Joe the King - König der Außenseiter

This movie highlights the horrible effects a dysfunctional family life has on a child. Can we really blame juvenile delinquents for their actions? Or are they the product of their environment? Noah Fleiss did a sensitive portrayal of a boy trapped in impossible circumstances. Yet, remarkably so, he was a strong boy, able to withstand the stabs from his father and non-supportive mother, ultimately landing in very serious trouble for trying to do good.

At 15 I started working until midnight on school nights. I would catch up on my sleep during Algebra class. Hey, a kid has to prioritize. My parents never asked where I was, never really cared. I think they thought the PTA was the company that helped stranded motorists. I would walk home or take the bus so that my Dad would not show up at school driving his big heap and chain smoking in front of the other kids parents in their BMW's.School dances? no. Football games? no. Dates? no. The only time I would have interaction with the other students was when the jocks where kicking my ass because I had a goofy haircut. My teachers? I went to a public school with a bunch of rich brats. If there was any energy from the teachers I assure you it was not generated towards the poor kid with the fat lip and funny hair. And, so I reminisced on my teenage days while watching Joe the King. A kid who just can not win, no matter where his heart is. Mr. Whaley, you blew me away as an actor, but you have done it as a director and writer also. If Telly Savales were here today he would say, "You've come a long way baby." I have a new idol, I call him Frank.

In the past 24 hours I've read "The Body" then watched "Stand By Me"; read "Sleepers" then went to rent the film at a local store. I spent a good while searching for their one copy, then drifted to the comedy section to pick up something light for afters. Spying a film with Kilmer's name on the cover, I picked up "Joe The King", & wondered if Kilmer'd gone back to his comedy roots. Ha! The only thing funny is how some joker stashed this stale downer in the comedy section!

I popped in the video after finishing Sleepers and was amazed to find myself watching yet another decade of tortured boyhood. 50's, 60's, 70's, none of it fit in a "Happy Days" world. Now, thirty years on, and I wonder what horror stories the 80's and 90's have bred and who will get the funding to tell us all about it.

"Joe the King" doesn't quite work, for several reasons, least of which is the fact we can't really feel for him. Where are the likable characters? In every life, there are some, and films demand at least one or two. In this film, all the adults are mean or obtuse, oblivious to anyone but themselves. Whaley gave us stereotypes and the actors weren't challenged beyond them. John Leguizamo's character is a bright spot, but realism is blown by him not taking the kid's age into account. In real life he wouldnta talked to him like a balling, boozing buddy, the kid looks to be only 12 or so. Ethan Hawke could have made a difference if he had put in a little effort... showing his sandaled feet bypasses character development, implying warmth and understanding, but the gimmick is wasted by the flatness of his character. His not knowing what "pithy" means blows his credibility as an educated man in a position of power in a school. Gimme a break!

Some scenes are heavy-handed, some merely sketched. (And what is the deal with Kilmer's mega-elbow?? It is framed for viewing, so why?) The level of back talk and profanity is also wrong for the era. Kids mighta had filthy mouths with each other, but exchanges with adults would have left them dusting off their pants after a quick trip to the floor. The title is not explained, and there is nothing at all to suggest why Joe is a King. His peeing in the food makes scant sense when he doesn't even tell his brother about it to ease his suffering.

Music could have been a saving grace, but it is barely explored. This is a depressing film that may have exorcised somebody's demons, at least I hope it did. Basically, though, this film lacks respect, for its characters, its premise, and ultimately, for us.

Whenever I watch a film like Frank Whaley's Joe the King, it reminds me how grateful I am to have the family I have, the opportunities I have, the privileges I have, and the love had for me. After spending one-hundred minutes with a kid who has almost nothing, I think about myself, and how I have so much more than I can ever want, no so much about the tangible things, but the intangibles like unconditional love, incredible academic opportunities, and a whirlwind of support for what I do. Counting these blessings only becomes easier after witnessing a film like Joe the King.

