Der Schützengraben

Shot 99.9% INSIDE the trench to convey the sense of claustrophobia. It works. You can almost smell the trench. I personally think that the low budget style produced a happy bi-product rather than it being planned. Not a conventional war movie but a VERY British close up at the inter-personal relationships during WW1 before the Battle of The Somme. The youthful Paul Nicholls eminates a young 'duty to your country soldier' and in the alone-ness he fantasises over the memory of a young girl who merely served him with a stamp at his local post office. Loads of blood and guts and a particularly harrowing scene - almost subliminal - which works well as it ensures your brain remembers the real horrors of war at close quarters inside a trench. The usual chain of command reveals why delegation can sometimes disguise cowardice and fear. The film achieves its objective and portrays the awful waste of life.

Strangely this film has grown on me and I'm not sure why but still have a hate for it. The acting is fairly sound and it has some good moments but there isn't much feel for realism. For a start the trenches would have been infested with rats and lice and from what I've read about The Somme it seemed a lot more draumatic than what was portrayed in this film. It just looked too clean. The main hardship they had experienced was boredom, not relentless rain and the constant madness of bombardments. Also what was the point of capturing a German and then not interrogate him, but give him a fag and then let him go? Another wrong point is that the battalions would have been from the same region. Yeh, I'm being picky but why the scots were with southerners and northerners I don't know. The end of the film is the worst. Surely if there had been nights of endless shelling you'd expect to see some shell holes when going over the top? Could of had a nice picnic on that land. Shame, if the director had read more relevant books it could have been really good.

This movie is an unusual type of war movie. 99% of the movie is shot inside of this 8 foot wide, 600 mile long trench, filled with British soldiers just only becoming men. It has a sense of claustistiphobia, and itensity among young men that are practically scared to death about the world around them, and every little thing counts. This movie was very intense, and you couldn't take your eyes off it for a moment. 8.8 out of 10.

Who would choose to make their debut a WWI character piece set within the confines of one trench? For his first directorial effort William Boyd has not tried to run before he can walk, and Paul Nicholls in his first released feature plays a role he clearly empathises with.

The relative inexperience of Boyd is evident in the modesty of the production - no expensive effects, no epic locations - but that actually works well in this study of young men trying to cope with the unthinkable horror that characterised the World War One battlefield.

Cooped up for days in dreadful conditions, the various characters - the naive (Nicholls), the intellectual (D'Arcy), the objectionable (Dyer), the loveable fattie (Strachan) - at turns argue with and provide support for each other, but at the end of the day have to face almost certain death on their own and in their own way.

This is not a great film, it doesn't quite provide a strong enough focus to help you empathise with the characters, for the most part it feels like a filmed play, but as a film it is able to provide moments of real visual power such as the final scenes as the boys finally leave the trenches to face the German guns.

For those last few minutes, the realisation of what they are about to do hits you hard, you can really sense the terror that they must have felt.

Despite it's "theatrical" feel at times, and the constraints of its setting, this is a fine and evocative film, with an excellent cast. Paul Nicholls, Danny Dyer and James D'Arcy are not alone in giving faultless performances, but the star of the film must be Daniel Craig, who is superb as Sgt Winter, a man who has survived the battlefield once, but knows his luck is about to run out.

I am confident that I have never before started a review by complimenting the set designers. Comparing the vintage still photos of soldiers in World War I trenches shown at the beginning of the movie to the trenches in film itself, you can see that somebody with an eye for detail recreated the look of the trench and the costume designers did a good job with the men's uniforms. The bad news is that that is one of this movie's few strong points. For example, the view of no man's land (NML) - the ground between the opposing trenches - shows a green field. It should look like a brown, pock-marked wasteland, which has been captured in many other WW I movies.

The whole effect of "The Trench" is that of a filmed stage play. It could easily be transferred to the stage without losing much and maybe even gaining something. That is to say, the movie is not opened up much. Still, as a WW I buff, I enjoyed it.

The actors are good, and the outline of the story is illustrative of typical situations in the war. However, the specific dialogue might be a little too 1999 rather than 1916. The film does remind us that wars are fought by men who are still boys and concerned about the things young men are obsessed by.

One general situation that jumps out is the promise to the men that they would go into the enemy trenches after bombardment and after previous waves of a British attack and would not encounter any living enemy. (Mopping up, as my WW-II-veteran father called it.) But this was a typical false promise of the strategy used by both sides because the defenders would always cover themselves adequately so a majority would survive the bombardment, and they would almost always be able to get reinforcements into the trenches faster than attackers could make it across NML, and the preliminary bombardment would 1) warn the defenders an attack was coming and 2) chew up the ground making it harder for the attackers to cross, including merely rearranging the barbed wire instead of cutting through it. The result was that being the defender was always advantageous, and being the attacker was always disadvantageous in trench warfare. That's why most of the battle lines on the Western Front remained static for about four years.

I would recommend this movie as worth seeing for world war buffs and Daniel Craig fans, although it likely won't be anyone's favorite movie.