American Beauty

The intention is so clear that everything else falls into place, perfectly. Kevin Spacey's suburban husband and father reminded me of his character in "The Ref" and that could only be a good thing. Annette Bening and her giggle works wonders here. Their marriage is a tabloid version of a "Who's Afraid To Virginia Woolf" Which means very close to someone we know. The biggest surprises in the film. besides the amazing dexterity of Sam Mendes at his first outing behind the camera, are West Bentley. Chris Cooper, Thora Brch and Allison Janney. As I'm writing this 8 years after its first release, the Oscars and the whole hullabaloo, I'm very surprised that West Bentley hasn't become a major star. He is amazing in "American Beauty" the complexities of his character are based on recognizable human stands, the hardest to face up to and I went where he went. Thora Birch is lovely as the object of his attention and the film, I believe, is here to say.

This is by far one of the best, if not THE, movies of the 90's. "American Beauty" stole my vote immediately as I started watching it. The idea and concept of "American Beauty" is just some ordinary people on an ordinary block with ordinary lives.

Kevin Spacey plays Lester Burnam, a middle aged married man who has lost some hope in life. He has a job that is degrading, a wife who refuses to show any type of loving emotion towards him, a daughter who practically hates herself, and is judged constantly as a looser. But all of a sudden, he sees his daughter's friend, Angela, and something snaps in him to do something with his life. He quits his job and takes, the dreaded by most Americans, a fast food cook job. He starts working out and doing some illegal substances. Even though this sounds like he is ruining his life, it actually helps him and makes him realize how much he loves "the precious moments in his stupid little life." You have no idea what he is talking about I'm sure, but don't worry, you will some day. Kevin Spacey was by far the best actor in 1999 and deserved this Oscar 100%.

Annete Benning plays Carol Burnam, Lester's wife. She is a very fake and unsuccessful real estate agent who cannot get a sale. Her image in life is "in order to be successful, one most project an image of success at all times". You can tell, she is not happy with her marriage and starts to have an affair with the big boss of the real estate company. Again, seems horrible, but it helps her in the end. Annete was unfortunately robbed of an Oscar for this film.

The supporting cast: Thora Birtch who plays Janie, Lester and Carol's daughter, is extremely depressed and hates her body and herself. But when she notices a strange boy next door and develops a relationship with him, she realizes how precious life is and starts communicating with her family. Mena Suvari plays Angela, Janie's best friend, Lester's crush, and a girl who is clearly insecure despite her attempts at showing her sexy side to every guy in town. Wes Bentley plays Ricky, the next door neighbor boy who looks at something as simple as a bag being tossed in the wind as something beautiful. Some say that this was a very stupid scene, but I disagree. His dialog was perfect and made us look twice at something so simple. He won most of our hearts despite having somewhat of an arrogant attitude. Wes without a doubt got robbed of a nomination for this movie. Chris Cooper plays Ricky's father, Col. Frank Fits. He is a military Sergent who is very abusive to his wife and son and is an obvious homophobic that turns into an ironic situation in the end. Chris also should've been nominated.

The most stunning character actually to me was Allison Janney who played Barbara Fits, Ricky's mom, and Frank's wife. She was so beautiful and perfect. Her scene in the front room with Frank and Ricky, everything is so quite, and she says "I'm sorry, what?". Ricky says "Mom, no one said anything". When Ricky gets kicked out by Frank after a horrible accusation, Ricky says "Mom, I'm leaving". Instead of being like the average mom and trying to stop him or say things will get better, she knows this is best and says "OK. Wear a raincoat". Allison was just amazing and didn't get enough credit for her role.

If there could have been nominations for every role in this movie, they were well deserved. This is a terrific movie that should be watched by every adult. It'll make you look again at your life and think. What a great movie.

10/10

What can I say, except that this film really knocked me on my keaster. I went in to the theater not knowing what to expect, but was pretty sure it would be worth the ticket price. Boy was I happy when I left. Not only was it worth the ticket, I paid to see this film two more times. This film is virtually perfect. The acting is superb, the story is magnificent, the narrative is brilliant, and the structure of the film is truly groundbreaking (absolutely loved the last 20 minutes). What really surprised me about this film was how well the cinematography was done. In a small, character driven film such as this, it is very unusual to have such great cinematography. With this film, there is something interesting going on in every scene, not many films you can say that about. In a year where first time directors have made some of the best films, Three Kings, Being John Malkovich, etc... Sam Mendes seems to have out-done them all. Though I have yet to see The Green Mile or Magnolia, I find it hard to believe that either film will out-shine American Beauty. This film should easily win a substantial amount of the Oscars this year. What's up with all the cirtics awards snubbing it so far?

