IMDb-BEWERTUNG
6,3/10
2439
IHRE BEWERTUNG
Fünf Jahre nachdem Yippie-Gründer Abbie Hoffman in den Untergrund gegangen ist, nimmt er Kontakt zu einem Reporter auf, um die Geschichte der verdeckten Bespitzelung, Belästigung und Anstift... Alles lesenFünf Jahre nachdem Yippie-Gründer Abbie Hoffman in den Untergrund gegangen ist, nimmt er Kontakt zu einem Reporter auf, um die Geschichte der verdeckten Bespitzelung, Belästigung und Anstiftung zur Gewalt durch das FBI herauszufinden.Fünf Jahre nachdem Yippie-Gründer Abbie Hoffman in den Untergrund gegangen ist, nimmt er Kontakt zu einem Reporter auf, um die Geschichte der verdeckten Bespitzelung, Belästigung und Anstiftung zur Gewalt durch das FBI herauszufinden.
- Auszeichnungen
- 2 Nominierungen insgesamt
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First I have to ask, Vincent, what were you going for with that accent, New Yawk, Bahston, Joisey? Sounded like a combination of all but it distracted me from your dialogue. Should have just played Vincent playing Abby.
Second, there was a review here that should be removed as the guy that wrote it is so off base I think he saw a different movie. Dude, FYI. it's Jerry Lefcourt. Look into it.
Third, Abby was kicked (really he was kicked) off the stage at Woodstock by Townsend during the Who performance. Abby was the type of guy you wanted to kick. He was all about Abby.
This film is a romanticism of the truth. Don't steal it; steal Medium Cool instead.
Second, there was a review here that should be removed as the guy that wrote it is so off base I think he saw a different movie. Dude, FYI. it's Jerry Lefcourt. Look into it.
Third, Abby was kicked (really he was kicked) off the stage at Woodstock by Townsend during the Who performance. Abby was the type of guy you wanted to kick. He was all about Abby.
This film is a romanticism of the truth. Don't steal it; steal Medium Cool instead.
The film is an interesting look, at what appears to be an interesting man. The style of film is distracting at first - it's all a little too busy, but once you get get by that the film is an interesting ride. The performances are great - Janeane Garolfalo and Jeanne Tripplehorn play the women Abbie loved and do it very effectivly. And D'Onofio is great as Hoffman himself - fiery, passionate and very effective. If there's a problem with the movie, it's that it seems too in love with Hoffman to give a truly accuarate picture. It romaticizes his struggle and seems to think that Hoffman did nothing wrong when he sold what appears to be a lot of cocaine to an FBI agent. True, he was set up, but he still sold it. The film breezes past Hoffman's suicide and paints a man like a golden boy, a truly great man. I would have appreciated a more honest look.
STEAL THIS MOVIE (2000) **1/2 Vincent D'Onofrio, Janeane Garofalo, Jeanne Tripplehorn, Kevin Pollak, Donal Logue, Kevin Corrigan, Alan Van Sprang, Troy Garity, Ingrid Veninger, Stephen Marshall, Joyce Gordon, Bernard Kay. The life and times of 1960s radical Yippie political rabble rouser Abbie Hoffman (D'Onofrio, although physically miscast, gives a decent turn) is depicted in this melange in his turbulent life with his wife Anita (Garofalo seemingly too low-keyed) which intersperses real-life newsreel archival footage with at times jarring restaged moments that don't juxtopose neatly. Based on the couples' book 'To America With Love: Letters From the Underground' and Marty Jezer's biography, 'Abbie Hoffman: American Rebel', the results are sketchy and one doesn't get a full realization of the secondary characters except for the infamous Chicago 7 trial in 1968 at The Democratic Convention. One wonders what Oliver Stone would have done with such meaty subject matter. (Dir: Robert Greenwald)
'Steal This Movie' is a well-thought, well-written well-acted, well-made dramatization of the life of left-wing activist Abbie Hoffman, probably the most famous of the Chicago Seven. (The title is a play on the title of Hoffman's autobiography, 'Steal This Book', though it certainly doesn't have the poignancy of that title.) 'Steal This Movie' made some bold casting choices. The lead role was given to Vincent D'Onofrio: not an obvious choice, because Vincent looks very little like Abbie, which caused many die-hard history aficionados to bash the decision. However, Vincent fills the role wonderful, brilliantly, expressing all the conflicting sides of Hoffman's personality, his sense of humor, his dead seriousness, strict political consciousness, bi-polar disorder, having to live in hiding and away from his wife and son. He makes the character come alive much more than someone else could have by simply looking and talking like him. Abbie's wife Anita is played wonderfully by SNL's Janeane Garofalo, accomplished comedian but not so as a dramatic actress.
Though it doesn't have that much cinematic value by its own right, 'Steal This Movie' does a fantastic job of getting through both the spirit of the time and the greatness and difficulties of Hoffman's activities and his character - a great and fascinating person whose impact has long been overlooked. It's also a wonderful document of an important period that is practically ignored (relatively, of course). For those interested in the late 60s, in the hippie movements, Black Panthers and other left wing political movements of the time, and of course in Hoffman himself - it's invaluable, on top of being both touching and entertaining. A good watch.
Though it doesn't have that much cinematic value by its own right, 'Steal This Movie' does a fantastic job of getting through both the spirit of the time and the greatness and difficulties of Hoffman's activities and his character - a great and fascinating person whose impact has long been overlooked. It's also a wonderful document of an important period that is practically ignored (relatively, of course). For those interested in the late 60s, in the hippie movements, Black Panthers and other left wing political movements of the time, and of course in Hoffman himself - it's invaluable, on top of being both touching and entertaining. A good watch.
"Steal This Movie" is the biopic of Abbie Hoffman, the famed activist and self proclaimed "orphan of America." The movie paints a portrait of Abbie as a man who loved his country, only not the way the status quo would have wanted him to. Vincent D'Onofrio plays the lead with a real passion, and Janeane Garofalo also displays competent dramatic ability as Abbie's wife Anita. This movie shows America in the 1960s at its best and worst. What I found interesting was its use of grainy film for flashbacks, to take on the look of a '60s documentary. If you were alive in Abbie Hoffman's time, you either loved him or hated him. Seeing the story of his life may give you a new perspective on who he was.
Wusstest du schon
- WissenswertesTroy Garity, who plays Tom Hayden, is the son of the real Tom Hayden and Jane Fonda.
- PatzerCanadian road signs appear in several scenes including the early scene where Abbie is calling from the isolated phone booth. In the scene where Abbie's mother is driving down the road, a sign written in metric is clearly visible.
- Zitate
Abbie Hoffman: Dull is deadly.
- SoundtracksMy Back Pages
Written by Bob Dylan
Performed by Jackson Browne & Joan Osborne (as Joan Osbourne)
Jackson Browne appears courtesy of Elektra Entertainment
Joan Osbourne appears courtesy of Womanly Hips Records
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 76.424 $
- Weltweiter Bruttoertrag
- 79.088 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Steal This Movie (2000) officially released in India in English?
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