Glauben ist alles!

There have been so many romantic comedies produced that it is difficult for a film to break out due to the depth and breadth of the competition. This is one that does. This wonderfully funny romantic comedy takes a fresh approach, portraying a romance involving not one, but two men of the cloth. They are not even of the same cloth as one is a Catholic priest and the other a Jewish rabbi. The girl of their dreams is also the girl of their youth as the three were best friends in grammar school. Now, after many years of separation, Anna (Jenna Elfman) returns and both men fall immediately and madly in love with her.

The film is chock full of religious humor and sharp-witted dialogue that keeps you grinning between guffaws. The romance is syrupy sweet and the actors have such great chemistry that it is easy to believe they have been friends all their lives. Edward Norton produced, directed and starred in this gem and he shows himself to be adept at spinning a magical yarn with very few flaws. This was Norton's first directorial effort and it bodes well for his future on the other side of the lens. His work with the actors was marvelous, and his pacing of the film was excellent. The film flowed very pleasantly from scene to scene and kept the viewer amused and immersed.

The entire cast is terrific. Norton plays Father Brian Finn and is funny and affable in the role. Rabbi Jacob Schram is played by Ben Stiller, whose comedic star is on the rise. In this film, he outdoes his wonderful performance in `There's Something About Mary' with a character that is just as amusing but more complete, with greater range. Anne Bancroft is also fantastic as the rabbi's mother. She has the New York Jewish mother routine down pat, right down to the accent. A dynamite performance.

The real news in this film though, is Jenna Elfman. She lights up the screen with her enthusiasm and her charming girl-next-door beauty. She is dynamic, hilarious, sensitive, sexy and lovable and pretty much steals the show. After her terrific performance in `Edtv, she proves once again that she is a talented actor and comedian. One can only hope that the popularity of this film gives her access to more and better parts.

This fabulous romantic comedy is highly entertaining and enchanting. I rated it a 9/10. It is especially funny if you happen to be Catholic or Jewish. I highly recommend it.

This is a pretty good film and I think it hits perfectly the things we all want in life. Great friends and significant others. It is just a beautiful film which I must say (for a comedy) and a Ben Stiller film is pretty jokeless. Good acting, good directing a good story and good everything. There was one thing that was great though. The way Edward Norton used Faith in this film. Never have I seen so much depictions of Faith in a film and actually enjoyed it. I don't believe in church and stuff, but these two clergymen are way beyond cool, they ROCK!

7 out of 10

Note: this review has been amended to remove some sexist comments I included at the time. Apologies for any offence caused. I was young and stupid at the time, thinking I was being 'cool'.

"Keeping the Faith" is just hip enough to breathe some fresh air into a stagnating genre without sacrificing the requisite "feel good" moments in the process. The film's 2+ hour run time is a bit long for it's simple plot, but it manages to stay focused and dish up enough creativity to make it time well spent. A very enjoyable fun flick.

KEEPING THE FAITH (2000) *** Ben Stiller, Edward Norton, Jenna Elfman, Eli Wallach, Anne Bancroft, Ron Rifkin, Rena Sofer, Lisa Edelstein, Milos Forman. (Dir: Edward Norton)

So did you hear the one about the priest and the rabbi and the `business woman'? Well if that sounds familiar don't let that dissuade you from this frequently hilarious romantic comedy of the unlikeliest of menage a trois in cinema history.

Childhood chums, Jake Schram, Brian Finn and Anna Reilly - The Three Muskateers of the 8th Grade of Manhattan - are reunited nearly 2 decades later with a lot of catching up to do when Anna comes back east for a short stint as a high powered brokerage businesswoman (portrayed in full giddy sexy appeal by Elfman of tv's kooky couple `Dharma & Greg') who has her hands full when she finds her best buddies, Jake (Stiller in fine leading man/comedy mode) and Brian (Norton, equally riotous in his directorial debut) are, respectively, a rabbi and priest.

Seems the best friends only bonded stronger when their female compatriot moved out of the neighborhood pre-adolescently and shared more than their uncommon friendship: their devotion to their separate faiths. To make matters more difficult in Anna's sudden return into their lives is the fact that both buddies are in love with her but it is Jake who winds up making the first move as the frustrated young rabbi who is constantly being set up on disastrous blind dates by his meddlesome congregation (`the kosher-nostra'). After the initial awkwardness is overcome the two friends become a casual sex relationship that only gets further complicated when Jake cannot handle the fact Anna's non-Judea background must be taken into effect if he is to become a full-fledged rabbi at his synagogue. Brian, meanwhile, has found his libido at its leash when Anna begins to subsist in his dreams leading to a comical revelation by the film's conclusion.

The threesome have chemistry to spare and banter so witty and blunt by Stuart Blumberg's script that the pedestrian storyline (will Jake realize just what a good thing Anna really is and will Anna realize Brian really wants the best for her) is a no-brainer (and I have to admit the climax of Stiller addressing his followers with a mea culpea seemed to miss its mark since there was no real sense of him `betraying' his people), the film chugs along merrily and makes light of the religious overtones (one truly funny moment is the depiction of the young Jake sorting through his Jewish rabbi hero trading cards the way one would relish finding a Mickey Mantle rookie card) with a contemporary spin. Edelstein is memorable as well as the sinfully sensual Sofer as, respectively, date from hell and date from heaven for Jake. Bancroft and Wallach also lend veteran character actor shtick with all the nourishment of a nosh at the Carnegie Deli.

Elfman has proven to be a lovely comedienne and has always reminded me of Jamie Lee Curtis with her buoyant performances and adds just the right bounce as the tomboy all grown up. Stiller continues his stance as the hardest working man in comedy with another deft, dry turn as the befuddled rabbi and Norton display the tricky balance of skilled actor of his generation (his choirboy persona is perfectly advanced for his good-hearted priest and his knack for perfect imitations - i.e. Dustin Hoffman's `Rain Man' )- is only matched by his straight ahead approach to filmmaking; trimming the fat but keeping the high calorie comedy quota intact.

He even gets his former director Milos Forman (who put Norton through the paces on `The People vs. Larry Flynt') for a small cameo as an elder clergyman to get one of the film's biggest laughs (interrupted by a middle-of-the-night phone call for Norton he says he was `dreaming of his mother's sausages').

Believe in love and laughter is to appreciate a wonderful romantic comedy that has both in spades.

Norton, Stiller, and Elfman are an absolute delight! Edward Norton does a bang-up job of a debut film, keeping things light, entertaining, and very, very funny-- and it's great to see him lighten up after such fare as "Fight Club." A uniformly great cast, a witty, literate script, three scintillating lead performances, and a talented young director add easily up to the best romantic comedy since Woody Allen's "Everyone Says I Love You". Take your friends, take a date, take your grandma-- this is one everybody will enjoy, and you'll definitely come out smiling.