IMDb-BEWERTUNG
6,9/10
2728
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe events of the 1960s affect the lives of two families, one white and one black.The events of the 1960s affect the lives of two families, one white and one black.The events of the 1960s affect the lives of two families, one white and one black.
- Für 3 Primetime Emmys nominiert
- 2 Gewinne & 10 Nominierungen insgesamt
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As a 17 year old who gets to always hear about the 60s second-hand this movie "took" me to the 60s. I really liked that all the kids in the Herily (sp?) family encompassed many of the kids of that time. One was a Vietnam vet, one an activist against the war, and one a hippie who ends up at Haight-Ashbury and the Hog Farm. From what I have heard this movie is very accurate and even noted the date and year of an event. The black family was great and the idea that they participated in the sit-ins and Freedom marches, and then to live in Watts, LA during the Watts riots was a great idea. I thought the climax was a great mixture of events that took place in 1965. I know there were a lot of stereotypes, but how else would we learn about the 60s with out a movie that encompassed all the feelings, looks, and ideas of the time. I loved the music but was upset that only one song was on there by The Beatles. Obviously, they forgot what an impact the Beatles had on the American culture and leaving it out was a mistake. All the other music was GREAT and I love the song by Bob Dylan and Joan Osbourne. All in all this movie was great. And I hate that people say there was too much romance and love, but hey, it was the 60s. Sex and drugs was a prominent thing in that era. You can't forget it. I give it a 9.5/10, for leaving the Beatles out.
oh ya, I was there and can vouch for the veracity of many of the scenes in this series. My background was that of a naive shy geeky type and it took me a long time to come to terms with what happened during the 60s. A time of very rapid and huge social change. The course of the decade is mirrored in the story presented in this excellent representation. The remnants of the bobbysoxer era gave way to some pretty horrid psychedelic tunes but then Jimi Hendrix hit the air waves. His legacy will in 200 years be similar to Amadeus Mozart: they both revolutionized music, lived on the edge, died young and broke. The difference is we have Jimi's live recordings and know his resting place. The characters then undergo some defining moments, and the war in southeast Asia spills over. The end of the film was rather abrupt and bewildering, same goes for that decade. I was there when the hippie era ended in a similar fashion.
Plausibility of this story ranges from dead on to highly unlikely. But you have to remember the hippie era was partly based on a lot of media hype and voyeurism. This range of views is correctly portrayed.
Julia Stiles was uniquely outstanding in her role as the wayward daughter who struggles against the downside of a society that in some cases was determined to devour its young. I too was kicked out of the house at a young age but I deserved it having chosen to sport long hair and argue with my parents at every opportunity. Fortunately I had a job at the time and all was forgiven eventually. Gee, thats exactly what happens in this movie. Its no wonder Ms Stiles has gone on to many more film projects and I hope to see her in roles that extend her talent.
Out of all the portrayals I have seen of that period, 'The 60s' is the most accurate. I was there, I should know. I even lived in a hippie house the summer of 1970. It was a farm house converted to a non-denominational church and some teens from around Canada and one chap from Jamaica were there on an exchange program. Music, motorcycles, pot, hitch-hikers, stern faced members of the establishment, oh ya, I had some flashbacks watching this one.
You can look back but you can never go back.
Plausibility of this story ranges from dead on to highly unlikely. But you have to remember the hippie era was partly based on a lot of media hype and voyeurism. This range of views is correctly portrayed.
Julia Stiles was uniquely outstanding in her role as the wayward daughter who struggles against the downside of a society that in some cases was determined to devour its young. I too was kicked out of the house at a young age but I deserved it having chosen to sport long hair and argue with my parents at every opportunity. Fortunately I had a job at the time and all was forgiven eventually. Gee, thats exactly what happens in this movie. Its no wonder Ms Stiles has gone on to many more film projects and I hope to see her in roles that extend her talent.
Out of all the portrayals I have seen of that period, 'The 60s' is the most accurate. I was there, I should know. I even lived in a hippie house the summer of 1970. It was a farm house converted to a non-denominational church and some teens from around Canada and one chap from Jamaica were there on an exchange program. Music, motorcycles, pot, hitch-hikers, stern faced members of the establishment, oh ya, I had some flashbacks watching this one.
You can look back but you can never go back.
