The Sixth Sense - Nicht jede Gabe ist ein Segen

This is perhaps my film of the decade so far. The reasons are too numerous to go into in such a short critique. Surely there have not been too many films that can take you through the range of emotions that the Sixth Sense does. The prime emotion; fear, is a difficult emotion to generate in a modern audience that has seen it all before, but this film succeeds where others fail, praying on your imagination and generating suspense from subtle devices rather than blatant horror.

It is such a relief that the performances of Willis and the excellent Osment live up to an excellently directed quality storyline. I will be disappointed if the youngster doesn't receive at least an academy nomination.

I seldom go to the cinema twice to watch a film, in fact I cannot remember when I have done it before. Tonight I am taking an old friend to see this film as it will be a tragedy if he doesn't see it on the big screen. He has heard so much about it that he is reluctant to go, as I am when something is over-hyped. Just for a change though, here is a film that lives up to its billing and has you thinking about it for weeks to come. As for the twist at the end? Well it totally disorientated me, my mind spinning back throughout the whole film. A fantastic punchline to my film of the year.

Review: The Sixth Sense, Director: M. Night Shyamalam

As a film which has undoubtedly caught the eye of the film going world, it was difficult to avoid the surrounding hype and publicity. Luckily most of the people I had spoken to who had seen the film did not spoil the 'twist' at the end, which, although is rather a laboured point by now in reviews, certainly adds to the "Oh, I see now" factor.

The story revolves around a child psychologist played characteristically by Bruce Willis. I say characteristically, because although his portrayal is quite real, and at times touching, there always seems to be an unnerving 'Die Hard'-ness to his speech, lending the dialogue some comical qualities. Having said that, his overall attempts at revealing the vulnerable and disturbed psyche of his character achieve good results. As the psychologist, he is plagued by a particular event in his professional life which he perceives as his personal failure, and sets out to redeem himself by righting the wrong and wiping his failure from his conscience. This opportunity presents itself to him in the form of Cole Sear, played devastatingly well by Hayley Joel Osment. Cole has a problem, he sees dead people. To the outside world he is seen as a loner, a problem child, and has become increasingly isolated. Hence the need for a child psychologist. Once we have been introduced to these two central players, we are taken on a journey of discovery, as both of these characters in the space of the film will learn a great deal about each other, themselves and human nature.

It is this particular point which the film attempts to address so strongly - human communication. That when this breaks down, an inevitable cycle of interpersonal destruction takes course, sometimes irreversible. This is framed within the context of a superbly told ghost story. The sheer truthfulness and honesty with which the concept of fear is expressed by all the characters, is breathtaking. Cole's' experience of the walking dead, appearing out of nowhere, Malcolm's fear of a deteriorating marriage, and Cole's' mother's fear relating to her own existential angst. All of these are played against the backdrop of the often difficult but finally warm relationship between Cole and Malcolm. Eventually, and against the odds, each character displays courage and bravery as they face up to their existential and supernatural fears.

There are one or two niggling problems plot wise, but in a film where the overall atmosphere created is one which encompasses death, fear, and finally hope, it is impossible not to overlook incongruencies. Superb direction, acting and ambience lead me to think that M. Night Shyamalan has really succeeded in telling a chillingly touching story about the triumph of the human spirit.

February 14, 2000 Harshad C. Keval

What makes this film so wonderful to watch is not simply the acting, or the terror it instills, or even the plot itself. It is the way in which the writer/director M. Night Shyamalan takes his vision from the page, and carefully crafts a tale that completely absorbs the viewer. As a result, we are treated to a wealth of emotion: fear, sadness, joy, confusion, and humor, each one a compliment to the other.

Haley Joel Osment delivers, plain and simple. By now, so much has been said about the young actor that any more would be repetition. Needless to say, his portrayal of Cole Sear is remarkable. His ability to communicate, through a simple look or gesture, the depths to which his character's soul has been thrust is what truly carries the film. He succeeds at this task beautifully, convincing us while never going over the top; indeed, by the time Cole utters his now-famous line, you not only believe him, you are chilled by the fact that Osment the actor may actually believe it himself.

Bruce Willis turns in a stellar performance, complimenting his young co-star while never overshadowing him. It is a tribute to his respect of the material in so much as he fine tunes his delivery to seem reserved, yet not too toned down.

The Sixth Sense is more than simply a wondrous two hours. It has, in effect, created a new genre of filmmaking... the film is neither drama, nor horror, nor action. Rather, it is a seamless blending of all three, a film that encompasses the best aspects of each genre, without being limited by the worst. Hollywood has taken notice of this, and one can only expect a series of poor imitations to follow. But at least they'll always have The Sixth Sense to guide the way.

This is an incredibly powerful film. Awash with emotion but never stooping to sentimentality this is the story of one frightened little boy you will never forget. All your worst childhood nightmares: the noises in the attic, the intruder in your house, that cold breath that makes your hair stand on end are here and then some.

Bruce Willis gives one of the best performances of his career as the child psychologist trying to get himself back on track after a violent encounter with a former patient and it would be a crime if Haley Joel Osment were overlooked at coming awards ceremonies for his powerful performance here. It has been a long time since a child actor displayed such maturity in a role. Cole's innocent little face hidden behind his absent father's large-framed spectacles betrays a child coming to terms with a terrifying secret in the only way he can.

You don't need to go and see this film again to realise why the end is such a surprise but you will rush out to watch it again purely because it's an almost perfect example of it's genre.

Laugh, cry, jump a mile out of your seat, sigh with relief - but not too early... We did!

The Sixth Sense is a brilliant film, plain and simple. It is unique in that it relies on imagination and psychology to scare you and make you think twice about the world around you. The director did a fabulous job constructing the imagery of the film, and I genuinely did not know about the ending until it was revealed. Quite a shock! The Sixth Sense goes in my book as the single greatest psychological horror film I have ever seen. Anyone who bashes it are simply not giving it a chance or don't fully realize the complex dialog and imagery around them. Brilliant