This Was a Woman

1945's "Leave Her to Heaven" is a classic film about an evil and mentally disturbed woman who destroys people. It's a great film. "This Was a Woman" is a similar sort of movie, though not nearly the same quality....mostly because it lacked the subtlety of the Hollywood movie.

The story is set in the home of a well to do English family, the Russells. The mother, Sylvia, is vicious and it's strange that it takes everyone so long to realize this. It's odd, even after putting the family dog to sleep for no particular reason, folks don't seem to think she's a bit off! And why did she do this? Her daughter was getting married and Sylvia didn't approve...so she took the dog to the vet to put it down! Soon after, she does everything she can to ruin the marriage...though you're never really sure why. Later, for kicks, she poisons her husband...something clearly telegraphed in the film when she's caught reading up on that sort of thing.

As I already mentioned, Sylvia isn't exactly subtle and that's a problem with the story. Clearly, she's an awful person but oddly no one in the family seems to notice...until it's too late. Had the movie been more subtle and had Sylvia's actions been more covert, it would have improved it tremendously. Now I am not saying it's a bad film...but with a few minor changes, it could have been marvelous. Instead, it just had me wish I'd re-watched "Leave Her to Heaven".

Fassbinder would have been thrilled if he'd ever seen this incredible gothic melodrama depicting a house full of unhinged females (presided over by malevolent Queen Bee Sonia Dresdel a year before she played Ralph Richardson's horrible wife in 'The Fallen Idol'), the principal victim being the gorgeous Barbara White. The strangely haunting violin score by Mischa Spoliansky adds considerably to the mood.

Sylvia Russel is akin to Harriet Craig ,one of Joan Crawford's triumphs (1950) ; and Sonia Dresdel's impressive performance compares favorably with her American colleague's.

Sylvia is even more terrifying than Harriet: if eyes could kill ,hers certainly would."Mother's always watching us, her eyes are X rays ". She's a monster , a mentally-ill person , a frustrated woman who hates mediocrity (represented by her meek husband's world which consists of his dog and his roses),who wants power and uses the others as puppets .

She's got everything to live a comfortable bourgeois life: her son and her son-in-law are both doctors .But a routine life does not satisfy her ,the coming of handsome Austin makes her even more destructive .

But it had begun before: a woman asking the vet to put a good old dog to sleep? A mother who warns her daughter against her husband? Who urges her maid to seduce her son-in-law by making her read "lady Chatterley's lover",a book forbidden in the UK till 1960 (an under-the- counter French edition : the novel was first tranferred to the screen by Yves Allégret in 1955 in this country ,but in a chaste way)?

Sylvia gets her kicks by destroying her family's life ; you should see her sweetly smile when she sees her "power" on the others .

This is first-rate film noir ; Sonia Dresdel's piercing eyes (when she watches her sick husband , they will give you the jitters)will haunt you after the viewing .Try to forget them!

Sonia Dresdel goes Joan Crawford in Queen Bee one better in This Was A Woman, a British film from 1948.

Dresdel was considered one of Britain's finest actresses, and there was widespread disappointment that she never played Lady Macbeth. That's just to give you a heads up of what's coming.

Dresdel plays the matriarch of a home, with a husband, a son, and a daughter. She does horrific things to all of them.

Her mild-mannered husband has prize roses- which she cuts and puts around the house. He has a beloved dog. The minute I saw him, I knew he was doomed. She doesn't like his barking and has him put down.

Her daughter is engaged to be married. Her mother brings a young maid into the house to give him slutty books, hoping she'll make a play for the fiancé.

Then she scares her daughter about sex so horribly that she won't even let her new husband kiss her. The maid starts looking pretty good.

Finally, she meets a successful friend of her husband and decides hubby has to go.

Outrageous. It's not like no one stands up to her, but they don't seem to hold a grudge. In the next scene, everything seems fine.

A tour de force for Dresdel. She's hateful. Must be seen to be believed.

(1948) This Was A Woman PSYCHOLOGICAL THRILLER

Adapted from the play by Joan Morgan that showcases the Russell family of Sylvia Russell (Sonia Dresdel) her husband, Arthur Russell (Walter Fitzgerald; their adult son, Terry Russell (Emrys Jones) who is close to be a certified doctor and the adult daughter, Fenella Russell (Barbara White) who is already in love with Terry's best friend, Dr. Valentine Christie (Julian Dallas) who happens to be a biochemist. One day the family housekeeper, Mrs. Holmes (Marjorie Rhodes) decides she needs to take some time off to visit relatives and that she is leaving her 22 year old daughter, Effie (Celia Lipton) to take her place. And one of the first anti social examples the mother, Sylvia does is take their beloved family dog, Ace to a veterinary clinic and pay it to put it to sleep. And then as soon as the daughter, Fen announces her engagement to Terry's best friend, Valentine, Sylvia then tries to fill her head with paranoid thoughts. At the same time offer him to live with them after their marriage at the same time. And because the new housekeeper, Effie is single, Sylvia would then try to manipulate both Valentine and her together just so the daughter would have so much distrust with her new husband who does not give him any affection.

I was able to watch it straight through as the rest of the family had been tolerant of the mother's unethical and strange practices. And while I was watching it I could not forget about another movie that consists to have a somewhat similar scenario called "The Little Foxes" directed by William Wyler with the difference is that the time periods are different. Also, the mother Sylvia is a little more ruthless with the hero, Terry refusing to fall for his mother's lies, excuses and manipulation.