Füge eine Handlung in deiner Sprache hinzuThis made for television film chronicles the illustrious life of French philosopher René Descartes (1596-1650)This made for television film chronicles the illustrious life of French philosopher René Descartes (1596-1650)This made for television film chronicles the illustrious life of French philosopher René Descartes (1596-1650)
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Extremely good value for folks interested in the history of science, history of rationalism, or mid-renaissance thinkers and culture. Rossellini's very sober Cartesius is a chronicle of Descartes' life and times, following him through Europe as he develops his ideas about science and existence. Rossellini shows us the genius Descartes, but also shows us quietly that he could get things wrong and that he was a product of his times.
The production has some weaknesses as well as some strengths. The music, as another reviewer has mentioned, is odd and over-used. The acting is adequate but never more than that. There is a tableau quality to scenes throughout the film the people are stiff and come across as conduits of the dialogue rather than actually speaking. There are some real pluses too. During the entirety of one scene in which Descartes is describing his philosophy to a printer, two men work a printing press one placing the blank pages on the type set that he has daubed with ink, and the other turning the screw a half turn, then back. There are several other scenes that show craftspeople engaged in their work. Finally, I found it refreshing that everyone, French, Dutch, and English, spoke Italian - leaving me to figure out nationality by clothing styles and names.
If Cartesius turns out to be your cup of tea, you may like Potop (The Deluge), directed by Jerzy Hoffman, set in Poland around the time of Descartes (and Gustav Adolph). While a very different approach to filmed history, it is a colourful and interesting story.
The production has some weaknesses as well as some strengths. The music, as another reviewer has mentioned, is odd and over-used. The acting is adequate but never more than that. There is a tableau quality to scenes throughout the film the people are stiff and come across as conduits of the dialogue rather than actually speaking. There are some real pluses too. During the entirety of one scene in which Descartes is describing his philosophy to a printer, two men work a printing press one placing the blank pages on the type set that he has daubed with ink, and the other turning the screw a half turn, then back. There are several other scenes that show craftspeople engaged in their work. Finally, I found it refreshing that everyone, French, Dutch, and English, spoke Italian - leaving me to figure out nationality by clothing styles and names.
If Cartesius turns out to be your cup of tea, you may like Potop (The Deluge), directed by Jerzy Hoffman, set in Poland around the time of Descartes (and Gustav Adolph). While a very different approach to filmed history, it is a colourful and interesting story.
This film is excellent for intellectual history. I've studied Descartes and the history of his time, and this film is spot on accurate, so it seems to me. For those interested in the history of philosophy and the rise of modern science, it is well worth the two-and-a-half-hour watch. For instructors in the classroom: The acting feels a bit staged, and the film is almost entirely seventeenth-century philosophical and scientific debate. So sleep-deprived students would not be able to sit for long viewings without falling asleep. However, particular scenes, especially of key moments in the development of Descartes's philosophy can be selected out and offer terrific visuals to accompany the teaching of Cartesian philosophy and/or the rise of modern science in the seventeenth century. Certainly the whole film could be shown in segments in a course entirely on Descartes. The film also captures insights into the religious hegemony and theological debates in Europe at the end of the Reformation. Because the film is in Italian, it would also be an excellent exercise for those studying Italian since every scene is a matter of dialogue.
It's a deep sorrow when I saw meager votes and seven reviews concerning so prominent thinker that the world ever had, the French René Descartes is the father of modern philosophy and mathematics as well, dared bring the lights over the outdated scholastic system from Greece and developing later the Cartesian Method which comprises in the doubt and skepticism under the analytical thinking about everything.
The outstanding and prolific director Robert Rossellini already previously made others biographic movies over Socrates, Blaise Pascal and Agostino d"Ippona, on Descartes he had a broad scope of source materials to build up a best screenplay to make a movie with utmost genuineness, also embellished by so magnificent thoughts from their books.
