Out

After forty years or more, I'm amazed at house much of this show I remember, from scenes to actual dialogue - it clearly made an impression. The story is very compelling, a London version of Get Carter, though it lacks the steely edge of that movie.

Unfortunately, in many ways it has dated badly. If this were ever to be broadcast on TV or some streaming service, it would need a warning "please note that this programme contains language and attitudes that may offend".

Despite these reservations, great to see it again, and Tom Bell was superb i every scene.

Frank Ross is OUT!... and he wants revenge on whoever grassed to put him inside for eight years. This is the story of how he goes about this while rebuilding his relationships and keeping out of the clutches of the police who would be very happy to find a reason to send him back!

I had a memory of seeing this when it was originally shown in the 1970's, and I wasn't disappointed this time. Trevor Preston is one of the best writers for police and underworld drama from this time (Callan, The Sweeney) and since, and this is his personal masterpiece mini-series. The series comprises six fifty-minute episodes as now available on DVD without the original commercial breaks.

Television drama certainly hasn't moved on from this.

Frank Ross is out. And he wants to know who grassed. Who informed on him. Who caused him to serve years in prison.

This was a truly brilliant mini-series shown in England during the late '70s, about a failed bank robbery. The main character Ross, played by Tom Bell, is seeking revenge and the culprit behind his incarceration. I saw this again recently, and despite the flared trousers and floppy hair styles, it was still compelling to watch because of the acting by all concerned. And the build up to the climactic confrontation at the end is hard to compare with other TV series. It also stars Derrick O'Connor, who has appeared in Lethal Weapon 2, and Alias on TV.

They don't make 'em like this anymore...Unfortunately.

Out has a similar premise to Get Carter except the main character here is upsetting the underworld's status quo by trying to find the people responsible for getting him locked up. You never know how far the character of Frank Ross will go when he tracks these people down and that adds to the suspense. Perhaps I was adding that on my own because in Get Carter, Carter simply murders almost everyone involved in his brother's death.

There is alot of implied violence and near violence but ultimately only two or three characters get shot and one dies from an accident. If you watch it, you think it gets far more violent than it does but it is actually very tame for this kind of entertainment.

The ending is deliberately open ended but such is life. The resolution is never 100% resolved. I don't know if a sequel was planned. Trivia here claims Bell was offered a sequel but declined but I like that it ends a little open ended.

I thought the entire cast was excellent. I never saw Brian Croucher in as a sympathetic role as this playing Frank's financially broken best friend. Brian Cox is everything you'd expect as the sociopathic mobster. He has bright yellow hair which strangely works for the character. It is difficult to not notice the character. Tom Bell is of course the star as Frank Ross. You really are guessing how far he will go in finding answers and what he will do when he gets there. Enigmatic.

Sure, this can be considered dated but I imagine people say the same about Long Good Friday, and Get Carter. I don't mind it. This was a great mini series I had trouble shaking from my mind when it was over. Only the original Tinker Tailor Soldier Spy, The Fear, The Wire and Breaking Bad had that effect on me after it was over. There is no higher compliment for a TV drama.

What was brilliant, absolutely unmissable TV in 1978 looks dated nearly 40 years on. Other than Tom Bell most of the supporting cast look quite wooden, but this could be due to 1970s direction. The story line is excellent and it would be good to see it done today for a new audience. I think the rhyming slang used put a lot of people off as they would not have a clue what 'reels of cotton' meant; or 'dabs'; 'the island'. It was alright for me as I was in that world, but this may have been one of the reasons why it won just one award for Editing... It's a shame that they used a fleet of Ford cars all beginning with the same three letters as you never knew if it was the old bill or the villains pulling up! It was worth another watch after so long, but don't expect it to feel as good as it did back then. Euston Films did some great stuff back then, classic TV, but style has changed and moved on with television.