The film stars Noah Fleiss as the titular character, a fourteen-year-old who has spent his life victim to physical and emotional abuse by his violent, alcoholic father Bob (Val Kilmer) and his short-tempered mother Theresa (Karen Young), who doesn't make up for the lack of attention brought on by his father. Joe's brother is rather kind to Joe, never threatening or unnecessarily assertive, but still lacks that kind of warmth and love that Joe desperately needs in his life. Taunted by his classmates because his father works as a janitor, harassed by drug dealers who are threatening his life because his father won't pay his debts, and left to his own devices, Joe takes on a quiet life of crime, conducting petty heists and stealing from local residents in order to obtain the money he needs. Unlike most kids his age, Joe has a job, which is a cook and bus-boy in a sketchy restaurant. Joe works to buy his mother all the vinyls his father trashed in a drunken rage, while also trying to keep his criminal profile as subtle as it can be without him getting caught.

The idea behind Joe the King is incredibly intriguing, focusing on a young boy who, through all the abuse and neglect, still loves and deeply cares for his parents, which is a rarity in these kinds of films. Normally, we see a young boy or girl hating their parents for putting them under these conditions, which is very understandable. However, Joe's desire to help his dad out personally and repay his mother for something he had no involvement in makes Joe the King unique in the department of coming of age films.

Fleiss is great as Joe, clearly possessing the traits of an actor who can show no emotion or a lot of it, depending on what the scene calls for. Assisted by the likes of Kilmer and Young, he can really do no wrong, showing what life is like being a young boy with little to rely on and no one to trust. Even his guidance counselor (Ethan Hawke) bears a frustrating emptiness in Joe's mind, really proving to himself that he can't trust anyone and only has himself to rely on.

The only issue with the writing (done by Whaley himself) is that the film spends too much time on Joe, so much so that the supporting characters in his life are subtly developed and only given vague and rather broad stereotypes to work off of. Because of this, no one besides Joe really receives development in the film and that's an issue for a film looking to develop multiple different characters in multiple different situations.

Despite this, Whaley overcomes the film's largest task, which is make a character who does wrong, morally reprehensible things sympathetic and emotionally honest, a feat that remains consistent throughout the film. Whaley treads a fine line between committing contemptible actions as a poor, loathsome character and having sympathy for the offender nicely, making Joe a surprisingly sympathetic soul throughout the entire film. Consistently we recognize that he is a good soul doing bad things in order to stay moderately afloat, which is what makes the film strong and stable.

With three directorial efforts under his belt, and a fourth one on the way, Whaley proves that he enjoys glaringly flawed characters, who consistently try to do good by doing bad, which immediately makes for an intriguing story. Lifted up by fantastic performances by everyone involved and a biting, almost unshakeable amount of emotional leverage, Joe the King is equal parts upsetting as it is moving, which, for a first time director, is difficult to achieve. However, Whaley handles the challenge like a true directing veteran.

Starring: Noah Fleiss, Val Kilmer, Karen Young, and Ethan Hawke. Directed by: Frank Whaley.

My second favorite genre of movies to watch are coming of age movies. This is one of the best I've seen since Stand By Me. There are few other films similar that I'm going to revisit again soon.

All of the actors/characters are great in this. Val Kilmer did a really good job playing an abusive father. Noah Fleiss (Joe) was amazing in this. He was very believable. I actually felt bad for him throughout the movie.

When Ethan Hawke came in, I was hoping that he'd help Joe turn his life around and adopt him and his brother. But what we got is just as good. The mother who was played by Karen Young was great in this as well. And of course Joe's brother Mike, who was also really good in this!

The ending was good and well written. Although, this is definitely one of those movies that could have been longer. I would have liked to have seen what happens to Joe in the juvenile facility and after his six months is up.



The negatives: 1. Joe's friend Ray kind of bugged me a few times. And 2. It needed to be much longer.

Overall, really good film. I highly recommend it! The next coming of age film I plan on reviewing is "King Jack". I will then make a list of the coming of age films I've seen ranked.