Schatten der Wahrheit

A good old-fashioned scary movie, avoiding irony and self-referentialism at every turn, this film relies on a nice premise and some well-executed creepy atmosphere for its impact. Pfeiffer and Ford work well together as a middle-aged couple, with Pfeiffer particularly effective as the homey (though obviously ridiculously beautiful) mother left alone when her daughter heads off to college, working herself up into a panic at various, vaguely spooky goings-on around the place. The film plays its cards close to its chest throughout, working the old game of keeping the audience guessing for a good while ? is there really something supernatural going on, is it some kind of creepy but human plot, or is it all in her head? Of course it's all revealed in the end, in a solidly scary, thrilling and well-executed finale. A classic it ain't, but it has a kind of workmanlike, reliable quality oozing out of every scene.

Robert Zemeckis's "What Lies Beneath," released in 2000, is a compelling blend of supernatural horror and suspenseful thriller. Anchored by stellar performances from Michelle Pfeiffer and Harrison Ford, the film delivers an atmospheric, spine-chilling experience despite a few plot contrivances.

"What Lies Beneath" centers on Claire Spencer (Michelle Pfeiffer), who starts experiencing strange occurrences in her Vermont home after her daughter leaves for college. Her husband, Norman (Harrison Ford), dismisses her fears as empty nest syndrome. But as the ghostly encounters escalate, Claire is pulled into a terrifying mystery that reveals shocking secrets about her life and marriage.

Michelle Pfeiffer's performance is the beating heart of the movie. As Claire, she expertly conveys a wide spectrum of emotions - from initial unease to sheer terror, and finally, desperate resolve. Pfeiffer's nuanced portrayal of a woman grappling with inexplicable supernatural events while also questioning her sanity keeps the viewers rooted in the narrative. Harrison Ford, diverging from his typical heroic roles, delivers a surprisingly subdued yet effective performance as the aloof and somewhat dismissive husband.

The film's strengths lie in its masterful build-up of suspense. Zemeckis, known for his work on films like "Back to the Future" and "Forrest Gump," shows a flair for creating an atmosphere of mounting dread. The use of slow, tension-filled sequences, chilling music score, and artful cinematography makes the most of the spooky New England setting, resulting in numerous effective jump scares.

However, "What Lies Beneath" does have its weaknesses. The plot relies heavily on some genre tropes and contrivances, with a few twists that may feel predictable for avid thriller or horror viewers. The pacing is uneven at times, with the film taking a while to get going, and some plot points feel somewhat rushed or underdeveloped.

The supernatural elements and the focus on character-driven tension give "What Lies Beneath" a Hitchcockian feel. However, the narrative doesn't always maintain this subtlety, occasionally veering into more conventional horror territory, especially towards the end.

In conclusion, "What Lies Beneath" is an engaging supernatural thriller that benefits from strong performances and a creepy, suspense-filled atmosphere. Despite some plot and pacing issues, it offers a gripping and occasionally terrifying viewing experience that will appeal to fans of the genre.

Robert Zemeckis, by dint of such phenomenally popular films as "Romancing the Stone," "Who Framed Roger Rabbit?," the "Back to the Future" trilogy, "Death Becomes Her," "Forrest Gump" and "Contact," was already a highly successful Hollywood director when, along with producers Steve Starkey and Jack Rapke, he formed the ImageMovers production company in 1998. As the company's first project, Zemeckis chose screenwriter Clark Gregg's "What Lies Beneath," a modern-day ghost story that, the director told his crew, he wished to bring to the screen as Alfred Hitchcock might have done, IF the Master of Suspense had had access to modern FX technology and computer graphics. (Never mind that none of Hitchcock's 54 films dealt with ghosts or the supernatural per se.) Filmed largely in the Lake Champlain region of Vermont, near Addison, during a hiatus from shooting "Cast Away," the resultant picture, released in July 2000, was still another significant feather in Zemeckis' already crowded hat, and, like those other films named, features impressive yet subtly integrated FX to complement a highly intriguing story. As both a horror film and an exercise in suspense, "What Lies Beneath" must be deemed a complete success.

In the picture, we meet an attractive, middle-aged couple, Norman and Claire Spencer, and indeed, as portrayed by Hollywood icons Harrison Ford and Michelle Pfeiffer, the Spencers might be one of the handsomest couples in the history of the horror film! Living as they do in a beautiful home overlooking a Vermont lake, the professional couple (Norman is a renowned geneticist; Claire, a retired cellist), although their only daughter has just left for college, would seem to have an enviable marriage. But before very long, weird occurrences begin in the newly "empty nest." Strange noises and whisperings, a broken picture frame, spectral reflections in the surface of the lake and (in perhaps the film's single scariest scene) bathtub water, all serve to convince Claire that the ghost of a young woman is haunting her abode...possibly the ghost of her new next-door neighbor, who Claire believes has been killed by her husband. But, as it turns out, the truth is considerably more complex, and the unraveling of this truth will go very far in unraveling the Spencers' marriage, too....

