Tumbleweeds

I actually watched this film on Youtube, and it's yet another film that is extremely hard to find on DVD etc in my country, so it's basically a movie that no one has really seen. 'Tumbleweeds' got on my radar due to the Oscar nominated performance Janet McTeer, and that performance is exceedingly good and worthy of a nomination. Kimberly J. Brown who plays the daughter in this film is also worth mentioning as an excellent performance as essentially McTeer and Brown hold the movie together. This movie a mother/daughter bonding movie, directed by Gavin O'Connor (Warrior, The Accountant) who also has a role in the film. 'Tumbleweeds' feels like a low-budget TV movie with Gavin O'Connor yet to perfect his storytelling and craft, but the performances from the two leads hold this movie together. The mother is careless and the daughter is precocious yet they both prove to be realistic characters and mostly likeable. As someone pointed out the comparison to 'Anywhere But Here', which is of the same year and same ilk, 'Tumbleweeds' is the better film by a mile, simply because the characters are actually likeable.

'Tumbleweeds' is worth watching if you want to see Oscar-nominated performances or are into low-budget indie movies, or curious about where Gavin O'Connor started. Other than that, it's perfectly miss-able too! It simply not must-see though.

Considering it's budget and performances; ***½ out of *****!

Janet McTeer's multi-faceted performance makes this otherwise predictable character study a must-see for serious acting buffs. As a native Southerner, I have suffered through more hideous attempts at Southern accents than I care to remember, but McTeer nails the accent right down to the complicated vowel sounds and makes it seem utterly natural. The story runs out of gas in the final third, and the "Winnebago ex machina" element comes out of left field, but why quibble? McTeer is absolutely phenomenal, bringing far more complexity to the role than is written on the page.

Mary Jo Walker is constantly on the road. She moves from state to state as one relationship ends and she heads out looking for another. Her daughter is used to the unsettled lifestyle but starts to feel at home in her new school once she gets a lead role in the school play. Mary Jo gets herself a job and a new boyfriend, trucker Jack, however how long will it be before problems put her on the road again?

As a concept, this film lacks originality - the plot and the characters will be recognisable from other films, but that in itself is not a bad thing as nothing is ever totally unique (well, rarely). That said, this film still manages to be enjoyable and engaging thanks to a well written script that gives us characters and not caricatures combined with some very good performances to deliver them. The story relies heavily on the characters and this really does a good job of bringing those out to the strength of the film. It struggles towards the end with a bit of sentimentality that betrays what has gone before but mostly it is pretty true to itself.

The writing allows Mary Jo to be a complex character but yet one that we can understand and sympathise with even if we can't empathise. Likewise her relationship are real rather than just being one-dimensional - with Jack we can easily see the major problems between them but we can also see what drew them together. This works because the film has the cast to deliver these characters well. McTeer was Oscar nominated for this film and she deserved t hat at least. Her thunder was stolen a year or so later by Roberts' doing a similar performance but in a bigger film (thus more kudos). She is very good and she made the film. Brown is just as good and isn't the `cute kid' that can kill movies. Sanders has the worst role and he knows it - his white knight threatens the whole film but it is not his fault. O'Conner gets the triple by being good as Jack as well as doing the business with directing and writing.

Overall, I wasn't sure if I'd like this film as generally the genre doesn't always do it for me, but here the performances really bring a well written script to live. It doesn't quite know what to do with itself towards the end and risks it's integrity a bit but mostly it is very good and worth seeing.

The premise of a film about a mother and 12 year-old daughter on the road is not necessarily attractive to everyone. But this was a refreshing example of the genre, mainly because the director allowed character development. Mother and daughter have characteristics both endearing and infuriating (like all of us; something that Hollywood so often forgets) and, as a result, we're not forced to take sides with one against the other. Rather we find ourselves looking out for opportunities for them to both lead a more stable existence. Inevitably in a film of this nature there must be a great temptation to play on sentimentality and help boost Kleenex sales. But fortunately that doesn't happen; in fact the only tearful moment comes from one of the male characters recounting the loss of his wife. The two leads react well to each other, something which was essential for the film to work.

An entertaining approach to the genre for which the viewer doesn't have to suspend rationality.

The other review of this film misses the point entirely. There is indeed tension, of the emotional variety, between daughter and mother. The child is the adult and the adult is child-like. One always hopes for the mother to make the right decision, to turn her and her daughter's life around. The performances are of the highest caliber, as is the writing, and the direction complements both beautifully, never getting in the way of the simple story. Watch this with a parent, a son, a daughter...a rewarding viewing experience.