kikuchi, one of the great Japanese composers of the late 20th century. The score is full of pathos and remarkably dynamic, often reminiscent of Ennio Morricone. The music alone gives much more depth to the series than what you find in Mazinger Z and Great Mazinger.
Of course, the series has its share of fillers but overall it is very enjoyable.
I would recommend watching it in Japanese if you do have that option, as the progression of the series makes more sense. The translated versions can sometimes feel as though they were done in batches of a few episodes, without any real notion of the overarching plot. That being said, I grew up watching it in French, and I can attest that they did a fantastic job with that version, despite some issues. I assume that the same goes for the Arabic and Italian versions, seeing how beloved this series remains in France, Quebec, Italy and some Arab countries almost 50 years later.
To all of you Lebanese people born in the seventies or late sixties, this review goes to you. Picture this: finally being able to set a TV inside a shelter of reinforced concrete in the basement of a 7 stories building in Beirut, watching Grandizer with all the building residents while bombs are falling on that same building and carelessly enjoying it! That's me from 1981 and 1989. The duke of Fleed cares about the earth and its people , Daisky cares about the flowers and birds and yet he is so courageous and powerful and protective. Damn, who cares about real wars, the war of Grandizer to defend the earth is all that matters. A big salute to all Lebanese actors who gave their voices to the Arabic version particularly Jihad Al Atrash and the great Sami Clark. Not less than 10 for the best cartoon ever.
Wusstest du schon
- WissenswertesWas dubbed to Arabic by (the Lebanese TV company) in Lebanon in the early 80's under the name (Moghamart al Fadaa) and gained a huge popularity among the children, teenager and adults as being one of the first Anime series to be completely dubbed to Arabic.
- VerbindungenEdited from SF Saiyûki Starzinger (1978)
- SoundtracksUfo Robot
(Italian Version)
Written by Luigi Albertelli, Ares Tavolazzi and Vince Tempera (as Vince Tempera)
Performed by Cosmic Connection
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