So, DOES "What Lies Beneath" strike the viewer as a Hitchcockian exercise, abetted by 21st century computer wizardry? I would have to say yes. There are any number of scenes that are undeniably scary or suspenseful, the most agonizing of which is the wonderful scene in which Claire lies paralyzed in a bathtub that is slowly being filled with water. Some of Alan Silvestri's score is reminiscent of Bernard Herrmann's classic music for "Psycho," while Claire's use of binoculars to spy on her neighbors at night cannot help but call to mind Jimmy Stewart in "Rear Window." Pfeiffer and Ford work well together and do have some screen chemistry; they make a credible couple, although Norman, as it turns out, might be one of the least sympathetic characters that Ford has ever essayed. For this viewer, however, the bulk of this picture's success must lie squarely with Pfeiffer, who appears in virtually every single scene and is simply terrific in all of them. Watching her in this film, in which she easily displays far more dramatic heft than her costar, and also reveals what an effective "scream queen" she can be, the viewer will most likely regret how few other horror vehicles Ms. Pfeiffer has appeared in. And really, besides 1994's "Wolf," I can think of no others, unless we stretch the point a bit and include 1987's "The Witches of Eastwick" and this past summer's horror comedy "Dark Shadows." One of the finest combinations of sensational looks and undeniable acting chops to this day (and Michelle is 54 as I write these words), she is quite simply one of the best we've got, and makes Claire Spencer and "What Lies Beneath" a character and a film to savor. The venerable "Leonard Maltin Movie Guide," apparently, does not concur in this assessment, concluding its lukewarm comments with the statement that the story "doesn't make sense." But the film DID make perfect sense to me...as long, that is, as one is willing to believe in spooks. And by the end of Zemeckis' highly effective film, most viewers, I have a feeling, will be uttering that famous line of the Cowardly Lion: "I DO believe in spooks, I DO believe in spooks, I do, I do, I do, I do, I DO believe in spooks...."

This is the most suspenseful thriller I have seen in the past year. As a refreshing change to more formulaic chillers, WLB takes its time to build the suspense. It is allowed to do this by virtue of Harrison Ford, and, especially, Michelle Pfeiffer, who, I feel, deserved an Oscar nomination for her convincing portrayal of a happy, but suddenly lonely, wife. It is just about as Hitchcockian as you can get, and I rate the bath sequence as gripping (pardon the pun) as taking a shower at the Bates Motel. The plot is thin and the action is played out sedately. Yet it seems perfectly timed in setting the mood of the whole piece. I particularly liked the music,and the supporting actress Diana Scarwid, whose lighthearted attitude during the seance scene made it all the more chilling. A perfect example of good film-making with only a slight plot. I am sure this movie will mature with age until it is rightfully regarded as a modern classic. Count the number of times you jump!

Zemeckis approaches a Hitchcockian style in 'What Lies Beneath'. The film itself is a sort of horror-chiller film. The story certainly is not original but while there is a ghost in the movie, Zemeckis also creates a very tense atmosphere relying purely on silence and simplistic sounds (like the wind blowing the door open etc) and cinematography. The camera-work is stupendous as it follows Michelle Pfeiffer (who is very much in every single shot). I particularly liked the shots in the house when the camera would move slowly (as though tiptoeing) with Pfeiffer's suspicious character.

Of course there are jump moments and twists which are usual in this genre but they're far from ridiculous. Some seem to be bothered with the Miranda Otto track arguing that it had little relevance to the main plot. However, this didn't bother me as much and it actually does make sense that Claire would believe her neighbour to be in trouble...(I'll refrain from giving out more spoilers).

Another high point of 'What Lies Beneath' is indeed Michelle Pfeiffer. I think this was her comeback film after she took a short break to take care of her children. From being a vulnerable housewife, who had been through an accident and is now lonely in the house since her daughter (with whom she was very close) moved to college campus and her husband works long hours, to a stronger woman who follows her instincts and discovers dark secrets that bring her to make difficult decisions, Pfeiffer's understated portrayal is amazing to say the least. I can't say much about Harrison Ford's role without hinting spoilers but he does a commendable job.

I enjoyed 'What Lies Beneath' much more during my second viewing than the first time (which was more than five years ago) but I think the main reason was that I was able to pay more attention to other parts of the movie other than just the story, such as the technical aspects (like camera-work and sound effects), and also see and enjoy the homage to so many classics (mostly Hitchcock's films). That is not to say that the story itself doesn't work. Quite the contrary because even though it's not exactly original, it is suspenseful and the events are well put together. 'What Lies Beneath' is an enjoyable chiller thriller with supernatural elements.