Inside the Actors Studio

"Inside the Actors Studio" is considered a television series but to me it is an acting class taught by the best actors in the world. Some of the guests: actors, directors, are members of Actors Studio, which is a school that offers training in both Alexander and Feldenkrais body technique, speech, and Linklater voice technique. The School has a training program for actors that gives equal value to Stanislavski and Strasger-based training. In the series the guests talk about their own views on acting techniques such as Lee Strasberg, Stella Adler methods. One of the productions companies is called "In the Moment Productions" meaning another technique, if you will, of acting from "moment to moment". We have recorded most of the shows and have enjoyed the tapes very much. I think that James Lipton (The Guiding Light) does such an incredible amount of research into the life of each guest that is fascinating to see how the actors react about this guy who knows all about them. Another plus for these wonderful acting classes is that one can see the guests as people working really hard on their craft, and not mere humans who make an enormous amount of money. I highly recommend the show, specially for people who are interested in the business, because television can be a wonderful teaching tool. Those who are not interested in the acting business will enjoy an interviewer who is really well prepared and knows what he is talking about. I wish all interviewers would pursue the James Lipton interviewing method. That is what I call quality entertainment. Bravo!

Inside the Actors Studio is a show that airs on Bravo and hosted by James Lipton. It's a TV show but is also used as a teaching class for prospective actors and directors learning their craft at Pace University in New York City.

The show gives you a far more in-depth interview with famous actors/actresses about their careers from start to present day and what lead them to be where they are today. This isn't your pre-interviewed talk show interviews with actors where they're just using it to promote their most recent project and then also some trivial funny thing that happened in their day to fill time. You can really get in the head of the actors and see what their motivations for a particular role were.

At the end of the show the actors get to take questions from the audience of students and in a way become a teacher to them.

One of the most informative shows on television right now. It allows actors, directors and writers to express their craft to the geniuses of tomorrow. James Lipton should also be commended for the large amount of time and work he puts

into the research of every guest that has visited the studio from Paul Newman to Sidney Lumet to Robert DeNiro. It's an important show that deserves to be honored.

I've been watching this series for several years. When it's good, it's really good, and when it is bad, it is still usually interesting. The best shows, in my opinion, are those from very experienced top-dog actors and directors, but "lesser" actors usually have interesting things to say too. My favorite shows were those that featured Stanley Donen, Norman Jewison, Mike Nichols, Spike Lee, Ron Howard, Anthony Hopkins, Matt Dillon, Meryl Streep and Gary Sinise. These interviewees really let you into their working process and career history without a lot of bloated self-importance. When the interviewees don't say much: "Duh, I don't know," act too cool, or start waxing philosophical about dumb movies, then it can be pretty dull. Worse is when guests like Robin Williams agree to be on the show and then don't cooperate with the format, turning it into an opportunity to show off. It doesn't happen often, but it grates when it does. James Lipton is ideal as the very knowledgeable but groveling sycophantic host, and he seems to relish playing the part. At least he is consistent in his praise (over overpraise) of every guest equally, whether they have had a 10 year or 60 year career. He doesn't focus on flops or bad reviews, so the guests aren't defensive, and on balance, that's probably the best way to do it. It's clear that he just loves the business. My favorite part is when he reads some question from his stack of blue cards that shows he has REALLY done is his research, often stunning and amusing the interviewee. I've heard more than one person say, "Where did you get THAT?" or "Have you been speaking to my mother/therapist?" I usually turn it off when the students get up to ask their questions because often they are too fawning and embarrassing.

I can sit in my living room yet feel like an audience member learning from this show. Here, the interviewed actor/director/writer feels liberated enough to reveal a relaxed side of themselves: There's always a golden nugget of info the actor shares with us. Actors should watch this with a pad and pen ready for note-taking. I don't know about the general public, but most aspiring/struggling/starving/working/professional actors who watch this show will toss away the idea of attending seminars to absorb the info being spilled here. Why read a book on acting when you can hear Julianne Moore talk about how she approaches a roll? Most viewers have their favorite interview: The best actors are the most educational ones while the rest are entertaining. I like James Lipton's approach to the actors. How else can he get the actors to relax and spill their guts? If I want hard-hitting journalism, I'll watch 20/20 for that. All I want is more info on what could make me a stronger performer, not this person's sexual preference or how many times they've checked into rehab: I'm not interested in the gossip and I'm thankful this show isn't about that.