When I first saw this movie in theaters, I found it to be very funny. When I rented it at home, I found it to be very sad and complex. Looking at it now, I realize that it is surely one of the most extraordinary films ever to come out of Hollywood. To some it may look trite or cliched, or maybe too un-ordinary to be worthy of its praise, but the overall impact of this film is extremely powerful. After you've seen it, you know you've seen something.

A few notable elements stand out. The direction is superb; this is visually a superior film, for the director understands the subtle changes in tone. The writing is equally compelling; the story effortlessly interweaves multiple stories to create one amazing movie. The haunting music is also notable. Lastly is the acting. Kevin Spacey has done excellent films before, and he can add this one to the list. He may be a little to witty to suggest the overshadowed character he portrays, but he simply disappears into the role. Annette Bening is also fine; a less strong role, but she is magnificent none the less. As the teenagers, Thora Birch is able to mesmerize us with one intense look; her "typical teenager" role is fleshed out completely. I enjoyed Mena Suvari's character equally. It seemed that she did not receive as much acclaim, but her performance evokes both innocence and experience, and her scenes toward the end give her a depth unlike any other character. And Wes Bentley, as the video-taping boy next door, is easily the most original character. At first he seems a little tense, but, like Spacey, he sinks into the role. His "purpose" in the film, unlike anyone else's, is a mystery, thus making him the most enigmatic person.

Most films are able to make a lasting impression on its audience, but never has a movie been known to "move" its viewers as much as this movie. It truly says something about life, no matter how predictable or tacky it appears, this film disturbingly shows us how to appreciate our individual lives, so therefore, when they are over, we each have something to remember.

"American Beauty" is tour de force cinema. Sam Mendes' brilliant debut feature depicts a web of characters who yearn for their own 'American Dream' - yet, in the end, only one character truly attains it.

Having seen "Happiness" only recently, I could not help but draw comparisons: both films centre around a microcosm of society in which the people, in their own unique way, all strive to be successful or simply 'happy'. But here the similarities end: the characters in "Happiness" undergo a self-realisation process through which they become increasingly aware of their meaningless existence, and go on to wallow in their own depravity. "Happiness" shows no signs of redemption; whereas in "American Beauty" the audience is offered a sense of hope, of salvation, though the characters must endure a similar fate, or more accurately, they must endure the way of life in which they are trapped.

The pivotal character upon which this theme centres, is the father Lester, played impeccably by Kevin Spacey. He is presented to us as a bit of a loser who plays the subjugated figure in the home and at work. He appears resigned to an unhappy life in which he is treated badly by his wife and daughter and his boss at work. Seemingly beyond redemption, Lester transforms from being a loser.

Mendes portrays this transformation admirably well: he shows Lester on his 'path to enlightenment' pushed up against a grim background of suburbanite existence. These early scenes are well balanced, forming a steady rhythm of TV commercial-like vignettes which prove very comical, if at times unsettling. As Lester reflects in the film: "My life is like a commercial". And how this rings true: like in "Happiness", all the characters hide underneath this veneer of normality and respectability, yet they are all revealed to be nothing but the opposite: depressed, depraved and desperate.

Lester's wife, played by Annette Benning, is the most success-driven character in the story which renders her the most hopeless in the film's tone of moral conviction. "In order to be successful in life one must project the appearance of success" is the maxim she adopts from the 'king' of real estate, Buddy King. It is a phrase which resonates throughout the film: for Benning's pawn, life is all about keeping-up appearances. This is where Lester differs from her: his emancipation is enabled by him discarding the constraints of 'normal life' and following what his heart desires.

Lester is the catalyst in this narrative in which the ancillary characters either follow suit (as does his daughter and Ricky) or pay the price (as does his wife and the Colonel). The irony inherent in this film, and it grows with resonance as the film draws to a conclusion, is that the only character who truly becomes free must sacrifice everything in order to achieve it. Yet it is through his sacrifice that he is able to afford the surviving characters a glimpse of hope in life.

This film left me gasping for air: its hyper-realism conveys, at the same time, a portrait of the suburban comedy, a jolting-shock of realisation, and a cathartic sense of hope. Mendes depicts a certain people who, to varying degrees, all strive for a certain 'American Dream', yet so few actually attain it. Though whilst one may have difficulty with tagging this film with the 'feel good' label, the beauty of "American Beauty" is that it sits half-way between a desperate cry for help and a reassuring sense of happiness and fulfilment and that is cinema at its best.