IMDb-BEWERTUNG
6,3/10
2440
IHRE BEWERTUNG
Fünf Jahre nachdem Yippie-Gründer Abbie Hoffman in den Untergrund gegangen ist, nimmt er Kontakt zu einem Reporter auf, um die Geschichte der verdeckten Bespitzelung, Belästigung und Anstift... Alles lesenFünf Jahre nachdem Yippie-Gründer Abbie Hoffman in den Untergrund gegangen ist, nimmt er Kontakt zu einem Reporter auf, um die Geschichte der verdeckten Bespitzelung, Belästigung und Anstiftung zur Gewalt durch das FBI herauszufinden.Fünf Jahre nachdem Yippie-Gründer Abbie Hoffman in den Untergrund gegangen ist, nimmt er Kontakt zu einem Reporter auf, um die Geschichte der verdeckten Bespitzelung, Belästigung und Anstiftung zur Gewalt durch das FBI herauszufinden.
- Auszeichnungen
- 2 Nominierungen insgesamt
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"Steal This Movie" was not only an educational film in the sense that shed some light on the activist movement of the 1960s, but also a pleasant surprise regarding the quality of the performances in it. Vince D'Onofrio is amazing as Abbie Hoffman and his acting ability is in full display. Steal this video right away!
This film is about the activist years of Yippie Abbie Hoffman and the time after. People expecting to see a biopic about his activism, antics, or books will be dissapointed. The film is about Abbie Hoffman. Not about his efforts, but about him.
The editing is not that great, and the dialogue could have been better, but the scenes are entertaining even without good pacing. D'Onofrio also did his best to portray Hoffman, even though he's 9 inches taller and doesn't look like him. He seems to capture that charisma, that "mojo" that other people seem to like. He' also very good in the second half, when you can tell Abbie is pondering his life - if he's doomed to run forever, is he running from nothing, did he waste his life. He seemed very tortured.
A lot of people may be dissapointed, but this is still a good film. Such a shame it didn't get wide release.
The editing is not that great, and the dialogue could have been better, but the scenes are entertaining even without good pacing. D'Onofrio also did his best to portray Hoffman, even though he's 9 inches taller and doesn't look like him. He seems to capture that charisma, that "mojo" that other people seem to like. He' also very good in the second half, when you can tell Abbie is pondering his life - if he's doomed to run forever, is he running from nothing, did he waste his life. He seemed very tortured.
A lot of people may be dissapointed, but this is still a good film. Such a shame it didn't get wide release.
This was an overall good release but there were numerous flaws. The worst of which was the dumbing down of the characters, especially Abbie Hoffman. It made for good cinema and fit the mainstream's mental picture of Abbie, but was quite misleading. Abbie's last wife, Johanna Lawrenson, was grossly misrepresented as apolitical and little more than a bubble-headed groupie. Both were excellent organizers and people. Talking to both was inspiring. It's sad that a film from a better source misrepresented them. However, that said, the film has value for providing a visual picture of the times and occurrences of Abbie's life. Abbie was one of the most significant of the 60s cast of characters and this film contributes to keeping his legacy alive.
STEAL THIS MOVIE (2000) **1/2 Vincent D'Onofrio, Janeane Garofalo, Jeanne Tripplehorn, Kevin Pollak, Donal Logue, Kevin Corrigan, Alan Van Sprang, Troy Garity, Ingrid Veninger, Stephen Marshall, Joyce Gordon, Bernard Kay. The life and times of 1960s radical Yippie political rabble rouser Abbie Hoffman (D'Onofrio, although physically miscast, gives a decent turn) is depicted in this melange in his turbulent life with his wife Anita (Garofalo seemingly too low-keyed) which intersperses real-life newsreel archival footage with at times jarring restaged moments that don't juxtopose neatly. Based on the couples' book 'To America With Love: Letters From the Underground' and Marty Jezer's biography, 'Abbie Hoffman: American Rebel', the results are sketchy and one doesn't get a full realization of the secondary characters except for the infamous Chicago 7 trial in 1968 at The Democratic Convention. One wonders what Oliver Stone would have done with such meaty subject matter. (Dir: Robert Greenwald)
'Steal This Movie' is a well-thought, well-written well-acted, well-made dramatization of the life of left-wing activist Abbie Hoffman, probably the most famous of the Chicago Seven. (The title is a play on the title of Hoffman's autobiography, 'Steal This Book', though it certainly doesn't have the poignancy of that title.) 'Steal This Movie' made some bold casting choices. The lead role was given to Vincent D'Onofrio: not an obvious choice, because Vincent looks very little like Abbie, which caused many die-hard history aficionados to bash the decision. However, Vincent fills the role wonderful, brilliantly, expressing all the conflicting sides of Hoffman's personality, his sense of humor, his dead seriousness, strict political consciousness, bi-polar disorder, having to live in hiding and away from his wife and son. He makes the character come alive much more than someone else could have by simply looking and talking like him. Abbie's wife Anita is played wonderfully by SNL's Janeane Garofalo, accomplished comedian but not so as a dramatic actress.
Though it doesn't have that much cinematic value by its own right, 'Steal This Movie' does a fantastic job of getting through both the spirit of the time and the greatness and difficulties of Hoffman's activities and his character - a great and fascinating person whose impact has long been overlooked. It's also a wonderful document of an important period that is practically ignored (relatively, of course). For those interested in the late 60s, in the hippie movements, Black Panthers and other left wing political movements of the time, and of course in Hoffman himself - it's invaluable, on top of being both touching and entertaining. A good watch.
Though it doesn't have that much cinematic value by its own right, 'Steal This Movie' does a fantastic job of getting through both the spirit of the time and the greatness and difficulties of Hoffman's activities and his character - a great and fascinating person whose impact has long been overlooked. It's also a wonderful document of an important period that is practically ignored (relatively, of course). For those interested in the late 60s, in the hippie movements, Black Panthers and other left wing political movements of the time, and of course in Hoffman himself - it's invaluable, on top of being both touching and entertaining. A good watch.
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- WissenswertesTroy Garity, who plays Tom Hayden, is the son of the real Tom Hayden and Jane Fonda.
- PatzerCanadian road signs appear in several scenes including the early scene where Abbie is calling from the isolated phone booth. In the scene where Abbie's mother is driving down the road, a sign written in metric is clearly visible.
- Zitate
Abbie Hoffman: Dull is deadly.
- SoundtracksMy Back Pages
Written by Bob Dylan
Performed by Jackson Browne & Joan Osborne (as Joan Osbourne)
Jackson Browne appears courtesy of Elektra Entertainment
Joan Osbourne appears courtesy of Womanly Hips Records
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 76.424 $
- Weltweiter Bruttoertrag
- 79.088 $
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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