Jeanne d'Arc - Die Frau des Jahrtausends

The movie is set in ¨Hundred years' war¨ developed between 1337 and 1453 (downfall date of Constantinople invaded by Turks). The historical deeds are the following ones : Henry V vanquishes Charles VI in Agincourt (1415) that was a major English victory against a numerically superior French army in the Hundred Years' War . The battle occurred on Friday , 25 October 1415 and Henry V takes over Normandy . Charles VI of France signs ¨Troyes treatise¨ in which Henry V is wedded Charles's daughter . Later on , Henry VI of England proclaims himself king of France but then Joan of Arc , being nineteen years old , proclaims in Bourges to Charles VII as king , after being crowned in Reims . Joan of Arc acting as a divine mission defeats the English army in Orleans . But she's captured by the Borgoneses and is handed over the English authorities and they fire her for heretic and witch in Rouen .

Runtime movie is overlong , approx. three hours , but is neither boring , nor dull , but entertaining . The battle scenarios are very well designed , there are thousands of extras and the struggles are breathtaking . The ending trial in which she's condemned is very interesting and the sentence at the burning pole is overwhelming . Lelee Sobieski , who was only sixteen when shooting , gives a good interpretation , likeness to Neal Patrick Harris as Charles VII . Furthermore , Peter O'Toole as the cunning Bishop is excellent . The support cast is satisfying : Jacqueline Bisset (the mother) , Powers Boothe (the father) , Olimpia Dukakis (the nun) and Peter Strauss (the captain). The motion picture was well directed by Christian Duguay , an expert filmmaker of TV movies . The yarn will appeal to historic event buffs . Rating : 7/10 . Worth viewing the TV picture .

Other films about this historic character are the following ones : Joan of Arc (1999) by Luc Besson with Milla Jovovich , Tchéky Karyo as Dunois , John Malkovich as Charles VII and Toby Jones ; Saint Joan (1957) by Otto Preminger with Jean Seberg , Richard Widmark , Richard Todd and John Gielgud ; The trial of Joan of Arc (1962) by Robert Bresson with Florence Delay ; Joan of Arc (1954) by Roberto Rosselini with Ingrid Bergman ; Joan of Arc by Victor Fleming (1948) with Ingrid Berman , J Carrol Naish , War Bond and Jose Ferrer as Charles VII . Furthermore , silent adaptation such as the classical La passion de Jeanne d'Arc (1928) by Carl Theodor Dreyer with Maria Falconetti and Joan The woman (1916) by Cecil B Demille

There are few movies that bring me to tears. Epic movies such as "The Mission" and "Braveheart" succeeded in that. However "Joan of Arc" surpassed them all. I taped the mini-series, and it is the only movie that has me sobbing EVERY SINGLE TIME I watch it. Coming from an actor, this is wonderfully written and beautifully acted by Peter O'Toole, Neil Patrick Harris (far from his Doogie Howser days!), Chad Willet, and, of course, Leelee Sobieski. She didn't play the Maid of Lorraine...she WAS the Maid of Lorraine. I give credit to the people behind the musical score, it fits the movie perfectly, and 12-year old Charlotte Church's vocals were just the thing for the battle scenes. This is one movie I will cherish always.

A lot of films have been made about this person, but none of them seems to be as powerful as this one. The reason is not only the fact that few films of such topics include such a great cast (most of the characters are played by great stars of cinema). It is, I think, the way that Mr Duguay portrayed Joan of Arc, really as she most probably was like: a young, sweet maiden who dared say the British: "I will lead my nation to victory through God's help!" She turns out to be a saint rather than, like in some other movies, a religious fanatic.

The portrayal of Joan is created perfectly by a young, beautiful actress, with Polish ancestry, Leelee Sobieski. Throughout the movie, she beautifully stresses her innocence and gentleness going in pairs with the capability of leadership. In my opinion, no matter if Leelee will appear in other 50 films in her life career, this role will always be UNFORGETTABLE!

Others who shine in their roles are, of course, Peter O'Toole as bishop Cauchon. On the one hand, he judges Joan and accuses her of pride and vanity; but on the other hand, fights for her "eternal soul". Maximilian Schell also gives a fine performance as a cruel and double faced representative of inquisition. But I particularly like Peter Strauss as La Hire, a commander of the French army. This role is typical for him: someone hesitating and doubting, but in the long run, opening his eyes and totally setting his heart on the values.

"I stopped to believe in others and started to believe myself only. At Orleans, I stopped to believe myself, I started to believe in you," as he says once to Joan - REALLY POWERFUL!

