Mit nur dem Plan, nach der High School zusammenzuziehen, suchen zwei ungewöhnlich hinterhältige Freunde die Richtung im Leben. Als bloßer Knebel reagieren sie auf die Zeitungsanzeige eines M... Alles lesenMit nur dem Plan, nach der High School zusammenzuziehen, suchen zwei ungewöhnlich hinterhältige Freunde die Richtung im Leben. Als bloßer Knebel reagieren sie auf die Zeitungsanzeige eines Mannes für ein Date, nur um festzustellen, dass sie ihr Leben stark verkomplizieren wird.Mit nur dem Plan, nach der High School zusammenzuziehen, suchen zwei ungewöhnlich hinterhältige Freunde die Richtung im Leben. Als bloßer Knebel reagieren sie auf die Zeitungsanzeige eines Mannes für ein Date, nur um festzustellen, dass sie ihr Leben stark verkomplizieren wird.
- Für 1 Oscar nominiert
- 28 Gewinne & 56 Nominierungen insgesamt
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It begins at graduation with Enid (Thora Birch) and Rebecca (Scarlett Johansson), two very perceptive high school outcasts who see right through the facade of their juvenile peers and want nothing to do with it. For Rebecca this self-ostracizing is just a passing phasing, but for Enid you get the strong impression this is going to always be her way of life. It's not that she doesn't get it, it's that she's doesn't understand IT or people or the games of life. There's a brief emotional turning point for Enid when a cruel practical joke backfires and she becomes involved with the target, the nerdy and very sardonic Seymour (Steve Buscemi), who may just be the kindred spirit Enid was looking for. The shared scenes between Enid and Seymour, though doomed to take a bad turn, are handled with tenderness by the director and actors and are quite memorable and touching.
Highlights are an excellent scene in a blues club that just about nails the American outlook on life and our lack of reverence and the ones in Enid's remedial art class, with the most misguided and pretentious teacher (Illeana Douglas) you could imagine. The girls are wonderful, and Steve Buscemi was unfairly overlooked at awards time (big shocker). Anyway, he's never been this good before. The fact this premise, these ideas and these original and interesting characters came from a comic book makes me realize I've completely overlooked the artistic possibilities within that medium.
Enid's partner in crime is Rebecca (Scarlett Johannson), who has one foot in the offbeat world Enid inhabits, and the other foot in the mainstream world Enid loathes. Rebecca's one of those types who never seem to mean what they're saying, not because of dishonesty, but because of lack of self-knowledge and security. When these two pals start to drift apart after they graduate from high school, Enid latches on to champion loser Seymour (Steve Buschemi, who seems to live for these kinds of roles), a devoted record collector. Through one long, seemingly uneventful summer, Enid takes a good look at the world around her, and a painful series of events force her to find her own place in it.
I adored this anti-"teen movie", and it was so refreshing to see a heroine who wasn't a blandly blonde, pool cue shaped cheerleader who spouted out adorable one-liners. Enid is a proud loner and rebel, who wears her crazy wardrobe and Truman Capote glasses with pride. Zwigoff never allows the movie to be Hollywood saccharine or indie film depressing. It's full of realistic, human characters we've all known at one time or another. I was further amazed by how true to life "Ghost World" is. Nothing in the film turns out the way you expect it to, but, really, isn't that just the same as life?
The story of neo-cool Enid (Thora Birch) and Rebecca (Scarlett Johansson) who, faced with graduation from high school, take a hard look at the world they wryly observe and decide what they really want. When Enid takes an interest in the offbeat Seymour (Steve Buscemi) and Rebecca focuses her attention on their mutual romantic fixation Josh (Brad Renfro), the girls' friendship is forever changed.
An eerie tone echoed through the narrative as we seemingly await the big punchline breakthrough which explodes to heighten the tension and develop the storyline, however, the film cleverly probes and anticipates its audience into a spiral of uncertainty and doubt. Adapted from the novel of the same name, Zwigoff ensures that the storybook feel is still present and acts as an enticing mechanism to achieving the act of conveying the movie's key message.
The idea of casting Steve Buscemi is genius, providing contrasts to the two protagonists, his character is ageing and lonesome, in light of the two youthful best friends the three bond in an unlikely fashion, though musical references in a time of prevalent anthems of the early 2000s / late 90s is a relatable, appropriate feature of the pictures excellence.
Ghost World is an ambiguous watch, which will leave you questioning the realms of fantasy and reality, an immersive, thrilling watch perfect for indulging away from the sameness of everyday life.
The movie is about Enid and Becky, two high school friends who seem to own the anti-cool clique and have no real plans for life after graduation other than to get an apartment together - though Enid has not officially graduated and needs to take a remedial art class in the summer in order to finish out her credits. (There's more than a passing resemblance to the Daria and Jane relationship, for those who remember that show.) Becky seems to be handling the transition better: she gets a job and picks out an apartment. Enid instead seems insistent on taking an apathetic, hipster approach towards everything and everyone, deeming it all so lame as to be unworthy of effort, other than her affection for Seymour, a dorky record collector many, many years her senior who has few friends and even fewer romantic prospects.
Without ever being in your face politically, Ghost World has great social commentary on art, relationships, and consumer culture. It's a weird movie, and you'll either love it or roll your eyes at it, but I hope it's the former.
Enid (Thora Birch) and Rebecca (Scarlett Johansson) just graduated from high school. However, they are far from the typical 17-18 year-olds. In many ways, they are like hipster versions of Daria (from the wonderful cartoon series)...but with a darker, nastier edge to them. They don't fit in with those around them and seem to enjoy giggling among themselves about how stupid and ridiculous everyone else is. However, through the course of the film, these two sullen young ladies who try very hard not to care find themselves caring. Rebecca finds a job and Enid invests her energy in a social outcast, Seymour (Steve Buscemi). All the while, their own relationship with each other becomes strained...mostly because their lives now are taking different directions.
This film features some truly terrific acting. While Scarlett Johansson went on to great fame, the real stand out in this one is Thora Birch...who since has had a respectable but much more low profile career in pictures. The script also is very nice, with some interesting characters. I particularly thought the art teacher (Illeana Douglass) was fascinating...mostly because she was so very, very monumentally flawed as a human being. But it also suffers a bit because it's so very hard to care about these young ladies...at least until much later in the film. It would be easy to dislike them and just turn off the picture...which would be a mistake. A challenging and odd film...but worth seeing if you are patient and are looking for something different.
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- WissenswertesThe first film based on a graphic novel or comic book to receive an Oscar nomination for Best Adapted Screenplay.
- PatzerThe actor who plays the high school principal in the graduation scene also plays one of the customers in the porno shop. This was not intentional - Terry Zwigoff cast him as a porno shop customer forgetting that he also played the principal.
- Crazy CreditsAfter all the credits roll, there's another take of the scene where Seymour (Steve Buscemi) gets attacked by Doug in the minimart. Only this time, Buscemi's characer easily wins the fight, choking Doug with his own weapon, and stomps out triumphantly. He finishes with a bunch of Mr. Pink type dialogue.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Mundo fantasma
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.217.849 $
- Eröffnungswochenende in den USA und in Kanada
- 98.791 $
- 22. Juli 2001
- Weltweiter Bruttoertrag
- 8.764.389 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1