No se lo digas a nadie

The film has been shown in some festivals, but we don't think it had a commercial run in this country. We caught with it recently on DVD format. The movie, directed by Francisco Lombardi, is based on the novel by television personality and writer, Jaime Bayly, with an adaptation by Giovanna Pollarolo. The film is a frank account on the Peruvian society.

It's clear from the start that Joaquin is gay. He has been sheltered by his mother, against his father's wishes. As a way to initiate the young boy in a the typical Peruvian man's world, Luis Felipe, the father, decides to take him hunting, with no good results. Then, the father takes the young man to one of Lima's best house of ill repute, an experience that ends badly.

Joaquin likes Alejandra, the young college student. She feels the attraction as well, but Joaquin has an eye for attractive guys. When Gonzalo and Rocio appear at a disco, Joaquin feels attracted to the hunky young man. It's clear Gonzalo is also interested in Joaquin and thus begins their sexual involvement that will not produce the results either one expected. Gonzalo wants to keep seeing Joaquin, but wants to marry Rocio, but Joaquin, in a fit of anger confesses to the young woman her fiancé is having an affair with him and they Gonzalo leaves him.

The movie is a complex character study about the duality most of these rich young men of the upper crust of the Peruvian society and how they feel about casual gay sex. In a society dominated by the machismo, they must hide away in a married life that is a cover up for the way homosexuality is concealed.

The film is honest in the way it deals with this subject. Santiago Magill makes Joaquin credible in his appealing performance. Lucia Jimenez is also good as Alejandra, the girl that loved him. Christian Meier plays the closeted Gonzalo. Giovanni Ciccia's take on the troubled rich boy Alfonso is right. The rest of the cast does an excellent job in portraying all the upper class people in the movie.

Francisco Lombardi directed with panache this story about a taboo in that type of society.

If you are inclined to indulge yourself in a fresh, candid, and rather engaging cinematic view of modern sexual mores involving a certain upper-class segment of society in Peru's capital city, this is the place to find it. Admittedly that description limits the size of its intended audience somewhat. Nevertheless, this film will appeal to anyone who likes a combination of good production values and autobiographical breastbaring -- so to speak.

The writer is in fact extending his reputedly autobiographical novel into new literary territory. The result is a good if not great movie. It preaches a bit without being preachy as regards racism, class prejudice, homophobia, drugs, and personal loyalties. The central character is by turns likable and unlikeable as he tries to find his true character during puberty and into young adulthood.

I give high marks not only to the principal actors but also to the director.

There are no false steps and few unexplored viewpoints in this story, which starts at the beginning and ends at the end (a rarity in these days of overwrought angularity in the movie business). Unlike some comments already given, I would call the ending appropriately incomplete rather than "sad" or "happy."

Which is as it should be. Ten of ten.

It's a shame this movie, showcased at the February 1999 Miami Film Festival to a sold out crowd of almost 2,000, has not been distributed outside its home territory of Peru. To North Americans and Europeans, it is only another coming out story, but for Latin America, it's a break out film, based on a break out novel (Read it. Its ending is not compromised for commercial reasons as the film's ending is.)

"No se lo digas a nadie" is a film that is showing in several theaters in Mexico City, following a trend of showing gay themed movies outside art clubs. I think it is a good reflection of what coming out is in Latin America for upper class youth, it shows the alienation that can lead to drug abuse, something that is not particular to this part of the world, as Australian movie "Head on" shows; but more tellingly, it shows the absence of a gay subculture, or at least, in such deeply class divided cultures as Peru and Mexico, the preeminence of class identity over sexual identity. It is thus not only possible but even mandatory for people with a homosexual orientation to marry within the appropriate social circle, while at the same time having homosexual encounters. I think this movie is at times excessively caricaturesque in its portrayal of machismo and its counterpart, submissiveness and religiousness in Latin American women, I felt like I was watching one of the soap operas the region is famous the world over, but on the whole I think the movie is on target in its honest portrayal of the subject.

'No Se Lo Digas A Nadie' ('Don't Tell Anyone') is probably a good PR line for this little film trying to be something grand. In excess of two hours director Francisco J. Lombardi makes an attempt to bring to life the autobiography of gay Peruvian talk show host Jaime Bayly and to explore the angst of teenagers and college students finding their way into the adult world. What results is a soap opera treatment that wades around in a lot of self-pity and wrong choices.

Joaquin Camino (Santiago Magill) struggles as a child with his terrible secret of attraction to boys in a home atmosphere of a macho homophobic father and a religious zealot mother. He tries girls, even a graduation gift prostitute compliments of his father, but he is unable to 'be a man' and after high school runs away from home. In college he mixes with the marijuana and cocaine crowd, unsuccessfully attempts physical affection for his girlfriend Alejandra (Lucía Jiménez) but eventually falls in love with a closet case to end all closet cases Gonzalo (Christian Meier) who runs when Joaquin makes it clear he is available for a relationship. This is the manner of the tale which eventually resolves in demonstrating how many young people hide their true identities behind alcohol and drugs and the fast life: the story as expected has no real ending because of the lack of ultimate character definition.

The cast is fairly strong, especially Santiago Magill, and they try to make the best of a thin script. Production values fit the mood of the film and there are some fine little moments that justify watching it. In the long run the movie seems to be afraid to offend anyone and that fear keeps it from being bold enough to make a clear statement about human sexuality. Perhaps this is because the film is from a Latin American culture (Peru), but basically it is a lost opportunity. Grady Harp