Steal This Movie

Robert Greenwald directs this brilliant biopic of '60s counter-culture rabble-rouser Abbie Hoffman(Vincent D'Onofrio)following his involvement with civil rights demonstrations in the south; his association with the infamous Chicago 7 and his disappearance underground in the '70s. Great mix of actual historic footage and well paced dialogue based on the books of Hoffman and his wife Anita. The perky Janeane Garofalo portrays Anita Hoffman and Jeanne Tripplehorn plays Hoffman's girlfriend Johanna Lawrence. Also in the cast are Kevin Pollak, Troy Garity and Kevin Corrigan. D'Onofrio is excellent in the lead role. This is the least heard account of events, but very thought provoking and interesting.

First I have to ask, Vincent, what were you going for with that accent, New Yawk, Bahston, Joisey? Sounded like a combination of all but it distracted me from your dialogue. Should have just played Vincent playing Abby.

Second, there was a review here that should be removed as the guy that wrote it is so off base I think he saw a different movie. Dude, FYI. it's Jerry Lefcourt. Look into it.

Third, Abby was kicked (really he was kicked) off the stage at Woodstock by Townsend during the Who performance. Abby was the type of guy you wanted to kick. He was all about Abby.

This film is a romanticism of the truth. Don't steal it; steal Medium Cool instead.

This was an overall good release but there were numerous flaws. The worst of which was the dumbing down of the characters, especially Abbie Hoffman. It made for good cinema and fit the mainstream's mental picture of Abbie, but was quite misleading. Abbie's last wife, Johanna Lawrenson, was grossly misrepresented as apolitical and little more than a bubble-headed groupie. Both were excellent organizers and people. Talking to both was inspiring. It's sad that a film from a better source misrepresented them. However, that said, the film has value for providing a visual picture of the times and occurrences of Abbie's life. Abbie was one of the most significant of the 60s cast of characters and this film contributes to keeping his legacy alive.

'Steal This Movie' is a well-thought, well-written well-acted, well-made dramatization of the life of left-wing activist Abbie Hoffman, probably the most famous of the Chicago Seven. (The title is a play on the title of Hoffman's autobiography, 'Steal This Book', though it certainly doesn't have the poignancy of that title.) 'Steal This Movie' made some bold casting choices. The lead role was given to Vincent D'Onofrio: not an obvious choice, because Vincent looks very little like Abbie, which caused many die-hard history aficionados to bash the decision. However, Vincent fills the role wonderful, brilliantly, expressing all the conflicting sides of Hoffman's personality, his sense of humor, his dead seriousness, strict political consciousness, bi-polar disorder, having to live in hiding and away from his wife and son. He makes the character come alive much more than someone else could have by simply looking and talking like him. Abbie's wife Anita is played wonderfully by SNL's Janeane Garofalo, accomplished comedian but not so as a dramatic actress.

Though it doesn't have that much cinematic value by its own right, 'Steal This Movie' does a fantastic job of getting through both the spirit of the time and the greatness and difficulties of Hoffman's activities and his character - a great and fascinating person whose impact has long been overlooked. It's also a wonderful document of an important period that is practically ignored (relatively, of course). For those interested in the late 60s, in the hippie movements, Black Panthers and other left wing political movements of the time, and of course in Hoffman himself - it's invaluable, on top of being both touching and entertaining. A good watch.

STEAL THIS MOVIE (2000) **1/2 Vincent D'Onofrio, Janeane Garofalo, Jeanne Tripplehorn, Kevin Pollak, Donal Logue, Kevin Corrigan, Alan Van Sprang, Troy Garity, Ingrid Veninger, Stephen Marshall, Joyce Gordon, Bernard Kay. The life and times of 1960s radical Yippie political rabble rouser Abbie Hoffman (D'Onofrio, although physically miscast, gives a decent turn) is depicted in this melange in his turbulent life with his wife Anita (Garofalo seemingly too low-keyed) which intersperses real-life newsreel archival footage with at times jarring restaged moments that don't juxtopose neatly. Based on the couples' book 'To America With Love: Letters From the Underground' and Marty Jezer's biography, 'Abbie Hoffman: American Rebel', the results are sketchy and one doesn't get a full realization of the secondary characters except for the infamous Chicago 7 trial in 1968 at The Democratic Convention. One wonders what Oliver Stone would have done with such meaty subject matter. (Dir: Robert Greenwald)