Bleeder

A complete surprise. Had no idea what I was getting into. As fine as anything by Scorcese, with some similarities to Taxi Driver. An enormous breath of fresh air compared to the awful Hollywood machine. The scenes are real, intense, sometimes violent, always moving. Geniune. This film maker is the real thing. The acting is impeccable. I personally don't care much for symbolism, meta-cinema or the like, but instead prefer a real and dramatic experience. This movie provides all of the above--and that is a rare treat. Someone compared this to Kubrick--there is some of that but what is really different here is the emotion. Kubrick is always (or almost always) dry, sterile, unemotional, stiff. Bleeder is moving--it even at times has some of the emotionalism of a melodrama, but it always remains a drama.

This movie is dark and real.Its about a man who has nothing to live for.And it only gets worse.This is the movie that makes you think about how good your life actually is and that there is a lot of people who have it worse.Thanks to another great performance by Kim Bodnia this movie will stick with you for days.

Expectations were high following Refn´s knockout debut "Pusher". The gritty realism of that movie is in part recreated in "Bleeder", but instead of just treading water and doing a Pusher remake, this is much more stylish in its theme and cinematography (e.g. the main characters´ names all start with L; Leo, Lenny, Lea etc. - almost every image seems meticulously composed and lit). The soundtrack seems to be more carefully chosen, supporting the emotions of the characters, seen in the great opening sequence. What ultimately makes Bleeder a minor film compared to Pusher, despite brilliant performances and a downbeat, even oppressive atmosphere, is a fatal lack of the kinetic energy of Pusher, which makes Bleeder a bit dull in spots. The scenes in the video store remind you of Clerks, but are not as funny, and a true movie fan would never mistake blaxploitation star Fred Williamson for Fred Williams (as mentioned in a scene between Bodnia and Mikkelsen), especially considering the hilarious scene in which Mikkelsen incredibly lists the video store´s selection of 50+ schlock directors. I admit that Bleeder has a way of staying with you afterwards, but I had expected a bit more from Refn. Rumours of star Bodnia being committed to a mental institution following the final days of shooting were false and exaggerated by the tabloid press.

BLEEDER is the follow-up to Nicolas Winding Refn's Danish debut, PUSHER. I think it's a better film in every respect, even if it is less well known: the story, of family dysfunction and human relationships, is brimming with power, and by turns tragic, bleak, and ultimately devastating.

The story sees Leo (Kim Bodnia, of PUSHER fame), attempting to adapt to family life when he finds out his girlfriend's pregnant. Along the way, he continues uneasy friendships with the racist Louis, his girlfriend's brother, and Lenny (Mads Mikkelsen), a loner who works at the local video shop. Of course things eventually become very dark indeed, and more harrowing and shocking than they were in PUSHER.

Refn elicits some excellent performances from his cast, not least from Bodnia, who is quietly terrifying throughout this. A glimmer of hope and humour comes from the presence of the outstanding Mikkelsen, who is my favourite character; the video shop setting allows for plenty of cultural references for film fans. Watch out for PUSHER's Zlatko Buric as another friend. By the end, I felt like I'd done ten rounds in the ring: BLEEDER is that kind of film, and excellent with it.

When Nicolas Winding Refn gets Zlatko Buric, Mads Mikkelsen and Kim Bodnia together a good movie is a must. Please, disregard narrow IMDb genre classification of the film as "Horror" or "Thriller" as it is the way the movie looks to some five year old child who has not understood anything seen. This art work is a modern life drama colored by David Lynch camera and portrayed by spirit of Bunuel. Excellent art work by well known Danish film school. I said "modern" drama since the movie is getting into the core of the present social structure of the modern world. It shows a depressive slice of our little lives that are being cultivated in silence of violence, loneliness, alienation and lost life course, leading to self-destruction. Dark as our presence. One more good job for Nicolas Winding Refn.