Füge eine Handlung in deiner Sprache hinzuBittersweet Motel is a documentary about the popular rock band Phish. The film focuses on Phish's music, with little emphasis on their die-hard fan base.Bittersweet Motel is a documentary about the popular rock band Phish. The film focuses on Phish's music, with little emphasis on their die-hard fan base.Bittersweet Motel is a documentary about the popular rock band Phish. The film focuses on Phish's music, with little emphasis on their die-hard fan base.
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This thing is worth buying for the killer NYE and Great Went footage alone.
The footage was shot at different venues on their American and European tour. It includes live performances and candid backstage action as well as home movie style fun off stage and personal interviews about their music. A lot of the film is lighthearted, not because the subject isn't taken seriously but because these guys are just fun people. There are plenty of parts which will make you laugh out loud.
Todd Phillips wisely keeps the focus on the band and their music and doesn't focus much attention on the horde of fans which follow the band from show to show. A lot of media coverage often centers around their fans, so it is refreshing to see more of an emphasis on the music and the guys that create it. There are many candid scenes of them discussing their music, whether it be criticizing or praising a set minutes after leaving the stage or analyzing a song. We are also given a peek at the band on a smaller backstage setup rehearsing songs right before going on stage to perform them.
The only complaint that I have about the film is that much of the coverage centers around Trey Anastasio, the lead singer and guitarist. While this was interesting and entertaining, I would've liked to have seen more of a balance of coverage of the other band members in interviews. To Todd Phillips credit, the lack of balance may be because of their shyness or disinterest in the making of the film. Trey was obviously a lot more out-going and enthusiastic about appearing on camera than the other band members.
As a fan, I believe this film discusses things that fans have always wondered about. This documentary is exactly what many fans have wanted to see for years. Whether this film will appeal to non-fans, I don't know. But I don't think they will watch it anyway.
That aside, though, I enjoyed the live concert footage (nice that the filmmakers chose to play most of the songs all the way through, instead of providing lots of mere snippets), the backstage banter (a lot of it gut-wrenchingly funny, at least to me) and the coverage of the group's much ballyhooed European tour. Especially liked that the band had fun with the fact that a documentary was being made of them--gotta love the staged "accidental" fellatio going on behind closed doors--despite the fact that they obviously weren't always thrilled to have a camera crew tailing their every move. One caveat: wish Trey hadn't been such a primary focus. I mean, he's entertaining, but so are the other guys.
The editing isn't fabulous, but it's good enough.
One more thing: Even if you're not a "phan," you'll probably enjoy this film. You may even develop an undiscovered appreciation for Phish's evident creative talent, sense of humor and impressive musical chops. My husband had no real love for Phish before seeing this, and still doesn't really, but was glad he saw it nonetheless. As for folks who dig the band, this documentary is a real gem you'll probably want to get on video when it's released.
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Trey Anastasio: I think as long as your intention is pure, and you know what you're in it for, then you're alright. And I'm in it because I enjoy it. I take it seriously... real seriously. I mean I could sit and talk all day about the music. But I take it seriously because it gets me off. So the more I take it seriously, you know, practicing and stuff like that, the more I get off.
- VerbindungenReferences Pumping Iron (1977)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Сладостно-горький мотель
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Box Office
- Bruttoertrag in den USA und Kanada
- 391.653 $
- Eröffnungswochenende in den USA und in Kanada
- 38.454 $
- 27. Aug. 2000
- Weltweiter Bruttoertrag
- 391.653 $
- Laufzeit1 Stunde 22 Minuten
- Farbe