Das Geisterschloss

It's a remake to long deemed one of the masterly crafted stories of horror ever brought to the screen ¨Haunting¨(1963) by Robert Wise , a gripping film which still packs a punch . Hill House is a hundred-year-old haunted mansion , it is the setting for chosen group . The haunted house has an evil history with tragic accidents, suicide, and human misjudgement. It seems which the scary mansion has been the place of several killing deaths . A psychologist scientist (Liam Neeson) is a Pyschic researcher who assembles a group with histories linked to the paranormal. As three people are lured to an eerie mansion deceived for fake pretenses realized by a psychological researcher . Nell (Lili Taylor) was the subject of unexplained poltergeist activities as a child. She also is riddled with pain over her mother's death. Theo (Catherine Zeta Jones) is a clairvoyant who befriends Nell at Hill House. Owen Wilson plays a cynical and Bon Vivant sent to make sure that the property is not affected by the researchers. Together the group explore Hill House and their own insecurities and finally face off the evil that inhabits with hair-raising results .

Mindless and average film is packed with thrills, intrigue, suspense, horror and lots of interminable screams with no sense. However , this is an inferior version that relies heavily on the impressive special effects courtesy of ILM - Industrial Light Magic- , George Lucas owner . High budget makes for big scary scream-feast and frights . Splendid Lili Taylor as a fragile , lovely youth who results to have unexpected ties to the creepy ghost , she's the only redeeming feature of this uneven movie. Supposedly based on Shirley Jackson's creepy tale titled ¨The haunting of Hill House¨, it has little in common with the novel . Stirring and exciting musical score fitting to terror by the veteran maestro Jerry Goldsmith . Very good and colorful cinematography by Karl Walter Lindellaub . Director Jan De Bont created a taut drama where the real question is who is haunted and who may be unstable.The picture is middling realized in his third-time as director by Jan De Bont, a successful cameraman (Basic Instict, Die Hard) and Paul Verhoveen's ordinary photographer and occasionally director (Speed , Twister). The film will appeal to Liam Neeson and Catherine Zeta Jones fans. This is a chilling adaptation from Shirley Jackson's novel based on an assortment of ghouls and ghosts and gets a mediocre rating . It turns out to be a chiller with all the FX budget can be created , being lavishly produced ,but also contains several scenes in little sense and no logic.

This movie is a remake of a truly horrifying and nightmare inducing 1963 film of the same name. Why Hollywood thinks that digital effects and campy acting is better than the imagination is beyond me. This film is so full of digital effects (none of which look real) and overacting that it cannot compare to the original film which starred Julie Harris and Claire Bloom. This film is just plain stupid. The original (in black and white) is still the scariest film I've ever seen (and I've seen them all). The original makes you use your imagination to fear the unseen - this remake doesn't allow you to do that and that is its biggest mistake.

With all the other reviews it hardly seems necessary to go into vast detail about what the film is actually about. But it certainly uses superb special effects to give it a very supernatural atmosphere. I grant you that it does rob you of the use of your imagination by showing you exactly what's happening, but what's happening is hardly boring, so I don't know why so many people are complaining about it. And don't even think of criticising the ending, when practically every horror movie ever made turns out like this. By that I mean the source of the all terror is finally revealed, and all the scariness suddenly disappears. Don't you think there's a reason for that, so that the movie can end on a more pleasant note, and we're not all lying awake at night, too terrified to go to sleep?

I like this one - of course the real star of The Haunting is the house and the interior - awesome, marvelous, top of the pop, whatever. The story itself of course is a well known one but the cast (Neeson, Zeta-Jones, Wilson, Lili Taylor ) works just solid to good with the story provided. All in all a nice haunted house movie that really lacks only here and there some (serious) gore and maybe one or two unique ideas to make it a more mature horror movie. My rate 6 + 1 bonus for the outstanding settings.

Maybe some billionaire with some spare money reads this --> email me: we will build and plan that mansio together and I will do the housekeeping ;)

* and 1/2 stars out of ****

The Haunting is actually a relatively decent film for the first 45 or so minutes. The setup is promising, the production design of the mansion is a sight to behold, and the cast seems to be enjoying themselves. It's unfortunate, however, because after that the film begins to fall apart, leading all the way to the ridiculously bad finale.

Dr. David Marrow (Liam Neeson) is conducting a test on fear, using the bait-and-switch method. By doing so, he's pretending to do a study on insomnia at the Crain estate, a manor 9 miles from the closest town. The "test subjects" that arrive include Eleanor (Lili Taylor), a hard-working woman who has had little success in life, Theo (Catherine Zeta-Jones), an adventuress and proclaimed bi-sexual, and Luke (Owen Wilson), an all-around jokester.

On the first night in the mansion, Eleanor and Theo hear thundering sounds in the walls, but pass it off as a problem in the plumbing. But events get even more bizarre, as Eleanor sees some sort of a figure inside the fireplace, that just as soon disappears. Slowly, Eleanor begins to believe that there are ghosts in the house, ghosts of dead children and the owner of the mansion himself, the evil Hugh Crain. She also makes a discover about her connection with the mansion that could help free the children's spirits.

The Haunting never features one scary moment. Rather than going for subtle chills or all-out shocks like in House on Haunted Hill, Jan De Bont prefers to rely everything on the special effects, which really are rather unconvincing, particularly the statues that come to life and the CGI ghosts.

It even manages to get worse. Now, to be fair, the film was getting dull by the 90-minute mark so I was initially entertained by the effects-filled finale. But everything gets positively ridiculous in the last ten minutes, as we find out evil ghosts like to play hide-and-seek and smash things up real good.

The blame should fall on director Jan De Bont and writer David Self. De Bont seems to care more about what special effect to use next to "wow" the audience rather than actually trying anything innovative. Self really can't seem to write a good story or truly interesting characters. The dialogue is perhaps the worse of his writing skills.

The only thing that keeps this film from a lower rating is the cast, and they do their best to keep the film respectable. Liam Neeson probably delivers the best performance, being neither as dull or unemotional as critics thought. Catherine Zeta-Jones shows a lot of life as Theo, as does Owen Wilson. It's a pity that Lili Taylor's performance, which was decent at first, turned to borderline camp by the finale.

With nary a true scare in sight, The Haunting should best be seen by those who are scared easily or special effects fans. For everybody else, this is probably a house not to spend the night at.