I enjoyed the plot, The cast did a great job. If you ever seen Woodstock. This is in your ball park. The soundtrack is just as good as the movie. Julia Stiles proves that she is a great actress, Jerry O'Connell once again has proven his talent as an actor. This is one not to miss. If you did you wish you hadn't.
This mini-series did an excellent job of portraying the sixties, with a minimum of exaggeration and a fairly even-handed presentation of the differing sides. It did far better than Forrest Gump in this respect. I have shown it to my children, so that they can see this historical period more vividly than just by reading a book in school. I thought it was extremely well done, and I can't understand why there is so little information given for it (cast, crew, etc.). It would be nice to know who played what...
I never actually thought anything could make me understand the police brutality that occurred during the Democratic Convention in 1968 in Chicago, but this one sure comes close. The awful human beings that rioted in the public parks, with their whining and their complaining and their drug use and violence seemed richly deserving of the things they got.
If this movie is worth anything, it's instructive as to how history can be distorted to suit a particular kind of political and cultural agenda. It is very sympathetic to those for which little sympathy is deserved. It suits those who actually make these movies to try and justify the things that they largely did during the past, even thought the rest of the country didn't.
The heroes of the movie end up being the villains, and those who grew up in luxury and refused responsibility or respect end up being the applauded. It's utterly mystifying.
The characters involved here are cardboard, with high school drama dropouts as their creators. It's undeniably hard to create a movie that can depict and entire decade and its spirit, but this one not only fails, but seems like it's not even trying. Play some sixties rock music, show a menagerie of hippies, a melange of pot smoke, and a montage of video clips from a truly tortuous time.
Take the advice of the insightful reviewer previously and read up on what happened during this time, the real events, the real issues. Bobby Kennedy wasn't a saint (he's actually the one who ordered Martin Luther King to be bugged while he entertained prostitutes), and Barry Goldwater wasn't the devil, nor the reverse--but it's hardly the way the makers of this swill would have people believe.
If this movie is worth anything, it's instructive as to how history can be distorted to suit a particular kind of political and cultural agenda. It is very sympathetic to those for which little sympathy is deserved. It suits those who actually make these movies to try and justify the things that they largely did during the past, even thought the rest of the country didn't.
The heroes of the movie end up being the villains, and those who grew up in luxury and refused responsibility or respect end up being the applauded. It's utterly mystifying.
The characters involved here are cardboard, with high school drama dropouts as their creators. It's undeniably hard to create a movie that can depict and entire decade and its spirit, but this one not only fails, but seems like it's not even trying. Play some sixties rock music, show a menagerie of hippies, a melange of pot smoke, and a montage of video clips from a truly tortuous time.
Take the advice of the insightful reviewer previously and read up on what happened during this time, the real events, the real issues. Bobby Kennedy wasn't a saint (he's actually the one who ordered Martin Luther King to be bugged while he entertained prostitutes), and Barry Goldwater wasn't the devil, nor the reverse--but it's hardly the way the makers of this swill would have people believe.
Wusstest du schon
- WissenswertesActors Donovan Leitch Jr. and Carnie Wilson are the respective children of musicians Donovan and The Beach Boys' singer and composer Brian Wilson, both of whom are heard in the soundtrack. Jason Nesmith, son of ex-Monkee Michael Nesmith, also appears.
- PatzerBrian tries to get another man to buy him a beer, saying that he is not old enough to do so. The drinking age in Illinois in 1962 was 18 and Brian would have to be at least that to enlist in the military then.
- Zitate
Bill Herlihy: Are you still my baby?
Katie Herlihy: No, dad, I grew up. But I am still your daughter.
- Alternative VersionenA scene where Katie and her friends gathered in front of her television to watch The Beatles performance on the Ed Sullivan show was originally shown in NBC's first broadcast of the mini-series but ended up getting cut out of all the home video versions of the film (including NBC's own 2 tape set which could only be ordered straight from the network). The scene is also missing from later presentations of the film on networks such as VH1. In the scene Katie and her friends sit on the floor in front of the television and scream in delight at the sight of The Beatles while Katie's brother, Michael, sits behind them secretly trying to brush his hair down so that he can look like the famous quartet.
- VerbindungenFeatured in The 51st Annual Primetime Emmy Awards (1999)
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- Redlands, Kalifornien, USA(Columbia campus scenes)
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