Ein englischer Professor versucht, sich damit abzufinden, dass seine Frau ihn verlässt, die Ankunft seines Herausgebers, der seit sieben Jahren auf sein Buch gewartet hat.Ein englischer Professor versucht, sich damit abzufinden, dass seine Frau ihn verlässt, die Ankunft seines Herausgebers, der seit sieben Jahren auf sein Buch gewartet hat.Ein englischer Professor versucht, sich damit abzufinden, dass seine Frau ihn verlässt, die Ankunft seines Herausgebers, der seit sieben Jahren auf sein Buch gewartet hat.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 21 Gewinne & 46 Nominierungen insgesamt
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A slice of life story following Grady Tripp, a professor and once accomplished author who is going through a bit of a rough patch. The story is messy like Grady's life, but the performances are great and there's a positive message about supporting your friends, through both the good and the bad.
Sometimes, movie makers manage to create a world that one cannot resist being pulled into. In this world one lingers for a couple of hours, waiting for the next minute with a smile on one's lips. "Wonder Boys" is one of the best movies of recent years in that it successfully drags the viewer along on it's whimsical and sometimes really strange journey.
The characters are believable despite their alien behaviors - the only normal person around might just be Hannah Green (Holmes), skirting around the main characters like an observing ghost. Douglas is pulling off what must be his best performance ever, portraying a decaying, once-famous addict writer with a severe case of reversed writer's block: he can't finish his novel and he can't stop writing... Tobey Maguire is very well cast with his innocent yet troubled look, and Frances McDormand is just as she always is: fantastic.
I'm very impressed with this film, which took me off-guard. Not many I know went to see it. I'm glad I did.
The characters are believable despite their alien behaviors - the only normal person around might just be Hannah Green (Holmes), skirting around the main characters like an observing ghost. Douglas is pulling off what must be his best performance ever, portraying a decaying, once-famous addict writer with a severe case of reversed writer's block: he can't finish his novel and he can't stop writing... Tobey Maguire is very well cast with his innocent yet troubled look, and Frances McDormand is just as she always is: fantastic.
I'm very impressed with this film, which took me off-guard. Not many I know went to see it. I'm glad I did.
Michael Douglas has always been one of my favorite actors. He deserved his Oscar for Wall Street, commanded every second of screen time he had in Falling Down, and has given some of the most underrated comic performances in history in Romancing the Stone and War of the Roses. But I'd have to give his performance in Wonder Boys as his best. His turn as stoner college professor Grady Tripp is the model for the laid back, totally likeable and loveable protaginist. He's the kind of professor I dream of having in real life.
After watching this movie, I seriously wanted to go and write a book. For any of you blocked writers out there, just pop in Wonder Boys and you have your muse.
After watching this movie, I seriously wanted to go and write a book. For any of you blocked writers out there, just pop in Wonder Boys and you have your muse.
WONDER BOYS (2000) **** Michael Douglas, Tobey Maguire, Frances McDormand, Robert Downey Jr., Katie Holmes, Rip Torn, Richard Thomas, Jane Adams, Michael Cavadias, Philip Bosco.
Michael Douglas is not one of the best actors of comedy .until now. In the adaptation of Michael Chabon's excellent novel of has-beens, chemical imbibing and a 2 day journey of self-discovery, he emerges as if an old pro in one memorable turn as its antihero, Grady Tripp (great name!)
Tripp is - to make a funny here - having a bad trip in one disastrous day. It begins when his (unseen) wife leaves him. From there it only gets worse. Tripp is a tenured English professor at a Pittsburgh university and something of a has-been downward spiral loser (he once was praised as a `wonder boy' for his first novel of acclaim and has been 7 years down the road struggling to finish its behemoth (over 2000 pages) follow-up) who has many balls juggling in the air as a weekend of literary workshops awaits his presence: namely his affair with his boss's wife, the Chancellor, Sara Gaskell (Mc Dormand giving another patented flawless performance) who announces with perfect timing that she's pregnant. To make matters even worse, its at their cocktail party for a loquacious literary figurehead improbably known as `Q' (Torn, subdued avuncularity) and in tow are his ambisexual New York editor Terry Crabtree (the always welcome Downey) hounding him for a peek at his epic tome who has brought along a titaness of a transvestite (Cavadias) he met on the plane and Grady's two prized pupils, the warm, glowing (and obviously seductive) Hannah Green (the down right sexy baby fat sweet Holmes) and heir apparent, suicidally tormented chronic storyteller/liar James Leer (a star making turn by the incredible Maguire, showcasing his low-key subtle skills at full tilt). Both are perfect..
What ensues is a series of bad timing, unfortunate luck, a dead dog, mistaken identity, pill and alcohol binging (think a less venal `Fear And Loathing In Las Vegas'), secrets revealed, the pilfering of Marilyn Monroe's wedding coat (don't ask, trust me it works!) and gradually the understandment of a particularly Zen-like kwon : it doesn't matter what one thinks of another when it comes to being a creative, artistic genius.
Douglas is a revelation as a bonafide movie-star allowing the actor he's always had inside (the last time I can recall a `real' character he's done is the ticking human time bomb in `Falling Down') by allowing to deglam his persona of a slick, lady-killing cocksure swaggardly handsome devil and here allow himself to be absorbed by a lumpy, pot-smoking, hazy for the future shlump who discovers the truth lies within. And of course that little realization is by no means a slight since it is offered by the melancholic Maguire who exudes a spacey sadness when he's not busy polluting his body to cover his pain(s) or narrating his own assisted run to the men's room to recover (hilarious by the way). His James Leer is Sancho Panza to Grady's Don Quixote in a twisted sense. Downey has fun as usual as the straw that stirs the drink of debauchery and chicanery that occurs.