The storyline spans since his final days at Jesuit School at La Fleche around twenty years old and moves to Paris, in this point the director skips Descartes on Universities that he attended, maybe by lack of source material probably, then he headed to Holland that period of time a most advanced place on the Europe in every facet, meeting with Isaac Beeckman who really aroused its interesting in Mathematics, therefore the fidgety Descartes soon travelled to Bohemia where gains the fondness of Princess Elizabeth, wherever he goes he found a shelter from the scholars and sages, due his wisdom whose preceded himself opening countless dors.
Meanwhile finishing his works and starting printing he was very concerned over the Church's reaction, due what had happened with Galileo arrested by the Pope, advised by his former Jesuit teacher, during this time he gets sexual involving with his servant Helena, who gave a girl named Francine, he never married her, nevertheless never drop out her, sadly the child died five years later, further the movies doesn't display his life at Sweden and his relation with Queen Christina, neither his remaining days at Stockholm and his death.
I consider Descartes a man from another world, someone which was born time after time with a regular gap until was born another genius, then we shall see how the mankind will drives along in steady progress, Descartes quite sure is one my favorite Philosopher, until unknown by the majority of the human race, as shown at IMDB where gathered one best brainy people which consist in this planet, the numbers of votes spoke for themselves!!
Thanks for reading.
Resume:
First watch: 2021 / How many: 1 / Source: DVD / Rating: 8.25
The outstanding and prolific director Robert Rossellini already previously made others biographic movies over Socrates, Blaise Pascal and Agostino d"Ippona, on Descartes he had a broad scope of source materials to build up a best screenplay to make a movie with utmost genuineness, also embellished by so magnificent thoughts from their books.
The storyline spans since his final days at Jesuit School at La Fleche around twenty years old and moves to Paris, in this point the director skips Descartes on Universities that he attended, maybe by lack of source material probably, then he headed to Holland that period of time a most advanced place on the Europe in every facet, meeting with Isaac Beeckman who really aroused its interesting in Mathematics, therefore the fidgety Descartes soon travelled to Bohemia where gains the fondness of Princess Elizabeth, wherever he goes he found a shelter from the scholars and sages, due his wisdom whose preceded himself opening countless dors.
Meanwhile finishing his works and starting printing he was very concerned over the Church's reaction, due what had happened with Galileo arrested by the Pope, advised by his former Jesuit teacher, during this time he gets sexual involving with his servant Helena, who gave a girl named Francine, he never married her, nevertheless never drop out her, sadly the child died five years later, further the movies doesn't display his life at Sweden and his relation with Queen Christina, neither his remaining days at Stockholm and his death.
I consider Descartes a man from another world, someone which was born time after time with a regular gap until was born another genius, then we shall see how the mankind will drives along in steady progress, Descartes quite sure is one my favorite Philosopher, until unknown by the majority of the human race, as shown at IMDB where gathered one best brainy people which consist in this planet, the numbers of votes spoke for themselves!!
Thanks for reading.
Resume:
First watch: 2021 / How many: 1 / Source: DVD / Rating: 8.25
I saw it more than a good film but as magnificent trip. Not across a rich, beautiful life or great work of a remarkable director, but as a wise try to explore the meanings of life. It is more than beautiful, right or fair portrait of rene Descartes. It is one of films for who the term memorable has so many significances. So, just a profound useful experience.
The life of Rene Descartes ('Cartesius' in Latin) is quite interesting for many people. Considering his many contributions to mathematics, philosophy and science, it's no wonder that someone has made a film about him. However, and this is important, HOW many people will want to watch this?! In this age of "Batman", "American Idol" and the like, just which people will watch "Cartesius"? Certainly a small--a VERY small--minority of the population. Many won't understand his concepts but most simply won't care. So, although director Roberto Rossellini crafted a very fine film here, it just doesn't have a bit market. And, it's a shame, as it is a quality project throughout--a very quiet and intellectual project. So, if you are into math, science, philosophy or even history (and who isn't, right?!), then by all means watch and enjoy. Otherwise, you will find all this very tough going--though I did find the music very strange and distracting at times.
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- VerbindungenFeatured in Roberto Rossellini: Il mestiere di uomo (1997)
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