The mini series about Joan of Arc is a must in my film gallery. Without hesitation, I give it 9/10. GREAT STORY, WONDERFUL CAST, EXCELLENT MUSIC, MEMORABLE QUOTES, GREAT LOCATIONS (old castles in the Czech Republic)! This movie is really visually stunning. Do see it! Having seen once, you will feel a need to see this at least for the second time.

Joan is perhaps the most female difficult role to cast. The actress must be attractive but not conventionally alluring; magnetic but not intellectual; a towering figure but physically slight. You must understand why people would die for her. Above all, the performer must convey an authentic sense of religious piety, a virtual impossibility for young actors today. Sandrine Bonnaire--a wonderful star in every other respect--tried her hand in the recent French version but was too sexy for the part.

As Joan, Sobieski juggles the disparate requirements astonishingly well. This is emphatically not the kind of movie in which the actress can merely show up and look decorative; you have to work at it, but as Sobieski revealed in Uprising, she has the capacity for challenging period roles. And that also means that in contrast to her female peers in the business, she has a long professional future.

Watch out for O'Toole in an astonishing performance as a Cardinal who gradually realizes that Joan is the real thing.

The culminating scene--no details provided, you must see it yourself--is curiously uplifting and properly theological rather than merely unpleasant.

Do great times call forth grand souls or do grand souls change great events or both? Joan's World - Historical Background. It was a time when the English crown controlled huge territories in France - and not by way of some invasion or occupation, but as the direct result of the fact the English King, Henry IV, (also Duke of Lancaster) and his son Henry V (both of Shakespeare fame)were descendants of the original French Duke of Normandy, William, who had conquered England in 1066 and thus the King of England continued to remain the feudal "owner" of Normandy, Brittainy and Acquitaine. This English King, Henry V would stake the biggest claim and actually force the King of France to appoint this same English King, his "lawful" successor to the French throne.

Combine this with the fact the the English had a willing French ally in the form of Charles, Duke of Burgundy who was a rival for the French crown. Its no surprise that the Burgundians were the bully boys of this era. They were allies of the English and thus their French-speaking local "enforcers." The English would control these areas for over 300 years. The "Hundred Years War" would be fought to maintain that English control.

So at the time of this story, the Dauphine of France, the weak French prince Charles was not yet the crowned King of France and controlled only a fraction of the country. Even he saw his chances for the crown as limited. Another Charles, the Duke of Burgundy, France, was far more powerful than the Dauphine and to offset his limited powers, Burgandy had allied themselves with the English.

It was into this was brutal world, that Joan of Arc was born. A savage time of "might makes right" and a nobility class-sanctioned brutalization of a citizen population caught in a titanic chess match as pawns between a class of nobles who, although they had taken ancient oaths sworn to guard the defenseless, nevertheless preyed on the very people they were sworn to defend.

There are parallels to many parts of the world where so-called "war lords" have re-imposed a modern-day feudalism of protectors and protected.

Joan was inspired, (and just by what/who, remains a hotly debated theological and psychological discussion to this day) to free France of English domination. Why? Catholics might argue that she was called to this by God in order to preserve France as a bastion of Catholicism against the invading "heresy" of the Protestant Revolution. Think how events might have turned out if England had conquered all of France and imposed Protestantism on France.

Historical Sequel to Joan of Arc.

Henry V would die in France of a fever and never assert this claim. With Joan's military successes as precedents, and the Duke of Burgandy eventually abandoning his English allies, Henry V's son, Henry VI, a weak-willed but pious monarch, would be VERY unsuccessful in asserting any of his father Henry V's claims even though another war, the "Thirty Years" war would be fought by Henry VI's dukes to try to take back lost regions. The English would eventually lose that war and surrender, city by city, castle by castle, the entire regions of Normandy and Aquitaine back to the French. Ultimately, the Ennglish would control only the port city of Calais before losing that last foothold on the Continent. A new war in England, a civil war between the houses and Dukes of York and Lancaster would be fought, in part, from the failures of the Lancastrian King, Henry VI to keep those hard-fought territories - "The War of the Roses."

Now why is the movie great? Because it faithfully captures the life of a illiterate and simple peasant girl, called by unseen forces to change the world around her in direct conflict with the brutality, the conflict, the religious zeal/fanaticism and the lust for power of he times into which Jean D'Arc was born into.

If you don't know much about either Joan or the times, you learn a great deal from this wonderful movie. Joan was on a "mission from God," at least to her way of thinking and the religious forces of her day in the form of the Church hierarchy were dumbfounded initially and enraged, eventually that some "mere girl" would dare to tell them anything about God's will for either herself, let alone her King and country.

The Maid of Orleans' life is a testament to one person, even a unschooled young girl's in an age of female political impotence to change events on a grand scale.