Füge eine Handlung in deiner Sprache hinzuFemme fatal/con artist Bridget Gregory travels to Barcelona and targets another businessman to scam him of his money while a relentless private investigator tries to track her down.Femme fatal/con artist Bridget Gregory travels to Barcelona and targets another businessman to scam him of his money while a relentless private investigator tries to track her down.Femme fatal/con artist Bridget Gregory travels to Barcelona and targets another businessman to scam him of his money while a relentless private investigator tries to track her down.
- Regie
- Drehbuch
- Hauptbesetzung
Joseph Pilato
- Marvin Dishman
- (as Josef Pilato)
Enrique Neant
- Taxi Driver
- (as Quique Neant)
Nicola Bertram
- Angela
- (as Nicola Damassa)
Enriqueta Ferré
- Restaurant Diner
- (as Enriqueta Farre)
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Yes, it is chewing gum for the eyes but Joan manages to keep a minimum level of suspense to make it worth watching. Chain smoking prevents her from blowing lines but yet she keeps an air of mystery about the plot. The movie also helps show the new trend of the "smart" female that makes things work in the stereotype male world.The glass ceiling also exits in crime and she wants to break this. Her scam is acceptable but not too believable, especially the bank scene. The best scene is the seduction one where she performs safe sex with the villain who runs a phone- sex 900 service. She manages to reprogram the computer(with C++ no less) and skim profits to her bank account. Yes, it is a B movie but Joan can play more demanding roles in better written film noires and should bear watching. Enjoy this if the ball game is rained out.
This is a hugely disappointing sequel and doesn't do justice to the original. One would think that whomever decided to make a sequel, they would at least start with half decent script. I've rarely heard such appallingly bad dialogue. It is also, as others have pointed out, insulting to the British. The only good thing about the film is Joan Severance, despite her constant smoking. She may not be a great actress but anyone who thinks that Joan Severance is totally devoid of sex appeal is devoid of a pulse in my opinion. Though not in Linda Fiorentino's class - certainly as far as this role is concerned - she is still a stunning and sexy woman.
The Last Seduction was one of those marvellous indie thrillers that pops up all too rarely, it had wonderful direction, a script as snappy as suspenders and a cast that chewed the scenery in all the right places.
This lame sequel has none of that.
Everything about this film reminded me of a cheap porno without the sex; the acting, the sets, the script, it's all just too wooden. You can see how hard they're trying, it's written all over the actors' faces, but there's just nothing I would recommend about this film. If you liked the original the temptation might be there to watch this as a curiosity, but trust me, it's just not worth it, there's nothing here. This isn't 'cult' bad it's just bad bad.
This lame sequel has none of that.
Everything about this film reminded me of a cheap porno without the sex; the acting, the sets, the script, it's all just too wooden. You can see how hard they're trying, it's written all over the actors' faces, but there's just nothing I would recommend about this film. If you liked the original the temptation might be there to watch this as a curiosity, but trust me, it's just not worth it, there's nothing here. This isn't 'cult' bad it's just bad bad.
The only seductive element about this twaddle was the title which leads one to hope that the film might have some connection with the original.
The connection is there alright in the central character but that's about it. The plot line is pretty well unfathomable and the acting generally wooden. The decision to 'European-ise' the whole thing and import B-list English actors ( who have all been seen in much better things and really need to change their agents) is a disaster. Even a couple of bursts of gratuitous violence are badly done and every character in it lacks any form of credibility. The two female leads flash their stocking tops but still manage to generate no more than a fraction of the eroticism that Linda Fiorentino could have done in the original wearing a heavy overcoat and a ski hat. Suitable only for film students who really want to know what 'awful' really looks like.
The connection is there alright in the central character but that's about it. The plot line is pretty well unfathomable and the acting generally wooden. The decision to 'European-ise' the whole thing and import B-list English actors ( who have all been seen in much better things and really need to change their agents) is a disaster. Even a couple of bursts of gratuitous violence are badly done and every character in it lacks any form of credibility. The two female leads flash their stocking tops but still manage to generate no more than a fraction of the eroticism that Linda Fiorentino could have done in the original wearing a heavy overcoat and a ski hat. Suitable only for film students who really want to know what 'awful' really looks like.
I really wish I could give this movie lower than one star. It is an insulting follow-up to one of the best modern films noir ever made. I was initially intrigued when I saw the title, and I expected an ample follow-up to Bridget Gregory's antics. I was sorely disappointed to see none of the original cast in the credits, but persevered nonetheless; maybe it still had merit, I hoped. My disappointment spiraled downward to mild anger that anyone would waste time making such an offensively inferior "sequel" as this one. It really was soft-core porn; I fully expected the two women with larger roles to contrive some way to get it on. Ugh.
I wonder if the actors in this one can salvage their careers?
I wonder if the actors in this one can salvage their careers?
Wusstest du schon
- WissenswertesAt one point Murphy is watching the scene with the pie from Die letzte Verführung (1994).
- VerbindungenFeatures Priscilla - Königin der Wüste (1994)
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