Muertos de risa

"Muertos De Risa" had such a lot going for it, it's hard to see exactly how director, cast and crew could make such a stupendously stupid film. Yet somehow, through colossal ignorance of what makes a decent movie, sheer bad luck or a complete lack of talent, Alex De Iglesia's supposed laughfest offers little more than a bewildered titter at the point of the thing.

The thing was, I went in with such high hopes. The poster looks good, I was in the mood for a knockabout screwball comedy, and I had been busy defending this type of movie to my Spanish friends (who clearly aren't too impressed with this genre - see "El Milagro De P.Tinto"), and I was looking forward to a nice seventies kitsch affair. But it just failed to deliver. The comedy was dire (alright, I might have missed a few Spanish language one-liners, but judging by the noises the Spanish audience were making, I doubt it). But really, what's going on? How on earth did this make it past greenlighting? It can't be entertainment, surely.

Nevertheless, before sitting down to write this review, I endeavoured to find some positive aspects of the film. And, to my surprise, there were one or two diamonds in the very, very rough. Firstly: the title sequence - lovely, stylised animation, nice attention to seventies detail. Secondly, the goat gave a sterling performance - I can honestly say I have never seen a goat play dead quite as realistically - fantastic! (In comparison). Finally, the comedy old mother is alright, I suppose. But animation, goats and mothers aside, there isn't a lot to look forward too, I'm afraid.

The thing is - it's all so bloomin' unnecessary. There is no need for all the naked women (no there isn't, to all those lecherous readers out there), there is no need to push the jokes quite as far as they try, because the jokes don't work on their own. There was just no point in making the film: a brief comedy sketch on "Saturday Night Live", fine - but a feature-length movie? Never. "Muertos De Risa" is crass, stupid, unnecessary and irritating (like most of the actors). I don't think I've ever hated a movie quite as much: which is good, I'm glad it's got my passion up. I might try to watch it with subtitles, just to see if I did miss something stupendous - and you will be the first to know if I did. But I really don't hold out much hope.

Alright - this is a personal opinion; you, of course, might love it. But my advice is this: if you're after screwball Spanish comedy, watch "El Milagro De P.Tinto", if you're after soft porn, watch anything by Russ Meyer, and if you're after an example of the best Spanish cinema has to offer, then try "Todo Sobre Mi Madre". If, however, you're after something to irritate the hell out of your friends and family, maybe this is the film for you. It certainly isn't for me.

I can't believe there are people who like this movie. Of course, their opinion is as valid as mine, but it's hard for me to understand that. What's in this movie? A few pseudo-comic scenes, several references to old spanish TV programs and music hits (if you want to feel nostalgic with all that stuff you can watch a spanish TV documentary instead and that'll be surely better), and a surreal plot only understood by the people who made the film. I must confess I didn't laugh a single time, perhaps I smiled twice or three times during the whole movie. Sorry, Santiago, I don't like it !

My rating is 4 out of 10 (and I'm being generous because I'm spanish).

I just saw this film at the Fantasia festival here in Montreal. The festival mostly shows action/kung-fu movies, but this is definitely not in that category. This film makes you want to get up and scream...but what would you say?

I don't know how this film got made, as I don't know much about the Spanish film industry, but I'm suddenly really intrigued. This film delivers!

The acting, directing, music and costumes are all great, but the writing is off the charts. I want to see more films like this. It made me laugh so hard and made take a serious look at how I perceive celebrities-I was in good hands during this film.

DON'T MISS IT

4/4

De la Iglesia is back with a tragical comedy about two Spanish comedians of the 70s. Including homages to old shows as "Un, Dos, Tres" and "Directísimo", this is a comical (Or tragical?) approach to the last 25 years of Spanish history. Segura and Wyoming, comical as always, blend into their characters. The movie is a lot of fun, especially for those who know the historical period. Despite some criticism, I think this is, with "El Día de la Bestia", De la Iglesia´s best film.

The idea was very clever; the director was one of the best in Spain; the cast was stellar, putting together some of the most famous comedians in the country; even the song that came with it was a huge hit in the Spanish charts! It couldn't fail, could it? Yet it did.

Because this was supposed to be a comedy, but it doesn't have a single laugh-worthy joke. Seriously. I really wanted to enjoy it, because I'm a fan of all the main players involved (de la Iglesia, Segura, Wyoming, Angulo), but I found myself staying silent throughout the whole thing. The problem is probably that the comedy is so black, that it's not comedy any more. It just isn't funny. But it doesn't work as a tragic drama either, because the story is so exaggerated and so absurd, that it's impossible to take it seriously. So it simply doesn't work at all. A pity of wasted talent.