Das Liebesdrama von Venedig - George Sand und Alfred de Musset
Originaltitel: Les enfants du siècle
IMDb-BEWERTUNG
6,5/10
2085
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA story of doomed passion between two genius writers of the 19th century - novelist George Sand and poet Alfred de Musset.A story of doomed passion between two genius writers of the 19th century - novelist George Sand and poet Alfred de Musset.A story of doomed passion between two genius writers of the 19th century - novelist George Sand and poet Alfred de Musset.
- Regie
- Drehbuch
- Hauptbesetzung
Victoire Thivisol
- Solange
- (as Victoire)
Empfohlene Bewertungen
Contrary to its title, this is not a movie about children in an unnamed century. Instead this movie is about the love/hate relationship between French writers Alfred Musset and George Sand. They are two souls who have a mutual and affectionate understanding of one another until a voyage to Italy reveals their true nature. Passion, envy, trust, betrayal and forgiveness are all brilliantly encompassed in the relationship between Musset and Sand.
I enoyed this movie, though some may find it dull and slow. You may need to be a die-hard romantic or like well-costumed period dramas to watch this movie. My harshest criticism for this film would be that of it's length and even though I enjoyed the turbulent relationship shown in this film, there were times when I thought that their affair had ended for good only for them to reconcile a few scenes later.
This movie is handsomely photographed with wonderful costumes by Christian LaCroix and most magnificent of all, the actors don't seem like they're acting at all. Juliette Binoche is spectacular, both beauitful and natural in her potrayal of Sand. Benoit Magimel is splendid as Alfred Musset. Don't expect historical accuracy, and if you're a romantic at heart, you will not be disappointed.
I enoyed this movie, though some may find it dull and slow. You may need to be a die-hard romantic or like well-costumed period dramas to watch this movie. My harshest criticism for this film would be that of it's length and even though I enjoyed the turbulent relationship shown in this film, there were times when I thought that their affair had ended for good only for them to reconcile a few scenes later.
This movie is handsomely photographed with wonderful costumes by Christian LaCroix and most magnificent of all, the actors don't seem like they're acting at all. Juliette Binoche is spectacular, both beauitful and natural in her potrayal of Sand. Benoit Magimel is splendid as Alfred Musset. Don't expect historical accuracy, and if you're a romantic at heart, you will not be disappointed.
If Romanticism, as a movement, can be defined as an "infinite longing" which combines passion and erotic tension with death, despair, and the cycles of nature, then Kurys film portrayal is aptly named and her protagonists--Alfred de Musset and Georges Sand--are indeed children of their century.
The key to understanding the point of this film is to think of it as a painting. It does not give you an insider's view of the relationship between these two literary giants; it does not break down their psychology; and you do not even understand why you, as an audience member, should like either of them. Yet their obsessive love was a monument for the first major artistic movement of the 19th century. Kurys paints them as Delacroix would--in all their lurid color, capturing the details of high emotion without explaining a thing. As painting on film, Les Enfants succeeds as wildly as any Romantic dreamscape and, thus, captures the mood of that era and the sentiment which spawned it more perfectly than 1,000 words on the subject.
The key to understanding the point of this film is to think of it as a painting. It does not give you an insider's view of the relationship between these two literary giants; it does not break down their psychology; and you do not even understand why you, as an audience member, should like either of them. Yet their obsessive love was a monument for the first major artistic movement of the 19th century. Kurys paints them as Delacroix would--in all their lurid color, capturing the details of high emotion without explaining a thing. As painting on film, Les Enfants succeeds as wildly as any Romantic dreamscape and, thus, captures the mood of that era and the sentiment which spawned it more perfectly than 1,000 words on the subject.
Being French, I saw this film at its release. I had no idea about what I might find except that Juliette Binoche was in it. I went there alone. I came out in a crowd.
Romanticism isn't what we think it is. This story IS romantic, not because it's a love story, but because it's a Romantics's story. George Sand and Alfred de Musset were two of our greatest writers. Their works were full of hope, of despair, of melancholy and bitterness. They were revolutionaries. This film is all about the atmosphere of that time, all about the fights and ambitions of these young writers who wanted to change the world and find an unclear future.
