The Art of War

Wesley Snipes is back better than ever in "The Art Of War," a movie that is so good it deserves to be among the top ten of the summer.

There are many reasons why I enjoyed "The Art Of War." The first reason was the supporting cast. When I first saw Donald Sutherland in this movie, I knew it would be a thing of beauty. He brought great credibility as he made a good movie, that much better. Anne Archer is one actress you can always count on to give a good performance.

"The Art Of War" turned out to be a montage of "The Fugitive" series and "Enemy Of The State." While this is the only negative thing about this film, it didn't deter me from enjoying it to my heart's content.

There are many other things about "The Art Of War" such as the high-tech wizadry and action-filled sequences that were very enjoyable. However, the best thing about this film was the storyline. "The Art Of War" had beautiful twists toward the end of the film. In addition, there are scenes in this movie that are so good they must be seen to believe they are that good.

In this tale of betrayal and conspiracy, secret agent Neil Shaw (Wesley Snipes) finds himself framed for the murder of the UN Chinese Ambassador. What follows soon after is a palate of action sequences that are easy to the eyes and references to real-world politics, though sometimes far-fetched.

The story is okay, but it could have been so much more. They should have focused more on the crumbling relationship between the US and China as shown in the film, with a lot of truth mixed in. But alas, they had to add in some predictably cheesy plot twists to make it more "audience friendly". The action sequences, although well filmed, looks lost in this film. And there are some obvious plot holes here.

Actors are average. Snipes gives his usual action-hero persona we've seen in "Murder at 1600". Marie Matiko is gorgeous with her sultry eyes and accent, and gives a good performance, making her not just eye candy. Donald Sutherland, although brief, gives the best performance in the film as the Secretary of Defense, but I think he needed more screen time. Anne Archer is also quite good in her role, as Shaw's head Hooks.

Direction wise, Christian Duguay did the job. His direction is gripping. The music by Normand Corbeil suits the atmosphere of the film, and is not cheesy or overblown. The editing is fast.

In short, it could have been an intelligent thriller, but it opted for the easy way out, filled with clichés, plot holes and a lot of action. The latter I can live with but the former two needs some corrections. Still, it's not bad. Not bad at all.

Entertainment: 7

Overall: 6

First off the technical aspects of this movie were superior in every sense. The sound, the editing, the camera work, all of it was fantastic and made this an enjoyable treat.

You have to enjoy all that because, with the exception of Donald Sutherland who is always on, the acting isn't there. Wesley Snipes is one of my favorite actions heroes, but we all know that action heroes can't act. Well, maybe Bruce Willis is the exception. But for an action hero, Wesley is great and does a great job here - for an action hero.

And, hey, Marie Matiko was easy on the eyes.

If you liked Enemy of the State, you will like this movie.

In "The Art of War", Snipes plays a UN deep-cover operative whose cover is compromised. Though the film features plenty of stunts, chases, crashes, shootouts, fights, and pyrotechnics mixed with a typically convoluted spy-type plot, we've seen better of all in other films. The flick does have a female protagonist but there's little romance or sexiness in this flick which lacks the spit and polish of Bond films and seems to be begging for something more than just a lot of busy heroics and magical futuristic microelectronic snoop stuff. Ok but far from Snipes better films.

THE ART OF WAR / (2000) ** (out of four)

By Blake French:

The Art of War refers to an ancient handbook by a mighty Asian general named Sun Tsu, who hypothesized that wars can be won without physical combat. Numerous powerful leaders, including Napoleon, defeated their enemies by using the ideas of Sun Tsu. According to the action flick "The Art of War," Tsu's theories apply to the world of business and politics as they do to war.

"It's about strategy, manipulation and control, all the way through," says director Christian Duguay, whose credits include TV's "Joan of Arc," and "The Assignment." "The whole film is based on the theme of manipulation and the idea that things are not what they appear. That's what I think makes this film very unique and exciting."

Or how about confusing and hard to follow, better words to describe what Christian calls "one character manipulating the other, who is manipulating still another." The production notes inform us on the ancient techniques and strategy of manipulation, but "The Art of War" is not the movie to justify those principles. After half a dozen plot twists, even more action sequences, and probably more hidden character motives, this film becomes exactly what Tsu condemned: the actual fighting of war. There's enough action in this movie to classify it as a mixture of material arts and a James Bond, but after one perplexing situation after another, we simply toss our arms and stop caring altogether.

Instead of a plot description, let's examine the sources of this movie's recycled story. First, we get a man who is wrongfully accused for a murder he did not commit. In a strike of luck and personal investigation, he gets the chance to prove himself innocent after escaping from the police during a transportation accident. Yes, that sounds like "The Fugitive." Now throw in the film's follow up "U.S. Marshals," about an accused government agent using his insider knowledge while an Asian thug tracks him down. Combine the two similar plots and you get something like "The Art of War," straight from the recycling plant to your personal viewing pleasure.

Working with a forty-million dollar budget, Snipes himself performs many of his own stunts and combat sequences. The film does offer some exciting, if conventional, action sequences, but I wanted a smart plot about political tactics and clever espionage, not run-of-the-mill action. Anne Archer and Maury Chaykin contribute effective performances as the villains, and Snipes does good things with his character. But the plot just doesn't work. It houses too many characters, too many plot complications, and too much technical government stuff. "The Art of War" is pretty much an unimaginative telling of a tale we've already heard.