El abuelo

The acting and cinematography and music are absolutely lovely--first rate all the way. And, in many instances the story is very interesting and engaging. However, at times, I felt I really needed to struggle to keep watching the film, as the characters, in general, are unlikable. The townspeople slowly reveal themselves to be shallow jerks and the grandfather is obviously like this as well, but at least by the end of the film he's more likable and multifaceted. Perhaps the only ones who you feel drawn towards are the cute granddaughters BUT they have such creepy dubbed voices that at first I thought this might be some sort of EXORCIST rip-off. While the older girl's voice isn't as creepy, the younger one sounds exactly like an older woman DUBBING the voice of a young girl. How can they spend so much money and effort to produce such an excellent film and have this creepy cheap-sounding voice? Oh well, it's probably NOT something that will bother every viewer but little things like this really take me out of the moment.

Probably done for a reasonable enough budget, but this film has the look and soul of a big, well-crafted European production.

The script is just filled with nodules of truth wrapped up in old world philosophy, that play out before the viewer's eye. This is a long film so make sure that you have the time and mental alertness to make the journey - but for the patient, the investment is worth it.

The cast is filled with capable players: the leads are exceptional latin character actors, they are surrounded by the others which are more often than not caricatures who actually focus the reality of the story around the serious players.

The cinematography is magnificent.

This perceptible drama is based on Benito Perez Galdos's (author of Episodios Nacionales) novel and adapted by Horacio Valcarcel. The countess Lucrecia (Cayetana Guillen Cuervo) along with his two daughters(Alicia Rozas, Cristina Cruz) return to City of Jerusia. But also the grandfather (Fernando Fernan Gomez)goes back Spain after traveling America looking for the Dorado, but he is now ruined. The old man wants reckoning , because his son died and left a will stating which one of the two daughters is an illegitimate little girl . Later on, the elderly count is obligated by the Mayor(Fernando Guillen, Cayetana Guillen's father), the priest(Francisco Algora), the administrator(Agustin Gonzalez) and doctor(Juan Calot) to remain at a Monastery led by the prior(Francisco Piquer) but Don Rodrigo escapes.

This is a thought-provoking drama filmed with great sensitivity and feeling. It's an intelligent and touching story although sometimes is slow moving and tiring but is finely developed with sense of style and sensibility. In the picture are treated ethics and morals themes developed with great sense of fairness and ductility.Excellent acting by Fernando Fernan Gomez as an embittered man who will must face the traumatic truth and choose between honor and love. Special mention to Rafael Alonso as unfortunate elderly man who is mistreated by his six daughters . Besides exceptional and awesome cinematography by Raul Perez Cubero as is reflected on the marvelous outdoors of the countryside and brilliant interiors . Wonderful musical score by Manuel Balboa and the symphonic orchestra of Madrid with haunting leitmotif. Well filmed on marvelous locations as Niembro, Llanes, Pola De Lena, Church of Valdedios and Santa Cristina Lena (Asturias) and Monastery of Santa Maria Vid (Aranda Duero). Spectacular production design by Gil Parrondo who formerly achieved two Oscars (Patton, Nicholas and Alexandra). The motion picture is accurately directed by Jose Luis Garci (El Crack I, II, Luz Domingo) who won one Academy Award for ¨Volver a Empezar¨. Rating : Better than average and well worth seeing.

For these reasons is essential and indispensable watching and is better than first version titled ¨La Duda¨ by Rafael Gil with Fernando Rey (Fernando Fernan Gomez role), Analia Gade (Cayetana Guillen character),Pilar Bardem, and again Rafael Alonso as Senen Corbacho (Agustin Gonzalez role).

The Grandfather (1999) El Abuelo This film directed by José Luis Garci, who won an Academy Award in 1983 for "To Begin Again,". Based on Benito Perez Galdos novel, the film that comments on how families are built by love, not blood. Love is the only bond that can hold a family together, & this movie proves it. When an aging, bitter, turn-of-the-century Spanish aristocrat (Fernando Fernán-Gómez) learns that his son has died, he travels back to his family estate in Spain to confront his detested daughter-in-law (Cayetana Guillén Cuervo), whom he suspects of bearing him an illegitimate granddaughter. But which one is it? Which granddaughter will gain his blessing, & which his curse? This once powerful and still proud patriarch finds it hard to deal with the shameful and humiliating treatment he receives from the townsfolk. As his ego is battered, he slowly mellows. His friendship with Pio Coronado (Rafael Alonso) improves his mental health.(the old teacher who has had serious thoughts about suicide). In the last stages of his life, the Count learns a thing or two about time, love, friendship, and blood ties. He is free at last to cave in to the impulses and desires of his heart. While the film is a deeply touching story & contains very lush beautiful cinematography this movies moves at a snail's pace & is very long at 145 minutes. The great Spanish character actor Fernando Fernan-Gomez (Belle Epoque) won a Spanish Goya award for his part in this film as aged Count of Albrit. His creaky performance is a standout; excellent –well really- fantastic he is in this role characterizing The Grandfather. The film is just a little too slow & constrained. In addition to the strong performances, the film's cinematography is absolutely beautiful. The lush & verdant Spanish landscape is the backdrop, the rural scenery sweeps of Spain is just a beauty to behold. The stunning cinematography literally makes turn-of-the-century Spain appear as if it's just been stolen from an famous summer painting. In 1999, The Grandfather deserved its the Spanish nomination for an Academy Award as Best Foreign Language Film. It also received a dozen Spanish Goya nominations. This is the third time Galdos' novel has been brought to the screen, & this one is well worth the effort to watch. My main comment would be how poor the (Spanish) dubbing was. It was a very bad choice to have the two small girls voices dubbed in by fake sounding adults who do not sound like a child at all. There were consistent problems with the voice dubbing & synchronizing throughout the movie. I watched the movie in Spanish with English Subtitles. I hope this film get a wider audience than it had in 1999 it is really almost an epic of a movie and extremely beautiful and interesting. The Grandfather magically transports us to a time and a way of life that have long since disappeared. However it is a tad boring as it is long and slow but art film lovers hang in there and watch this !! I still liked the movie a lot!

Oscar winner Jose Luis Garci repeats his classical formula in this adaptation from a novel by Perez Galdos. The story is set in Asturias, in the north of Spain, in the 1900's. The film is about honor, reputation, friendship, love and hate.

As many films by Garci, the cinematography and the score makes the film more comfortable to follow, although there are scenes that can be so slow, that they can bore a bit.

But all the cast, including Fernan Gomez and Rafael Alonso, the landscape and the story itself, make this film so attractive to those who love classical films, that it must be seen.

And pay attention to the magnificent first 7 minutes, with no cuts, and the camera following calmly to the characters. ¡It is genial!