This film is one of the few that changed my life, not because of the way it was filmed, or the performance of the actors (though they were absolutely fabulous and I'm looking forward to their next films), it changed my perception of life, made me read some Romantic works (by Sand, Musset, Hugo, Lamartine,... and that's only for the French ones) where I found a "translation" of what I feel when I look to the world in front of me.
That's what this film is all about. It's not a film about a past true story, it's about all of us, everyday.
Romanticism isn't what we think it is. This story IS romantic, not because it's a love story, but because it's a Romantics's story. George Sand and Alfred de Musset were two of our greatest writers. Their works were full of hope, of despair, of melancholy and bitterness. They were revolutionaries. This film is all about the atmosphere of that time, all about the fights and ambitions of these young writers who wanted to change the world and find an unclear future.
This film is one of the few that changed my life, not because of the way it was filmed, or the performance of the actors (though they were absolutely fabulous and I'm looking forward to their next films), it changed my perception of life, made me read some Romantic works (by Sand, Musset, Hugo, Lamartine,... and that's only for the French ones) where I found a "translation" of what I feel when I look to the world in front of me.
That's what this film is all about. It's not a film about a past true story, it's about all of us, everyday.
Wonderful mise-en-scene of a true passion that turned out to a, damaging love to hate you syndrome especially for Musset. Georges and Musset, they can't do with nor without each other. Their love was the spring of their inspiration that triggered their talent but the problem was that this love could feed only one's inspiration at a time.
Wonderful pictures, acting and especially costume design capture us in the late 1880's France which was a very nice experience.
Wonderful pictures, acting and especially costume design capture us in the late 1880's France which was a very nice experience.
I loved this movie and I don't know to what extent this movie is near to the original story. I have read the life of George Sand and was amazed by her character. A character so tough when it has to do with freedom of doing what one wants. George Sand was one of my best female characters next to Mary Wolstoncroft, Jane Austin, Emmeline Pankhurst and the famous five. Juliette Binoche has played the role magnificently close and made it feel like I was watching the original Sand.
The love story is so beautiful specially the scene when Benoit Magimel sleeps on the street ground under the rain when Sand comes to visit him in her carriage. Waw!... I mean this is a charming scene, it says a lot about the feelings of love.
The love story is so beautiful specially the scene when Benoit Magimel sleeps on the street ground under the rain when Sand comes to visit him in her carriage. Waw!... I mean this is a charming scene, it says a lot about the feelings of love.
Wusstest du schon
- WissenswertesGeorge Sand's estate loaned the production some of Sand's jewelry, including a sapphire ring, which Juliette Binoche wears throughout the film.
- Zitate
George Sand: Love does exist, it's not an illusion. One merely has to recognise it, and be humble before it.
- Alternative VersionenThe original French theatrical version, which runs at 135 mins begins as Sand plans to leave her husband and Musset's father dies. This version continues after their final meeting as Sand begins to write her story and attempts in vain to see Musset one last time. This version ends with a direct to camera address by Sand at Musset's tomb. A shorter theatrical version was released in Germany, Spain, UK and US which begins with Sand reading from "Lélia" and ends with Sand and Musset's final meeting. It runs at 105 mins. This version contains two new scenes: Sand and Musset being introduced to each other and a dance sequence. However the opening sequences featuring Sands arrival in Paris during an uprising and her relationship with Marie Dorval are lost, as are the closing scenes as she attempts to see Musset a final time. Most DVD releases have favored the Original 135 min version which was more critically popular.
- VerbindungenVersion of Triumph des Herzens (1945)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Eine leidenschaftliche Affäre
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 56.611 $
- Eröffnungswochenende in den USA und in Kanada
- 8.044 $
- 15. Sept. 2002
- Weltweiter Bruttoertrag
- 381.624 $
- Laufzeit2 Stunden 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Das Liebesdrama von Venedig - George Sand und Alfred de Musset (1999) officially released in India in English?
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