Filmmaker Steve Kloves (who was originally set to direct and is best known for his debut with the fabulous `The Fabulous Baker Boys') adapts the off-beat quirky novel excellently to the screen with some great dialogue and unique situations (i.e. how to make the bad joke of a dead dog a good running gag).
Director Curtis Hanson, better known for gritty noir influenced flicks like `Bad Influence' and the Oscar-winning `L.A. Confidential' plumbs the depths of humanity through humor and succeeds by making it a fun-filled ride into the inner sanctum of all artists: self-destruction is easy, self-acceptance isn't always.
Michael Douglas is not one of the best actors of comedy .until now. In the adaptation of Michael Chabon's excellent novel of has-beens, chemical imbibing and a 2 day journey of self-discovery, he emerges as if an old pro in one memorable turn as its antihero, Grady Tripp (great name!)
Tripp is - to make a funny here - having a bad trip in one disastrous day. It begins when his (unseen) wife leaves him. From there it only gets worse. Tripp is a tenured English professor at a Pittsburgh university and something of a has-been downward spiral loser (he once was praised as a `wonder boy' for his first novel of acclaim and has been 7 years down the road struggling to finish its behemoth (over 2000 pages) follow-up) who has many balls juggling in the air as a weekend of literary workshops awaits his presence: namely his affair with his boss's wife, the Chancellor, Sara Gaskell (Mc Dormand giving another patented flawless performance) who announces with perfect timing that she's pregnant. To make matters even worse, its at their cocktail party for a loquacious literary figurehead improbably known as `Q' (Torn, subdued avuncularity) and in tow are his ambisexual New York editor Terry Crabtree (the always welcome Downey) hounding him for a peek at his epic tome who has brought along a titaness of a transvestite (Cavadias) he met on the plane and Grady's two prized pupils, the warm, glowing (and obviously seductive) Hannah Green (the down right sexy baby fat sweet Holmes) and heir apparent, suicidally tormented chronic storyteller/liar James Leer (a star making turn by the incredible Maguire, showcasing his low-key subtle skills at full tilt). Both are perfect..
What ensues is a series of bad timing, unfortunate luck, a dead dog, mistaken identity, pill and alcohol binging (think a less venal `Fear And Loathing In Las Vegas'), secrets revealed, the pilfering of Marilyn Monroe's wedding coat (don't ask, trust me it works!) and gradually the understandment of a particularly Zen-like kwon : it doesn't matter what one thinks of another when it comes to being a creative, artistic genius.
Douglas is a revelation as a bonafide movie-star allowing the actor he's always had inside (the last time I can recall a `real' character he's done is the ticking human time bomb in `Falling Down') by allowing to deglam his persona of a slick, lady-killing cocksure swaggardly handsome devil and here allow himself to be absorbed by a lumpy, pot-smoking, hazy for the future shlump who discovers the truth lies within. And of course that little realization is by no means a slight since it is offered by the melancholic Maguire who exudes a spacey sadness when he's not busy polluting his body to cover his pain(s) or narrating his own assisted run to the men's room to recover (hilarious by the way). His James Leer is Sancho Panza to Grady's Don Quixote in a twisted sense. Downey has fun as usual as the straw that stirs the drink of debauchery and chicanery that occurs.
Filmmaker Steve Kloves (who was originally set to direct and is best known for his debut with the fabulous `The Fabulous Baker Boys') adapts the off-beat quirky novel excellently to the screen with some great dialogue and unique situations (i.e. how to make the bad joke of a dead dog a good running gag).
Director Curtis Hanson, better known for gritty noir influenced flicks like `Bad Influence' and the Oscar-winning `L.A. Confidential' plumbs the depths of humanity through humor and succeeds by making it a fun-filled ride into the inner sanctum of all artists: self-destruction is easy, self-acceptance isn't always.
I truly enjoyed this film. I went into the theater not knowing much about it; perhaps that had something to do with the reason I liked it so much. I found this film to be extremely witty and entertaining. I found myself intrigued by each character, especially the dark, mysterious James Leer (Tobey Maguire). It has been a while since I have sat in a theater merely enjoying a movie. The storyline was rather odd, but kept my interest. The students in the film had a quite casual relationship with their professors. All in all, I can say that each actor gave a wonderful performance; and if you are looking to see a film that upon leaving the theater will make you feel happy and disturbed, then this is the film.
Wusstest du schon
- WissenswertesCurtis Hanson was a longtime fan of Bob Dylan, and personally approached the singer about writing a song for his movie adaptation. Dylan complied with "Things Have Changed", which went on to win him an Academy Award.
- PatzerGrady parks next to the fire hydrant and it wobbles when his door hits it.
- Zitate
James Leer: Now, that is a big trunk. It holds a tuba, a suitcase, a dead dog, and a garment bag almost perfectly.
Grady Tripp: That's just what they used to say in the ads.
- Alternative VersionenIn the theatrical version Tobey Maguire mistakenly refers to Alan Ladd's death as a suicide. After complaints from Ladd's family, Paramount removed the offending line in all future releases of the film, including home video. VHS and DVD releases carry a disclaimer, shown before the feature, warning that the film has been edited for content.
- SoundtracksNo Regrets
Written and performed by Tom Rush
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Loco fin de semana
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 55.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 19.393.557 $
- Eröffnungswochenende in den USA und in Kanada
- 5.808.919 $
- 27. Feb. 2000
- Weltweiter Bruttoertrag
- 33.426.588 $
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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